1822 1894 Collection

The Sphinx with Pyramids in the background, 1852 (b / w photo)
544856 The Sphinx with Pyramids in the background, 1852 (b/w photo) by Du Camp, Maxime (1822-94); (add.info.: Giza, Egypt)

Southern Portion of the Rock-cut Temple of Hathor, Abu Simbel, 1850. Creator: Maxime Du Camp
Southern Portion of the Rock-cut Temple of Hathor, Abu Simbel, 1850. Du Camp was the first photographer to depict the marvels of ancient Egypt

Colossol Monolith of Amenhotep III, Gournah, 1849-1851. Creator: Maxime Du Camp (French
Colossol Monolith of Amenhotep III, Gournah, 1849-1851

Egypte Nubie Palestine et Syrie Dessins photographiques receuillis pendant les
Egypte, Nubie, Palestine et Syrie. Dessins photographiques receuillis pendant les annees 1849, 1850 et 1851 accompagnes d un text explicatif et precedes d une introduction par Maxime Du Camp

Thebes Palais de Karnak Sanctuaire granit et salle Hypostyle
Artokoloro

Nubie Grand Temple d Isis Philoe 1850 Salted paper print
Artokoloro

Nubie Seconde Cataracte Dgebel-Abouoir 1850 Salted paper print
Artokoloro

Nubie Grand Temple D Isis Philoe Muraille occidentale
Artokoloro

Nubie Rive Orientale du Nil Village de Bab Vue prise au sud Philoe
Artokoloro

Nubie Forteresse D Ibrym Ancienne Premmis Vue prise au sud
Artokoloro

The Sphinx with Pyramids in the background, 1852. Giza, Egypt. Photograph by Maxime Du Camp (1822-1894) French photographer

Tawhiao I (1822-1894) the Maori king of New Zealand, leader of the Wiakato tribes. Tawhiao has the fine facial tattooing of the high-ranking Maori

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"Journey through Time: Exploring Egypt's Ancient Wonders, 1822-1894" Step back in time and immerse yourself in the captivating world of ancient Egypt. This collection of stunning photographs takes us on a visual odyssey through the years 1822 to 1894, capturing the timeless beauty and grandeur of this remarkable civilization. Intriguingly, we begin our journey with a black and white photograph from 1852 featuring the enigmatic Sphinx standing proudly against the backdrop of majestic pyramids. The sheer magnitude of these iconic structures leaves us awe-inspired, wondering about their construction and purpose. Moving forward, we encounter Maxime Du Camp's masterpiece - a glimpse into the southern portion of the rock-cut Temple of Hathor at Abu Simbel. The intricate carvings adorning its walls transport us to an era where gods were worshipped fervently amidst breathtaking architecture. Our eyes then fall upon another creation by Du Camp; his lens captures the colossal monolith of Amenhotep III at Gournah. Standing tall and proud, it serves as a testament to ancient Egyptian craftsmanship and power. As we delve deeper into this mesmerizing world, we are treated to glimpses of other architectural marvels such as Karnak Palace with its granite sanctuary and hypostyle hall. These images evoke a sense of reverence for those who once walked within these sacred spaces. The enchanting temples continue to captivate our imagination as we explore Philae's Grand Temple dedicated to Isis. Salted paper prints from 1850 reveal intricate details that have stood against time itself – reminding us that even centuries later, their allure remains intact. Venturing further along Nubia's second cataract brings us face-to-face with Dgebel-Abouoir village captured in all its authenticity during an expedition in 1850. We catch glimpses of daily life along the Nile's eastern shore, where the village of Bab stands as a testament to resilience and community.