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Metal Print : An Akkadian white stone cylinder seal, circa 2300-2159 B. C
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An Akkadian white stone cylinder seal, circa 2300-2159 B. C
7144824 An Akkadian white stone cylinder seal, circa 2300-2159 B.C. by Akkadian (c.2350-2150 BC); Private Collection; (add.info.: With mottled purple veins, engraved with the goddess Ishtar seated to the left, with three weapons rising up from each shoulder, wearing a flounced garment and a horned headdress, a diminutive attendant goddess standing behind her, a biconical stand before her, an intermediary god to the right in a long kilt and a horned headdress presenting a worshipper holding a small animal, a child in between them, a worshipper behind them holding a situla, a star disk, a crescent and a circle in the sky); Photo © Christies Images
Media ID 25216022
© Christie's Images / Bridgeman Images
20"x24" (61x51cm) Metal Print
Bring ancient history to life with our Media Storehouse Metal Prints. This exquisite piece features an Akkadian white stone cylinder seal from around 2300-2159 BC, showcasing intricate designs and vibrant mottled purple veins. Captured from the private collection and sourced from Bridgeman Images through Fine Art Finder, this metal print adds a touch of timeless sophistication and historical depth to any space. Experience the rich history of the Akkadian civilization with this stunning, high-quality print.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 60.9cm x 50.8cm (24" x 20")
Estimated Product Size is 61.5cm x 51.4cm (24.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases an exquisite Akkadian white stone cylinder seal, dating back to the period between 2300 and 2159 B. C. Crafted by the skilled hands of an Akkadian artist, this ancient artifact is a testament to the rich cultural heritage of Mesopotamia. The intricate details etched onto the seal depict Ishtar, the goddess of love and war, seated majestically to the left. Adorned with a flounced garment and a horned headdress, she exudes power and grace. Rising from each shoulder are three weapons symbolizing her role as a formidable warrior deity. Beside Ishtar stands a diminutive attendant goddess, faithfully serving her divine mistress. A biconical stand rests before Ishtar while an intermediary god appears on the right side in traditional attire presenting a worshipper holding a small animal. Between them stands a child, perhaps representing innocence or devotion. Intriguingly, another worshipper can be seen behind them clutching a situla—a vessel used for ritual purposes—while celestial symbols such as star disks, crescents, and circles adorn the sky above. The mottled purple veins running through this remarkable piece add depth and character to its already mesmerizing beauty. This photograph not only captures every intricacy of this ancient carving but also transports us back in time to witness firsthand the artistic brilliance that flourished thousands of years ago in Mesopotamia.
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