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Kachio Temple in Settsu Province, No. 23 on the Saikoku Pilgrimage Route (Saikoku junrei n... 1859. Creator: Utagawa Kunisada)
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Kachio Temple in Settsu Province, No. 23 on the Saikoku Pilgrimage Route (Saikoku junrei n... 1859. Creator: Utagawa Kunisada)
Kachio Temple in Settsu Province, No. 23 on the Saikoku Pilgrimage Route (Saikoku junrei nijusanban Settsu Kachiodera), from the series " The Miracles of Kannon (Kannon reigenki)", 1859
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Media ID 25325246
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Attendant Avalokiteshvara Avalokitesvara Balconies Balcony Bodhisattva Calligraphy Cartouche Colourful Gepparo Gototei Guan Yin Guanyin Hyogo Prefecture Honshu Japan Ichiyosai In Prayer Kannon Kinraisha Kochoro Kuan Yin Kunisada Kunisada Utagawa Kunisada Utagawa I Miracle Miracles Of Kannon Miraculous Oban Padmapani Pilgrimage Prayer Praying Province Provincial Route Saikoku Setting Sun Settsu Settsu Province Shozo Sunset Toyokuni Iii Tsunda Shozo Utagawa Kunisada Utagawa Kunisada I Utagawa Toyokuni Iii Color Woodblock Print
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EDITORS COMMENTS
This vibrant and intricately detailed print by Utagawa Kunisada transports viewers to the Kachio Temple in Settsu Province, Japan. The temple holds great significance as it is the 23rd stop on the revered Saikoku Pilgrimage Route, a spiritual journey undertaken by devout Buddhists seeking blessings and enlightenment. The artwork, part of the series "The Miracles of Kannon" showcases Kunisada's mastery of color woodblock printing. Every element comes alive with vivid hues, from the lush greenery surrounding the temple to the flowing robes worn by its visitors. The artist's attention to detail is evident in every brushstroke, capturing not just architectural features but also intricate patterns on clothing and delicate calligraphy. In this particular scene, a female devotee stands in prayer before an ornate altar dedicated to Avalokiteshvara (also known as Guanyin or Kannon), a bodhisattva associated with compassion and mercy. Balconies adorned with cartouches overlook her reverent act, adding depth and perspective to the composition. Kunisada's print offers us a glimpse into 19th-century Japan, showcasing both its artistic heritage and religious customs. It serves as a testament to his skill as an artist within Edo period art schools while providing insight into Japanese fashion during that time. Displayed at the Art Institute of Chicago's Asian Art Gallery, this piece invites viewers to immerse themselves in Japanese culture and appreciate both its aesthetic beauty and spiritual traditions.
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