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London Charterhouse, 1803 (1906). Artist: James Sargant Storer
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London Charterhouse, 1803 (1906). Artist: James Sargant Storer
London Charterhouse, 1803 (1906). The London Charterhouse is a historic complex of buildings in Smithfield, London dating back to the 14th century. It was originally a Carthusian monastery. The Tudor house had a number of notable tenants: it was a former residence of Bassano family of instrument makers, and was a residence of Edward North (c1496-1564) which was used in 1558 by Queen Elizabeth I during the preparations for her coronation. Thomas Howard, 4th Duke of Norfolk (1536-1572) renamed the property Howard House, passing it on to Thomas Howard, 1st Earl of Suffolk (1561-1626). In 1603, James I (1566-1625) held court at the house on his first entrance into London. In May 1611 the complex was acquired by Thomas Sutton (1532-1611) who endowed an almshouse and school there in his will. From Medieval London, Vol. II - Ecclesiastical by Sir Walter Besant. [Adam & Charles Black, London, 1906]
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Media ID 14971196
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Alms Almshouse Almshouses Besant Charity Charterhouse Ecclesiastical James Sargant James Sargant Storer School Sir Walter Sir Walter Besant Smithfield Storer Tudor Walter Walter Besant
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EDITORS COMMENTS
This print of the London Charterhouse, taken in 1803 and reproduced in 1906 by artist James Sargant Storer, offers a glimpse into the rich history of this remarkable complex. Dating back to the 14th century, the London Charterhouse was originally a Carthusian monastery before undergoing various transformations over time. The Tudor house within the Charterhouse boasts an impressive list of notable tenants throughout its existence. From being a residence for instrument makers such as the Bassano family to hosting Queen Elizabeth I during her coronation preparations, it has witnessed significant moments in British history. Even King James I held court at this very location upon his first entrance into London in 1603. In May 1611, Thomas Sutton acquired the complex and established an almshouse and school through his will. This act of charity continues to benefit those in need even today. The architectural beauty of this historic site is evident from Storer's monochrome engraving, showcasing its grandeur against a backdrop of lush gardens and towering trees. As we explore this image further, we are transported back to medieval times when Christian faith played a central role in society. The London Charterhouse stands as a testament to Britain's ecclesiastical heritage and serves as a reminder of how architecture can shape our understanding of history. This print captures not only the physical essence but also conveys the concept behind this extraordinary place - one that combines religion, education, charity, and British culture seamlessly within its walls.
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