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Fine Art Print : Signature of King Leopold II (1835-1909) approving the annexation of Congo to Belgium

Signature of King Leopold II (1835-1909) approving the annexation of Congo to Belgium



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Signature of King Leopold II (1835-1909) approving the annexation of Congo to Belgium

CHT230808 Signature of King Leopold II (1835-1909) approving the annexation of Congo to Belgium, 1908 (pen & ink on paper) (b/w photo) by Belgian School, (20th century); Private Collection; (add.info.: founder and sole owner of the Congo Free State; private enterprise to extract rubber and ivory; the Belgian Parliament had compelled the King to cede the Congo Free State, formerly his personal private property, to Belgium; ); eArchives Charmet; Belgian, out of copyright

Media ID 23209574

© Archives Charmet / Bridgeman Images

Colonial History


20"x16" (+3" Border) Fine Art Print

Step into history with this captivating fine art print from Media Storehouse. Witness the significant moment as King Leopold II of Belgium (1835-1909) signs the decree approving the annexation of the Congo in 1908. This pen and ink on paper artwork, created by the Belgian School, offers a unique glimpse into the past, providing a thought-provoking addition to any home or office space. Bring history to life with this exquisite piece from Fine Art Finder by Bridgeman Images.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 50.2cm x 40.6cm (19.8" x 16")

Estimated Product Size is 66cm x 55.9cm (26" x 22")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Adolphe Giraudon

> Fine Art Finder > Artists > Belgian School

> Fine Art Finder > Manuscripts, Contracts & Documents

> Animals > Fishes > S > Sole

> Europe > Belgium > Posters

> Europe > Belgium > Related Images

> Historic > Colonial history > Colonial art and artists

> Historic > Colonial history


EDITORS COMMENTS
This print captures a significant moment in history - the signature of King Leopold II, approving the annexation of Congo to Belgium. The image showcases the meticulous pen and ink drawing of this historic document, created by an artist from the Belgian School in the 20th century. King Leopold II, known as the founder and sole owner of the Congo Free State, played a pivotal role in establishing private enterprises for extracting rubber and ivory from this African region. However, due to mounting pressure from the Belgian Parliament, he was compelled to cede control over Congo to Belgium. The photograph not only highlights this crucial turning point but also sheds light on colonialism and its impact on Africa's history. It serves as a stark reminder of how European powers sought to exploit resources and territories during that era. With its intricate details captured through pen strokes on paper, this image invites viewers into a deeper exploration of colonial history. It prompts reflection on themes such as power dynamics, exploitation, and resistance within colonial contexts. Preserved within a private collection but made accessible through eArchives Charmet, this artwork stands as both an artistic representation and historical artifact. Its significance lies not only in documenting King Leopold II's approval but also in sparking conversations about past injustices while encouraging us to learn from them for a more equitable future.

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