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CRESCENZI, Giovanni Battista (1577-1635). Pantheon

CRESCENZI, Giovanni Battista (1577-1635). Pantheon


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CRESCENZI, Giovanni Battista (1577-1635). Pantheon

CRESCENZI, Giovanni Battista (1577-1635). Pantheon of the Kings. 1620. SPAIN. San Lorenzo de El Escorial. Royal Monastery of San Lorenzo de El Escorial. Entrance door to the Royal Pantheon, made of black marble and placed in the church crypth. Baroque art. Architecture

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14182786

© P. Rotger/Iberfoto/Mary Evans

1577 1620 1635 Architect Architects Autonomous Baroque Battista Community Decorations Designer Designers Edifice Edifices Escorial Giovanni Kings Lorenzo Marble Monastery Pantheon Spaniard Spaniards Times Crescenzi Europeans Made


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Country > Spain

> Architecture > Doors

> Architecture > Styles > Baroque Architecture

> Arts > Art Movements > Baroque

> Arts > Modern art pieces

> Europe > Spain > Madrid

> Religious Art > Religious Architecture > Churches and Cathedrals


EDITORS COMMENTS
This stunning print captures the intricate beauty of Giovanni Battista Crescenzi's masterpiece, the Pantheon of the Kings. Dating back to 1620 in Spain, this architectural wonder can be found at the Royal Monastery of San Lorenzo de El Escorial. The entrance door to the Royal Pantheon is a work of art itself, crafted from black marble and placed in the church crypt. Crescenzi's Baroque style is evident in every detail of this structure, showcasing his talent as an architect during Europe's early modern era. The decorative elements on display here are a testament to his skill as a designer, with each coat meticulously placed for maximum impact. As you gaze upon this image, you can't help but marvel at the grandeur and sophistication that defines Spanish architecture. The history and culture of Spain come alive through these walls, telling stories of kings and queens who once walked these halls. This print serves as a window into a bygone era, allowing us to appreciate the craftsmanship and creativity of those who came before us. It is a reminder that even in today's fast-paced world, there is still value in preserving our past for future generations to admire and learn from.

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