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Envy Collection

Envy, a green-eyed monster that lurks within the depths of our souls, has long been a subject of fascination for artists and thinkers alike. From H. M

Background imageEnvy Collection: Mental Cruelty by H. M. Bateman

Mental Cruelty by H. M. Bateman
A banks customer struggles to control his reactions at seeing piles of money being handled by the staff behind the counter

Background imageEnvy Collection: Allegories of Pleasure and Pain and of Envy, c1480 (1945). Artist: Leonardo da Vinci

Allegories of Pleasure and Pain and of Envy, c1480 (1945). Artist: Leonardo da Vinci
Allegories of Pleasure and Pain and of Envy, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageEnvy Collection: Tabletop of the Seven Deadly Sins and the Four Last Things (oil on panel) (detail

Tabletop of the Seven Deadly Sins and the Four Last Things (oil on panel) (detail
XIR216641 Tabletop of the Seven Deadly Sins and the Four Last Things (oil on panel) (detail of 169586) by Bosch, Hieronymus (c.1450-1516); Prado, Madrid

Background imageEnvy Collection: POSADA: SEVEN DEADLY SINS. A rich man hounded by the Seven Deadly Sins

POSADA: SEVEN DEADLY SINS. A rich man hounded by the Seven Deadly Sins. Type metal engraving, early 20th century, by Jos

Background imageEnvy Collection: Jealousy by H. M. Bateman

Jealousy by H. M. Bateman
A dental patient sits prone in a the dentists chair with his mouth wide open while his dentist is momentarily distracted by the sight of workmen with much bigger drills across the road

Background imageEnvy Collection: Showgirls Changing Room

Showgirls Changing Room
No doubt the envy of all his friends, this page boy has the important task of delivering messages and cards backstage, where most are prohibited from entering - hope he knocked!

Background imageEnvy Collection: The Seven Deadly Sins, bas-reliefs in Lynchmere Church, Sussex (b/w photo)

The Seven Deadly Sins, bas-reliefs in Lynchmere Church, Sussex (b/w photo)
8676066 The Seven Deadly Sins, bas-reliefs in Lynchmere Church, Sussex (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: The Seven Deadly Sins)

Background imageEnvy Collection: Duties towards oneself: the soul. Modesty - Pride - Vanite. The envious granouille who wants to

Duties towards oneself: the soul. Modesty - Pride - Vanite. The envious granouille who wants to get as big as beef
DUV4212619 Duties towards oneself: the soul. Modesty - Pride - Vanite. The envious granouille who wants to get as big as beef

Background imageEnvy Collection: Yeddart and Hodge in a jealous fight over a pot of ale. Copperplate engraving by Thomas Sanders

Yeddart and Hodge in a jealous fight over a pot of ale. Copperplate engraving by Thomas Sanders after a satirical
FLO4718061 Yeddart and Hodge in a jealous fight over a pot of ale. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786)

Background imageEnvy Collection: Scottish drinks Dewar's whisky with his ancestors, 1902 (print)

Scottish drinks Dewar's whisky with his ancestors, 1902 (print)
7422870 Scottish drinks Dewar's whisky with his ancestors, 1902 (print); (add.info.: Food and beverage. Scottish drinks Dewar's whisky with his ancestors)

Background imageEnvy Collection: Nudist art: Envy (b/w photo)

Nudist art: Envy (b/w photo)
8632707 Nudist art: Envy (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Envy. Illustration for Nudist Art)

Background imageEnvy Collection: The feast of monks violating monastic rules, 18th century (Engraving)

The feast of monks violating monastic rules, 18th century (Engraving)
6437876 The feast of monks violating monastic rules, 18th century (Engraving); Private Collection; (add.info.: Religion Catholic religion. The feast of monks violating monastic rules)

Background imageEnvy Collection: The feast of monks violating monastic rules. They drink wine, court the maids

The feast of monks violating monastic rules. They drink wine, court the maids. 18th century (Engraving)
6437874 The feast of monks violating monastic rules. They drink wine, court the maids. 18th century (Engraving); Private Collection; (add.info.: Religion Catholic religion)

