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The Story of Nushirwan and his Minister, The Third Discourse on Diverse Events
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The Story of Nushirwan and his Minister, The Third Discourse on Diverse Events
The Story of Nushirwan and his Minister, " The Third Discourse on Diverse Events and Disorder in Life" from a Khamsa (Quintet) of Nizami (1141-1209), 1555-65. This scene is from the Makhzan al-Ashrar, the first of the Quintet. Although more historically oriented than the following poems, it served more as a vehicle for moralizing tales than for historical events. In this scene Nushirwan asks the sage Buzurgmihr to explain what the owls perched on a ruined building are saying. He explains that one owl is offering the other as many ruined cities as he likes in exchange for his daughters hand. He thus reproves Nushirwan for his love of conquest and war and the consequent destruction of many cities
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Media ID 19645995
© Heritage Art/Heritage Images
1501 1722 Ink And Gold On Paper Iran Safavid Period Qazvin
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This print showcases a mesmerizing scene from "The Story of Nushirwan and his Minister, The Third Discourse on Diverse Events" by Nizami. Created between 1555-65, this artwork is part of the Makhzan al-Ashrar, the first of the Quintet. While historically oriented, these poems primarily serve as vehicles for moralizing tales rather than recounting historical events. In this particular scene, we witness Nushirwan seeking enlightenment from the sage Buzurgmihr. Perched upon a ruined building are two owls engaged in an intriguing conversation. As Nushirwan curiously asks about their discourse, Buzurgmihr reveals that one owl offers countless ruined cities to secure his daughter's hand in marriage. Through this symbolic exchange, Buzurgmihr reproves Nushirwan for his love of conquest and war which inevitably leads to the destruction of numerous cities. This poignant moment serves as a powerful reminder of the consequences that arise from unchecked ambition and aggression. Crafted with ink and gold on paper during Iran's Safavid period (1501-1722), this exquisite manuscript originates from Qazvin and now resides within the esteemed collection at The Cleveland Museum of Art. Preserved by Heritage Art/Heritage Images, this print allows us to appreciate both the artistic mastery and profound message conveyed within this timeless work.
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