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Metal Print : Extirpation of the Plagues of Egypt, published by Hannah Humphrey in 1798
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Extirpation of the Plagues of Egypt, published by Hannah Humphrey in 1798
NCO190156 Extirpation of the Plagues of Egypt, published by Hannah Humphrey in 1798 (etching & engraving with w/c on paper) by Gillray, James (1757-1815); 26.2x36.5 cm; Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: defeat of French navy at Aboukir Bay in 1798 by Admiral Horatio Nelson (1758-1805); French ships depicted as crocodiles; ); English, out of copyright
Media ID 23224232
© Bridgeman Images
Amphibian Battle Of The Nile Captured Crocodile Defeated Drowning Epaulettes Exploded Explosion Medals Political Satire Power Propaganda Propagandistic Pyramid Revolutionary Wars Sinking Tethered Tricolour
16"x20" (51x41cm) Metal Print
Bring history to life with our stunning Metal Prints featuring the iconic 'Extirpation of the Plagues of Egypt' by James Gillray, published by Hannah Humphrey in 1798. This captivating etching and engraving with watercolor on paper, available through Bridgeman Images from Fine Art Finder, showcases the biblical tale of the ten plagues inflicted upon the Egyptians. Each Metal Print is meticulously crafted, providing a vibrant and durable display of this iconic work. Experience the rich details and intricate lines as if you were holding the original piece in your hands. Add this timeless masterpiece to your home or office décor and start a conversation about the power of art to transport us through time.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The captivating print "Extirpation of the Plagues of Egypt" published by Hannah Humphrey in 1798, showcases the extraordinary artistic talent of James Gillray. This etching and engraving with watercolor on paper transports viewers to a pivotal moment in history - the defeat of the French navy at Aboukir Bay by Admiral Horatio Nelson. Gillray's masterful depiction portrays French ships transformed into menacing crocodiles, symbolizing their predatory nature. The image serves as a powerful political satire, highlighting British might and triumph over their adversaries during the Revolutionary Wars. The heroic figure of Admiral Nelson takes center stage, wielding a club as he leads his troops to victory against an exploding enemy vessel. This propagandistic artwork not only celebrates British naval power but also emphasizes its dominance over foreign territories such as Egypt. With an Egyptian coast and pyramid serving as a backdrop, Gillray conveys Britain's control over distant lands through military conquest. The satirical elements within this piece are evident through clever details like medals adorning Nelson's uniform and his distinctive epaulettes. These symbols further emphasize his status as a national hero while mocking France's failed attempts at expansion. Overall, this historic print captures both the dramatic battle scene and Gillray's skillful use of satire to convey political messages. It stands as a testament to the enduring impact that art can have in shaping public opinion and commemorating significant events in human history.
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