Background imageEnvy Collection: Three ugly country bumpkins in competition over their looks. Copperplate engraving by Thomas

Three ugly country bumpkins in competition over their looks. Copperplate engraving by Thomas Sanders after a satirical
FLO4718340 Three ugly country bumpkins in competition over their looks. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786)

Background imageEnvy Collection: Illustration by Ch. Delhomme of an 1847 edition of Florian's fables: the two bald - they fight

Illustration by Ch. Delhomme of an 1847 edition of Florian's fables: the two bald - they fight
PCT4292303 Illustration by Ch. Delhomme of an 1847 edition of Florian's fables: the two bald - they fight and fight for an object they saw on the ground

Background imageEnvy Collection: Statues of Chinese gods: Kin-gan or Chin-hoan, god of tutelage

Statues of Chinese gods: Kin-gan or Chin-hoan, god of tutelage, Ni-ni-fo or Fo-tek god of voluptuousness
FLO4622401 Statues of Chinese gods: Kin-gan or Chin-hoan, god of tutelage, Ni-ni-fo or Fo-tek god of voluptuousness, and god of immortality with deer and crane

Background imageEnvy Collection: Reid, Blaine and Logan walking ahead of political figures, 1885

Reid, Blaine and Logan walking ahead of political figures, 1885
1576758 Reid, Blaine and Logan walking ahead of political figures, 1885; (add.info.: Harmony and envy' A street scene with three monks, Whitelaw Reid, James G)

Background imageEnvy Collection: Letter J: JUSTICE is the sanction of chosen conduct: from the merite of others let us not have

Letter J: JUSTICE is the sanction of chosen conduct: from the merite of others let us not have jealousy
DUV4206573 Letter J: JUSTICE is the sanction of chosen conduct: from the merite of others let us not have jealousy. Engraving in " ABC. Alphabet of good advice and mistakes to avoid". Ch

Background imageEnvy Collection: Pierrot (b/w photo)

Pierrot (b/w photo)
8634496 Pierrot (b/w photo) by French Photographer, (20th century); Private Collection; (add.info.: Pierrot. One of a set of six postcards, early 20th century.); © Look and Learn.

Background imageEnvy Collection: I sette vizi capitale (The seven main sins). Creator: Fabbi, Fabio (1861-1946)

I sette vizi capitale (The seven main sins). Creator: Fabbi, Fabio (1861-1946)
I sette vizi capitale (The seven main sins). Found in the Collection of the Museo Ottocento Bologna.

Background imageEnvy Collection: The Myth of Io, c1490. Creator: Bartolomeo di Giovanni

The Myth of Io, c1490. Creator: Bartolomeo di Giovanni
The Myth of Io, c1490. As told by the Roman poet Ovid (43 BCE-17 CE) in his "Metamorphoses, " the beautiful nymph Io was seduced by Jupiter, king of the gods

Background imageEnvy Collection: Gorgin Leads Bishan Astray, Folio from a Shahnama (Book of Kings), between 1620 and 1623

Gorgin Leads Bishan Astray, Folio from a Shahnama (Book of Kings), between 1620 and 1623. Creator: Unknown
Gorgin Leads Bishan Astray, Folio from a Shahnama (Book of Kings), between 1620 and 1623

Background imageEnvy Collection: In a Fit of Jealousy Arai Tokichi Hurls a Rock at Ohana, c1875. Creator: Tsukioka Yoshitoshi

In a Fit of Jealousy Arai Tokichi Hurls a Rock at Ohana, c1875. Creator: Tsukioka Yoshitoshi
In a Fit of Jealousy Arai Tokichi Hurls a Rock at Ohana, c1875. From The Postal News, no. 601

Background imageEnvy Collection: Envy, c1621. Creator: Jacques Callot

Envy, c1621. Creator: Jacques Callot
Envy, c1621. From The Seven Deadly Sins

Background imageEnvy Collection: Envy, c1587. Creator: Jacob Matham

Envy, c1587. Creator: Jacob Matham
Envy, c1587. Series: The Vices, plate 5

Background imageEnvy Collection: C'est singulier... il ne me vient plus d'idées maintenant... 1844. Creator: Honore Daumier

