Qazvin Collection

Islamic Coin from Qazvin (silver)
1203041 Islamic Coin from Qazvin (silver) by Iranian School; 2.7x2.7 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Sultan Husayn (1668-1726)

King Solomon and a Peri, c. 1570 (gouache with gold paint on paper)
1196793 King Solomon and a Peri, c. 1570 (gouache with gold paint on paper) by Persian School, (16th century); 12x12 cm; Private Collection; Photo eChristies Images; Persian, out of copyright

Habib al-siyar (Beloved of virtues), 1590-1600 (opaque watercolor, ink
5932545 Habib al-siyar (Beloved of virtues), 1590-1600 (opaque watercolor, ink, and gold on paper) by Persian School, (16th century); 41.3 x 26.6 cm; Freer Gallery of Art, Smithsonian Institution

Mihr and Mushtari have blood taken from their arms, c. 1560-70 (opaque watercolor
5932642 Mihr and Mushtari have blood taken from their arms, c.1560-70 (opaque watercolor, ink and gold on paper) by Persian School, (16th century); 32.4 x 17.4 cm; Freer Gallery of Art

Bahram Gur and the princess in the Black Pavilion, c. 1590 (opaque watercolor, ink
5932634 Bahram Gur and the princess in the Black Pavilion, c.1590 (opaque watercolor, ink, and gold on paper) by Persian School, (16th century); 41.7 x 27.7 cm; Freer Gallery of Art

A man by the edge of a stream, c. 1590-1600 (opaque watercolor, ink and gold on paper)
5932561 A man by the edge of a stream, c.1590-1600 (opaque watercolor, ink and gold on paper) by Persian School, (16th century); 29.5 x 20.3 cm; Freer Gallery of Art, Smithsonian Institution

Habib al-siyar (Beloved of virtues) by Ghiyath al-Din, 1579-80 (ink
5932530 Habib al-siyar (Beloved of virtues) by Ghiyath al-Din, 1579-80 (ink, opaque watercolor and gold on paper by Persian School, (16th century); 38.4 x 24.7 cm; Freer Gallery of Art

Frontispiece from a Khamsa (Quintet), 1575-1600 (ink, opaque watercolor
5932549 Frontispiece from a Khamsa (Quintet), 1575-1600 (ink, opaque watercolor, and gold on paper) by Persian School, (16th century); 30.2 x 18.3 cm; Freer Gallery of Art, Smithsonian Institution

An Angel Wearing a Turban, Bearing a Staff, c. 1370-80 (gouache with gold paint on paper)
1196796 An Angel Wearing a Turban, Bearing a Staff, c.1370-80 (gouache with gold paint on paper) by Iraqi School (14th Century); 12.5x12.5 cm; Private Collection; Photo eChristies Images; Iraqi

The Story of Nushirwan and his Minister, The Third Discourse on Diverse Events
The Story of Nushirwan and his Minister, " The Third Discourse on Diverse Events and Disorder in Life" from a Khamsa (Quintet) of Nizami (1141-1209), 1555-65

Shah Tahmasp I (1514-1576) Seated in a Landscape, c. 1575. Creator: Unknown
Shah Tahmasp I (1514-1576) Seated in a Landscape, c. 1575. Shah Tahmasp I, the second ruler of Irans Safavid dynasty, is shown kneeling pensively on a carpet under a willow on the banks of a stream

Picnic in the Mountains; Single Page Illustration, c. 1550-1600. Creator: Muhammadi (Iranian)
Picnic in the Mountains; Single Page Illustration, c. 1550-1600

Master and Disciple in a Garden Pavillion; Single Page Illustration, c. 1570-1590s

Nushirwan Listens to the Owls (recto)…, 1555-65. Creator: Unknown
Nushirwan Listens to the Owls (recto): Illustration and Text, Persian Verses, from a Manuscript of the Khamsa of Nizami, Makhzan al-Asrar [Treasure of Secrets], 1555-65

Princess Wine Bottle Cup recto Persian Verses
Princess with Wine Bottle and Cup (recto); Persian Verses (verso), c. 1550-1600 (recto); c. 1450-1500 (verso). Iran, Qazvin or Isfahan, Safavid period (1501-1722) (recto); Iran

Persian Verses 1450-1500 Iran Qazvin Isfahan
Persian Verses, c. 1450-1500. Iran, Qazvin or Isfahan, Safavid Period, 16th Century. Ink, opaque watercolor and gold on paper; overall: 37.1 x 24.8 cm (14 5/8 x 9 3/4 in.); text area

Princess Wine Bottle Cup 1550-1600 Iran Qazvin
Princess with Wine Bottle and Cup, c. 1550-1600. Iran, Qazvin or Isfahan, Safavid period (1501-1722). Opaque watercolor and gold on paper; image: 12.2 x 5.7 cm (4 13/16 x 2 1/4 in.); overall

Nushirwan Listens Owls recto Story Nushirwan
Nushirwan Listens to the Owls (recto): The Story of Nushirwan and his Minister " The Third Discourse on Diverse Events and Disorder in Life" (verso), 1555-1565

Nushirwan Listens Owls recto Illustration Text
Nushirwan Listens to the Owls (recto): Illustration and Text, Persian Verses, from a Manuscript of the Khamsa of Nizami, Makhzan al-Asrar [Treasure of Secrets], 1555-1565

Mahmood Khan Hotel, Kazvin, Iran
Mahmood Khan Hotel, Kazvin (Qazvin, Qazwin, Ghazvin), Iran. Date: circa 1908

The delivery and weighing of textiles - Iran
The delivery and weighing of textiles with scales on a simple three post frame at Qazvin Iran Date: circa 1903

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"Discover the Rich Cultural Heritage through Islamic Art" Qazvin, a city steeped in history and artistry, holds within its boundaries a treasure trove of Islamic artifacts. One such artifact is an exquisite Islamic coin made from pure silver, showcasing the craftsmanship and monetary system prevalent during that era. Delving deeper into Qazvin's artistic heritage, we encounter mesmerizing paintings like "King Solomon and a Peri. " Created around 1570, this masterpiece depicts the mythical encounter between King Solomon and a peri (a supernatural being). The use of gouache with gold paint on paper adds an ethereal touch to this captivating artwork. Moving forward in time, we come across "Habib al-siyar, " painted between 1590-1600. This opaque watercolor and ink painting tells the tale of virtues embodied by beloved characters. The intricate details bring these virtuous figures to life on canvas. Intriguing narratives continue with "Mihr and Mushtari have blood taken from their arms. " Painted circa 1560-70 using opaque watercolor techniques, this artwork portrays two celestial beings undergoing an enigmatic ritual. The vibrant colors used in this piece evoke curiosity about their significance. "Bahram Gur and the princess in the Black Pavilion" transports us to another realm altogether. Executed with opaque watercolor, ink, and gold on paper around 1590; it narrates a romantic story intertwined with Persian folklore. Its vivid hues create an enchanting ambiance that captivates viewers' imaginations. Nature takes center stage as we witness "A man by the edge of a stream" painted between 1590-1600. Opaque watercolors mixed with ink and gold embellishments breathe life into this serene scene depicting tranquility amidst nature's beauty. The Khamsa (Quintet) by Amir Khusraw Dihlavi showcases his literary genius through ink and opaque watercolor.