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Metal Print : End of the yugoslav demonstration with italian crowd booing in the background in Trieste

End of the yugoslav demonstration with italian crowd booing in the background in Trieste



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End of the yugoslav demonstration with italian crowd booing in the background in Trieste

End of the yugoslav demonstration with italian crowd booing in the background in Trieste Trieste. Date of Photograph:01/05/1946

Wulz, Marion
WSA-F-003732-0000

Media ID 33280425

© Alinari Archives, Florence

Armed Forces Armed Forces And Military Life Athlete Automobile Business Sign Commercial Flag Flag Pole Gallery Insignia Jacket Mood Images Of An Official Demonstration Overcoat Shop Shutters Sport Store Thematic Searches Track Truck Abstract Concept And Symbol By Land Concept Or Subject Expressed Emblem Envy For Daytime On The Road Society And Politics With Action


20"x24" (61x51cm) Metal Print

Experience history in high definition with our Media Storehouse Metal Print of Marion Wulz's iconic photograph, "End of the Yugoslav Demonstration with Italian Crowd Booing in the Background in Trieste." Captured on May 1, 1946, this powerful image documents a pivotal moment in European history. The rich, vibrant colors and stunning detail of this Metal Print bring the past to life, making it a captivating addition to any home or office. Preserve this piece of history for generations to come with our premium Metal Print, featuring a sleek, modern design and durable, long-lasting materials.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 60.9cm (20" x 24")

Estimated Product Size is 51.4cm x 61.5cm (20.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Alinari > Wulz > Studio Wulz

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> Arts > Still life artwork > Abstract art

> Arts > Still life artwork > Still life art > Abstract art


End of the Yugoslav Demonstration - A Symbolic Clash in Trieste

EDITORS COMMENTS
. This photo print, captured by Marion Wulz on January 5th, 1946, transports us back to a significant moment in history. The image depicts the aftermath of a powerful demonstration that took place in Trieste, Italy. As we gaze upon this scene frozen in time, we witness an intense clash between two nations. In the background stands a vast crowd of Italian spectators who are visibly expressing their disapproval with boos and jeers. Their faces reflect a mix of anger and frustration as they observe what seems to be the end of this tumultuous event. The atmosphere is charged with tension and animosity. Amidst this chaotic backdrop, various elements catch our attention. A business sign hangs above an urban storefront adorned with flags and emblems representing both countries involved - Yugoslavia and Italy. This juxtaposition symbolizes the deep-rooted societal and political divisions that existed during those times. The photograph also captures glimpses of everyday life amidst the chaos: people dressed in fashionable clothing from that era; men wearing hats or military headdresses; women wrapped up warmly in jackets or overcoats against the chilly winter air. Further adding to the complexity of this snapshot are scenes depicting athletes engaged in sports activities nearby while trucks rumble past on city streets – all serving as reminders that life continues despite these tense moments. Wulz's composition skillfully encapsulates not only a specific historical event but also broader themes such as nationalism, conflict, unity, and resilience. It serves as a poignant reminder of how deeply intertwined politics can be within society's fabric. As we contemplate "End of the Yugoslav Demonstration" let us remember its significance beyond mere aesthetics – it is an allegory for human struggles against division while striving for harmony among nations.

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