Egypte Nubie Palestine et Syrie Dessins photographiques receuillis pendant les

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Egypte Nubie Palestine et Syrie Dessins photographiques receuillis pendant les

Egypte, Nubie, Palestine et Syrie. Dessins photographiques receuillis pendant les annees 1849, 1850 et 1851 accompagnes d un text explicatif et precedes d une introduction par Maxime Du Camp: Colossol Monolith of Amenhotep III, Gournah, 1849-1851. Maxime Du Camp (French, 1822-1894), Gide et J. Baudry. Salted paper print from calotype negative, Blanquart-Evrard process; image: 19.5 x 16.5 cm (7 11/16 x 6 1/2 in.); matted: 45.7 x 35.6 cm (18 x 14 in.)

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18461061

© Liszt Collection

1822 1894 Blanquart évrard Process Calotype Negative Egypte Maxime Du Camp Nubie Salted Paper Print Amenhotep Iii Baudry

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This print titled "Egypte Nubie Palestine et Syrie Dessins photographiques receuillis pendant les annees 1849,1850 et 1851 accompagnes d un text explicatif et precedes d une introduction par Maxime Du Camp: Colossol Monolith of Amenhotep III, Gournah, 1849-1851" takes us on a visual journey through ancient Egypt. The image showcases the remarkable craftsmanship and grandeur of the Colossol Monolith of Amenhotep III in Gournah. Captured by Maxime Du Camp, a renowned French photographer from the 19th century, this salted paper print is a testament to his skill and dedication. Measuring at 19.5 x 16.5 cm (7 11/16 x 6 1/2 in. ), it beautifully portrays the intricate details of this monumental structure. The Blanquart-Evrard process used to create this print adds depth and texture to the image, enhancing its overall aesthetic appeal. The calotype negative technique employed here further emphasizes the monolith's imposing presence against its surroundings. Displayed within a mat measuring at an impressive size of 45.7 x 35.6 cm (18 x14 in. ), this print demands attention and invites viewers to immerse themselves in the rich history and culture that Egypt has to offer. With its combination of artistic excellence and historical significance, this piece serves as a timeless reminder of our fascination with ancient civilizations and their architectural marvels. It stands as a tribute not only to Maxime Du Camp's talent but also to Egypt's enduring legacy as one of humanity's greatest cultural treasures.

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