C'est singulier... il ne me vient plus d'idées maintenant... 1844. Creator: Honore Daumier
C'est singulier... il ne me vient plus d'idees maintenant... 1844. C'est singulier...il ne me vient plus d'idees maintenant que lorsque je suis au bois de Boulogne et que je trotte

Background imageEnvy Collection: Atis and Galathea, 1761. Creator: Pompeo Batoni

Atis and Galathea, 1761. Creator: Pompeo Batoni
Atis and Galathea, 1761

Background imageEnvy Collection: Cain Slaying Abel, 1715-1728. Creators: Paolo de Matteis, Luca Giordano

Cain Slaying Abel, 1715-1728. Creators: Paolo de Matteis, Luca Giordano
Cain Slaying Abel, 1715-1728

Background imageEnvy Collection: The Haywain or Tribulations of human life (Tapestry), ca 1550-1565

The Haywain or Tribulations of human life (Tapestry), ca 1550-1565. Creator: Brussels Manufactory (1515-1525)
The Haywain or Tribulations of human life (Tapestry), ca 1550-1565. Found in the collection of the Patrimonio Nacional, Madrid

Background imageEnvy Collection: Emblem with Hope, Tribulation, Envy, and Tolerance, 1529. Creator: Master I. B

Emblem with Hope, Tribulation, Envy, and Tolerance, 1529. Creator: Master I. B
Emblem with Hope, Tribulation, Envy, and Tolerance, 1529

Background imageEnvy Collection: The pride of the plantation, 1899. Creator: Jay Campbell Phillips

The pride of the plantation, 1899. Creator: Jay Campbell Phillips
The pride of the plantation, 1899

Background imageEnvy Collection: Envy, c. 1587. Creator: Jacob Matham

Envy, c. 1587. Creator: Jacob Matham
Envy, c. 1587

Background imageEnvy Collection: ''Urith: A Tale of Dartmoor', By S. Baring Gould, M. A.; 'My dear --dear Julian

'"Urith: A Tale of Dartmoor", By S. Baring Gould, M. A.; "My dear --dear Julian, " Elizabeth stroked Julian's arm with her gentle hand, "Oh Julian

Background imageEnvy Collection: Créüse consumée par la robe empoisonnée, between 1742 and 1743. Creator: Jean Francois de Troy

Créüse consumée par la robe empoisonnée, between 1742 and 1743. Creator: Jean Francois de Troy
Creuse consumee par la robe empoisonnee, between 1742 and 1743. Creusa killed by the poisoned robe. Medea, having been repudiated by Jason, gave him a robe steeped in poison for his bride

Background imageEnvy Collection: Paolo and Francesca, c1820. Creator: Pierre Claude François Delorme

Paolo and Francesca, c1820. Creator: Pierre Claude François Delorme
Paolo and Francesca, c1820

Background imageEnvy Collection: Elizabeth Duncan dancers and children, between 1916 and 1941. Creator: Arnold Genthe

Elizabeth Duncan dancers and children, between 1916 and 1941. Creator: Arnold Genthe
Elizabeth Duncan dancers and children, between 1916 and 1941

Background imageEnvy Collection: Allegory of Virtues, ca 1529. Creator: Correggio (1489-1534)

Allegory of Virtues, ca 1529. Creator: Correggio (1489-1534)
Allegory of Virtues, ca 1529. Found in the collection of the Musee du Louvre, Paris

Background imageEnvy Collection: The Seven Deadly Sins: Greed, c. 1570. Creator: Backer, Jacob, de (1540/45-ca. 1600)

The Seven Deadly Sins: Greed, c. 1570. Creator: Backer, Jacob, de (1540/45-ca. 1600)
The Seven Deadly Sins: Greed, c. 1570. Found in the Collection of the Museo di Capodimonte, Naples

Background imageEnvy Collection: Allegory of Envy, c.1505. Creator: Cristofano di Michele Martini

Allegory of Envy, c.1505. Creator: Cristofano di Michele Martini
Allegory of Envy, c.1505

