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L Armoire A Glace, 1922, (1926). Artist: Walter Richard Sickert
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L Armoire A Glace, 1922, (1926). Artist: Walter Richard Sickert
L Armoire A Glace, 1922, (1926). The work is held by the Tate Modern, London. From The Studio Volume 91. [London Offices of the Studio, London, 1926]
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Media ID 14984933
© The Print Collector
Afraid Alarm Camden Town Group Darkness Domestic Fear Frighten Frightened Frightening Mirror Post Impressionism Post Impressionist Scared Sickert Studio Publications Studio Volume 91 Tate Modern Walter Richard Walter Richard Sickert Walter Sickert Wardrobe Impressionist
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EDITORS COMMENTS
This photograph captures the essence of fear and vulnerability in a domestic setting. Titled "L Armoire A Glace" and created by artist Walter Richard Sickert in 1922, this post-impressionist piece evokes a sense of alarm and unease. The image showcases a lone woman sitting in front of an ornate wardrobe mirror, her face filled with fright. The play of light and shadow adds to the eerie atmosphere, as darkness surrounds her. Sickert's use of color is minimal but impactful, emphasizing the woman's terrified expression. Housed at the Tate Modern in London, this artwork from The Studio Volume 91 exemplifies the artistic trends of the early 20th century. It belongs to Sickert's series exploring themes of fear and anxiety within everyday life. The composition invites viewers to contemplate their own fears while also reflecting on societal anxieties during that time period. This print collector29 publication serves as a reminder that art has always been a powerful medium for expressing complex emotions. With its haunting portrayal of one person's frightened state, "L Armoire A Glace" remains an important contribution to impressionism and post-impressionism movements. Its inclusion in the collection further solidifies Walter Richard Sickert's place among influential artists associated with Camden Town Group. Overall, this print captivates viewers with its striking depiction of fear through artistry while providing insight into early 20th-century society’s collective apprehensions.
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