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Metal Print : Signature of King Leopold II (1835-1909) approving the annexation of Congo to Belgium
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Signature of King Leopold II (1835-1909) approving the annexation of Congo to Belgium
CHT230808 Signature of King Leopold II (1835-1909) approving the annexation of Congo to Belgium, 1908 (pen & ink on paper) (b/w photo) by Belgian School, (20th century); Private Collection; (add.info.: founder and sole owner of the Congo Free State; private enterprise to extract rubber and ivory; the Belgian Parliament had compelled the King to cede the Congo Free State, formerly his personal private property, to Belgium; ); eArchives Charmet; Belgian, out of copyright
Media ID 23209574
© Archives Charmet / Bridgeman Images
16"x20" (51x41cm) Metal Print
Bring history to life with Media Storehouse's Metal Prints featuring the Signature of King Leopold II (1835-1909) approving the annexation of Congo to Belgium. This captivating image, captured by Bridgeman Images from Fine Art Finder, showcases a pivotal moment in history with intricate pen & ink detail. Our high-quality Metal Prints not only enhance the visual appeal of your space but also provide a durable and long-lasting display solution. Add this historical masterpiece to your collection and ignite conversation with its unique and vibrant presentation.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures a significant moment in history - the signature of King Leopold II, approving the annexation of Congo to Belgium. The image showcases the meticulous pen and ink drawing of this historic document, created by an artist from the Belgian School in the 20th century. King Leopold II, known as the founder and sole owner of the Congo Free State, played a pivotal role in establishing private enterprises for extracting rubber and ivory from this African region. However, due to mounting pressure from the Belgian Parliament, he was compelled to cede control over Congo to Belgium. The photograph not only highlights this crucial turning point but also sheds light on colonialism and its impact on Africa's history. It serves as a stark reminder of how European powers sought to exploit resources and territories during that era. With its intricate details captured through pen strokes on paper, this image invites viewers into a deeper exploration of colonial history. It prompts reflection on themes such as power dynamics, exploitation, and resistance within colonial contexts. Preserved within a private collection but made accessible through eArchives Charmet, this artwork stands as both an artistic representation and historical artifact. Its significance lies not only in documenting King Leopold II's approval but also in sparking conversations about past injustices while encouraging us to learn from them for a more equitable future.
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