Background imageEnvy Collection: Hercules Slaying Envy, 1633/34. Creator: Christoffel Jegher

Hercules Slaying Envy, 1633/34. Creator: Christoffel Jegher
Hercules Slaying Envy, 1633/34

Background imageEnvy Collection: Honest Iago, my Desdemona must I leave to thee, plate four from Othello, 1844

Honest Iago, my Desdemona must I leave to thee, plate four from Othello, 1844. Creator: Theodore Chasseriau
Honest Iago, my Desdemona must I leave to thee, plate four from Othello, 1844

Background imageEnvy Collection: Yet She Must Die, plate eleven from Othello, 1844. Creator: Theodore Chasseriau

Yet She Must Die, plate eleven from Othello, 1844. Creator: Theodore Chasseriau
Yet She Must Die, plate eleven from Othello, 1844

Background imageEnvy Collection: Yet She Must Die, plate eleven from Othello, 1844. Creator: Theodore Chasseriau

Yet She Must Die, plate eleven from Othello, 1844. Creator: Theodore Chasseriau
Yet She Must Die, plate eleven from Othello, 1844

Background imageEnvy Collection: Honest Iago, my Desdemona must I leave to thee, plate four from Othello, 1844

Honest Iago, my Desdemona must I leave to thee, plate four from Othello, 1844. Creator: Theodore Chasseriau
Honest Iago, my Desdemona must I leave to thee, plate four from Othello, 1844

Background imageEnvy Collection: Yet She Must Die, plate eleven from Othello, 1844. Creator: Theodore Chasseriau

Yet She Must Die, plate eleven from Othello, 1844. Creator: Theodore Chasseriau
Yet She Must Die, plate eleven from Othello, 1844

Background imageEnvy Collection: Yet She Must Die, plate eleven from Othello, 1844. Creator: Theodore Chasseriau

Yet She Must Die, plate eleven from Othello, 1844. Creator: Theodore Chasseriau
Yet She Must Die, plate eleven from Othello, 1844

Background imageEnvy Collection: Away!, plate seven from Othello, 1844. Creator: Theodore Chasseriau

Away!, plate seven from Othello, 1844. Creator: Theodore Chasseriau
Away!, plate seven from Othello, 1844

Background imageEnvy Collection: Honest Iago, my Desdemona must I leave to thee, plate four from Othello, 1844

Honest Iago, my Desdemona must I leave to thee, plate four from Othello, 1844. Creator: Theodore Chasseriau
Honest Iago, my Desdemona must I leave to thee, plate four from Othello, 1844



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Envy, a green-eyed monster that lurks within the depths of our souls, has long been a subject of fascination for artists and thinkers alike. From H. M. Bateman's depiction of mental cruelty to Leonardo da Vinci's allegories of pleasure and pain, envy is portrayed as a destructive force that consumes its victims. In Posada's metal engraving, we witness a rich man being hounded by the Seven Deadly Sins, with envy standing out among them. This early 20th-century artwork serves as a reminder that they are corrode even the most prosperous lives. H. M. Bateman further explores this theme in his illustration titled "Jealousy, " capturing the torment and anguish caused by comparing oneself to others. The artist skillfully portrays how they are twist one's perception and lead to mental suffering. The Tabletop of the Seven Deadly Sins and the Four Last Things provides us with an intricate visual representation of these vices, including envy. In this oil painting detail, we glimpse into the showgirls' changing room where jealousy runs rampant amidst glittering costumes and whispered rivalries. But it is not only humans who fall victim to envy; animals too are susceptible to its grip. Cecil Aldin's illustration depicts monkeys pointing at each other under an umbrella—a comical yet poignant portrayal of how even creatures in nature can be consumed by comparison and covetousness. It also finds its way into popular culture through cartoons like Carl Anderson's Henry cartoon titled "Cone Envy. " Through humor, Anderson highlights how trivial matters can trigger feelings of inadequacy and jealousy amongst individuals. Religious texts have also explored this deadly sin extensively; La Bonne Presse presents The Archangel Michael Throwing Satan out of Heaven as depicted in their catechism publication—an eternal battle against envious desires that seeks to corrupt humanity.