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Italy in Rome, 1870. Artist: Joseph Swain
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Italy in Rome, 1870. Artist: Joseph Swain
Italy in Rome, 1870. King Victor Emmanuel II of Italy takes the sword of Temporal Power from Pope Pius IX who hangs on to his keys. Earlier in the century, Italy had achieved unification after driving the Austrians from its soil. The duchies had joined the kingdom and Garibaldi had overthrown the Neapolitan monarchy. Venice and part of Venetia were gained in 1866. Now, however, Italian forces entered and occupied Rome. Eventually, the Pope surrendered to the inevitable, although he never fully came to terms with Romes status as Italys capital. From Punch, or the London Charivari, October 1, 1870
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Media ID 14831474
© The Print Collector / Heritage-Images
Emmanuel Ii Giovanni Maria Giovanni Maria Mastai Ferretti Heritage Image Partnership John Tenniel Joseph Swain King Of Italy King Victor Emmanuel Ii Mastai Ferretti Papal Pius Ix Pope Pope Pius Ix Rifle Sir John Tenniel Swain Tenniel Victor Victor Emmanuel Ii Vittorio Emanuele Roman Catholicism
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EDITORS COMMENTS
In this print titled "Italy in Rome, 1870" we witness a significant moment in history. The renowned artist Joseph Swain beautifully captures the tension and power dynamics between King Victor Emmanuel II of Italy and Pope Pius IX. The scene unfolds as King Victor Emmanuel II confidently takes hold of the sword of Temporal Power from Pope Pius IX, who clings onto his keys symbolizing spiritual authority. This event marks a turning point for Italy, which had recently achieved unification by driving out Austrian forces and overthrowing the Neapolitan monarchy. Italian forces have now entered and occupied Rome, leading to the eventual surrender of the Pope. However, it is evident that he never fully accepts Rome's status as Italy's capital. The engraving masterfully portrays these conflicting emotions through subtle facial expressions and body language. This satirical caricature published in Punch magazine on October 1st, 1870, offers a thought-provoking commentary on religion, politics, and power struggles during the 19th century. It serves as a reminder of Italy's tumultuous journey towards unity while shedding light on the complex relationship between church and state. Through this heritage image partnership with John Tenniel's artistic vision combined with Joseph Swain's skilled craftsmanship, we are transported back to an era where swords clashed with keys amidst religious fervor and political ambitions.
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