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The Evil Conscience of Tarquin, 1852. Artist: John Leech
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The Evil Conscience of Tarquin, 1852. Artist: John Leech
The Evil Conscience of Tarquin, 1852. From The Comic History of Rome, by Gilbert A A Beckett, illustrated by John Leech. [Bradbury, Agnew & Co, London, 1852]
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Media ID 14993291
© The Print Collector
6th Century Bc A Beckett Afraid Alarm Amusing Beckett Comic Comical Conscience Evil Fright Frighten Frightened Frightening G A Gilbert Abbott Ga Gilbert Abbott Gilbert A Beckett Gilbert Abbott Gilbert Abbott A Gilbert Abbott A Beckett His Majesty Horrified Horrifying Horror Humorous John Leech Leech Lucius Tarquinius Superbus Reptile Scared Serpent Snake Superbus Tarquin The Proud Tarquinius Tarquinius Superbus Terrified Terrifying Terror Satirical
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The Evil Conscience of Tarquin
EDITORS COMMENTS
is a captivating print that takes us back to ancient Rome, specifically the 6th century BC. Created by artist John Leech as part of "The Comic History of Rome" this comical and satirical illustration transports us into a world filled with humor, fear, and royalty. In this engraving, we witness the terrified expression on Tarquin's face as he confronts his evil conscience. The frightened monarch is depicted as a man in Roman attire, surrounded by the grandeur of his kingdom. However, what truly captures our attention is the presence of a sinister reptile - a snake symbolizing his inner turmoil. With its clever use of caricature and monochrome tones, Leech skillfully portrays Tarquin's internal struggle between good and evil. This humorous yet terrifying scene invites us to reflect on the concept of conscience and how it can haunt even those in positions of power. As we delve into history through this print from 1852, we are reminded that satire has long been used to critique societal norms. Through artful storytelling and visual wit, Gilbert A A Beckett's words come alive under John Leech's skilled hand. "The Evil Conscience of Tarquin" serves not only as an amusing cartoon but also as a thought-provoking commentary on human nature throughout centuries past. It reminds us that even kings are not immune to their own fears and moral dilemmas – making it an enduring piece for both art enthusiasts and
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