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Launce and his Dog, 1885. Artist: Joseph Swain
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Launce and his Dog, 1885. Artist: Joseph Swain
Launce and his Dog, 1885. The little dog is Lord Randolph Churchill, the Conservative head of a group known as the Fourth Party. He had long been an embarrassment to the party elders, but recently he had seemed to become even more vituperative than before. Sir Stafford Northcote, the Conservatives Leader in the Commons, is Launce. From Punch, or the London Charivari, May 23, 1885
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Media ID 14831911
© The Print Collector / Heritage-Images
Churchill Conservative Conservative Party Embarrassed Embarrassment Heritage Image Partnership John Tenniel Joseph Swain Leader Lord Randolph Lord Randolph Churchill Lord Randolph Henry Spencer Churchill Northcote Randolph Randolph Churchill Randolph Henry Spencer Churchill Shakespeare Sir John Tenniel Sir Stafford Northcote Stafford Stafford Henry Northcote Stafford Northcote Swain Tenniel William Shakespeare Fourth Party Launce The Two Gentlemen Of Verona
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Launce and his Dog, 1885
EDITORS COMMENTS
is a captivating print that captures the political satire of its time. Created by Joseph Swain and John Tenniel, this monochrome engraving portrays an intriguing moment in British politics during the 19th century. The central figure in the artwork is Sir Stafford Northcote, leader of the Conservative Party in the Commons, depicted as Launce from William Shakespeare's play "The Two Gentlemen of Verona". Standing beside him is Lord Randolph Churchill, represented by a little dog. As head of the Fourth Party within the Conservatives, Churchill had become quite notorious for his outspoken nature and controversial actions. This clever caricature highlights Churchill's role as an embarrassment to party elders while also commenting on his increasing vituperative behavior. The intricate details and skillful execution bring out both humor and critique in this satirical piece. Through this print, Swain masterfully combines elements of artistry with political commentary. It serves as a reminder of how visual representations were used to convey complex ideas during that era. This heritage image partnership between Swain and Tenniel offers us a glimpse into a significant period in history when politicians' actions were subject to scrutiny through artistic mediums like cartoons. Overall, "Launce and his Dog, 1885" stands as a testament to the power of satire in shedding light on societal issues while providing entertainment through its witty portrayal of influential figures.
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