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Blanquart évrard Process Collection

The Blanquart-Evrard process, developed by Louis Désiré Blanquart-Evrard in the mid-19th century, revolutionized the world of photography

Background imageBlanquart évrard Process Collection: View of the Arruns Pass and Peak from the Pont de Soube, 1852. Creator: John Stewart

View of the Arruns Pass and Peak from the Pont de Soube, 1852. Creator: John Stewart
View of the Arruns Pass and Peak from the Pont de Soube, 1852

Background imageBlanquart évrard Process Collection: View Along the Route to Luz, Portugal, 1852-1853

View Along the Route to Luz, Portugal, 1852-1853

Background imageBlanquart évrard Process Collection: Southern Portion of the Rock-cut Temple of Hathor, Abu Simbel, 1850. Creator: Maxime Du Camp

Southern Portion of the Rock-cut Temple of Hathor, Abu Simbel, 1850. Creator: Maxime Du Camp
Southern Portion of the Rock-cut Temple of Hathor, Abu Simbel, 1850. Du Camp was the first photographer to depict the marvels of ancient Egypt

Background imageBlanquart évrard Process Collection: Colossol Monolith of Amenhotep III, Gournah, 1849-1851. Creator: Maxime Du Camp (French

Colossol Monolith of Amenhotep III, Gournah, 1849-1851. Creator: Maxime Du Camp (French
Colossol Monolith of Amenhotep III, Gournah, 1849-1851

Background imageBlanquart évrard Process Collection: View of Evreux, 1850. Creator: Hippolyte Bayard (French, 1801-1887); Blanquart-Evrard

View of Evreux, 1850. Creator: Hippolyte Bayard (French, 1801-1887); Blanquart-Evrard
View of Evreux, 1850

Background imageBlanquart évrard Process Collection: Portico of the Chateau dAnet, now at the Ecole des Beaux-Arts, Paris, 1851

Portico of the Chateau dAnet, now at the Ecole des Beaux-Arts, Paris, 1851

Background imageBlanquart évrard Process Collection: Souvenirs photographiques pl 15 book View Evreux

Souvenirs photographiques pl 15 book View Evreux
Souvenirs photographiques, pl. 15 (book): View of Evreux, 1850. Hippolyte Bayard (French, 1801-1887). Salted paper print from waxed paper negative

Background imageBlanquart évrard Process Collection: Egypte Nubie Palestine et Syrie Dessins photographiques receuillis pendant les

Egypte Nubie Palestine et Syrie Dessins photographiques receuillis pendant les
Egypte, Nubie, Palestine et Syrie. Dessins photographiques receuillis pendant les annees 1849, 1850 et 1851 accompagnes d un text explicatif et precedes d une introduction par Maxime Du Camp

Background imageBlanquart évrard Process Collection: Thebes Palais de Karnak Sanctuaire granit et salle Hypostyle

Thebes Palais de Karnak Sanctuaire granit et salle Hypostyle
Artokoloro

Background imageBlanquart évrard Process Collection: Nubie Grand Temple d Isis Philoe 1850 Salted paper print

Nubie Grand Temple d Isis Philoe 1850 Salted paper print
Artokoloro

Background imageBlanquart évrard Process Collection: Nubie Seconde Cataracte Dgebel-Abouoir 1850 Salted paper print

Nubie Seconde Cataracte Dgebel-Abouoir 1850 Salted paper print
Artokoloro

Background imageBlanquart évrard Process Collection: Nubie Grand Temple D Isis Philoe Muraille occidentale

Nubie Grand Temple D Isis Philoe Muraille occidentale
Artokoloro

Background imageBlanquart évrard Process Collection: Nubie Rive Orientale du Nil Village de Bab Vue prise au sud Philoe

Nubie Rive Orientale du Nil Village de Bab Vue prise au sud Philoe
Artokoloro

Background imageBlanquart évrard Process Collection: Nubie Forteresse D Ibrym Ancienne Premmis Vue prise au sud

Nubie Forteresse D Ibrym Ancienne Premmis Vue prise au sud
Artokoloro


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The Blanquart-Evrard process, developed by Louis Désiré Blanquart-Evrard in the mid-19th century, revolutionized the world of photography. This innovative technique allowed for the creation of stunning images that captured intricate details and breathtaking landscapes. One such captivating image is "View of the Arruns Pass and Peak from the Pont de Soube, " taken in 1852 by John Stewart. The photograph transports us to a majestic mountainous region, where we can almost feel the crisp air and hear the gentle rustling of leaves. It showcases nature's grandeur with its towering peaks and winding paths. Another remarkable piece is "View Along the Route to Luz, Portugal" from 1852-1853. Through this photograph, we are transported to picturesque Portugal, where quaint houses line a charming street. The play of light and shadow adds depth to this scene, making it come alive before our eyes. Maxime Du Camp's work also deserves recognition for capturing architectural wonders like no other. In his photograph titled "Southern Portion of the Rock-cut Temple of Hathor, Abu Simbel" from 1850, he immortalizes an ancient marvel carved into stone. Every intricate detail is preserved through this process - every column and hieroglyphic inscription tells a story that spans centuries. Du Camp continues his exploration with "Colossol Monolith of Amenhotep III" in Gournah between 1849-1851. This colossal statue stands tall against time itself as it gazes upon us with an aura of mystery and power. Hippolyte Bayard's contribution cannot be overlooked either; his photograph titled "View of Evreux" captures a serene cityscape bathed in soft sunlight during 1850. We can almost imagine strolling down these streets ourselves as we admire their timeless beauty.