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Weeping (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Weeping (Le Brun Travested, or Caricatures of the Passions), January 21, 1800


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Weeping (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

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Media ID 20576023

© Heritage Art/Heritage Images

Ackermann Ackermann R Ackermann Rudolph Ballad Brun Brun Charles Le Charles Le Charles Le Brun Charles Lebrun Crying Emotional Funny George Moutard George Moutard Woodward Handkerchief Le Brun Le Brun Charles Lebrun Lebrun Charles R Ackermann Rowlandson Rowlandson Thomas Rudolph Rudolph Ackermann Sentimental Silly Tears Thomas Rowlandson Weeping Woodward Woodward George Moutard


FEATURES IN THESE COLLECTIONS

> Arts > Artists > A > Rudolph Ackermann

> Arts > Artists > B > Charles Le Brun

> Arts > Artists > L > Charles Le Brun

> Arts > Artists > R > Thomas Rowlandson

> Arts > Artists > W > George Moutard Woodward

> Humour > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
The print titled "Weeping (Le Brun Travested, or Caricatures of the Passions), January 21,1800" captures a humorous and satirical scene from the 19th century. Created by Thomas Rowlandson, this black and white etching showcases his wit and artistic talent. The image depicts a man and woman in an emotional state, shedding tears while reading a ballad. Rowlandson's caricature style is evident in the exaggerated facial expressions and gestures of the characters. The man holds a handkerchief to his face as he weeps uncontrollably, while the woman also sheds tears but seems to find some amusement in their shared sentimentality. This artwork reflects British society during that time period with its focus on sentimentalism and melodrama. It pokes fun at Charles Le Brun's concept of portraying emotions through art by presenting it in a silly and exaggerated manner. The collaboration between Rowlandson and George Moutard Woodward resulted in this comical piece that combines elements of music, love, crying, and humor. Through their satire, they offer viewers an amusing commentary on human emotions. Now part of the Metropolitan Museum of Art collection, this print serves as both entertainment for its audience today as well as a historical artifact showcasing the artistic talents prevalent during Britain's nineteenth century.

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