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Portrait of Jacob Wilson (1799-1882) Last Birmingham Town Crier, 1868-69

Portrait of Jacob Wilson (1799-1882) Last Birmingham Town Crier, 1868-69


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Portrait of Jacob Wilson (1799-1882) Last Birmingham Town Crier, 1868-69

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Media ID 20636904

© Heritage Art/Heritage Images

Bell Birmingham Birmingham Museum And Art Gallery Birmingham Museum Art Gallery Birmingham Museums And Art Gallery Birmingham Museums Trust Birmingham West Midlands England Communication Delivery Hand Bell Jacob Menswear News Personality Roden Roden William Thomas Town Crier Tricorn Tricorne West Midlands William Thomas William Thomas Roden Wilson Black Colour


FEATURES IN THESE COLLECTIONS

> Arts > Artists > J > Jacob Jacobs

> Arts > Artists > W > Wilson Wilson

> Arts > Portraits

> Arts > Street art graffiti > Portraits > Urban art

> Arts > Street art graffiti > Urban art > Portraits

> Europe > United Kingdom > England > Birmingham > Related Images

> Europe > United Kingdom > England > West Midlands > Birmingham


Portrait of Jacob Wilson (1799-1882) - A Glimpse into Birmingham's Last Town Crier

EDITORS COMMENTS
. This 19th-century portrait by William Thomas Roden brings to life the remarkable figure of Jacob Wilson, the last town crier of Birmingham. The image captures Wilson in his distinctive attire, a testament to both his occupation and the fashion trends of Victorian England. Dressed in a black coat and tricorn hat, Wilson stands tall with an air of authority. His direct gaze pierces through time, inviting us to delve into his world as he holds a hand bell—a symbol of communication and news delivery during an era before modern technology. The painting not only showcases Wilson's role as a town crier but also offers insight into the history and heritage of Birmingham itself. As one person occupying this significant profession, he represents an entire era when towns relied on individuals like him for spreading important announcements throughout the community. Roden's attention to detail is evident in every brushstroke; from the intricate folds in Wilson's clothing to his dignified posture, each element contributes to capturing the essence of this unique personality. Displayed at the Birmingham Museum and Art Gallery, this artwork serves as a visual time capsule that transports viewers back to 1868-69. It reminds us of our rich cultural past while honoring those who played vital roles within their communities. Through this portrait print, we are granted a glimpse into both Jacob Wilson's individual story and the collective narrative that shaped Birmingham during its form

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