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Going to the Races, published May 14, 1819. Creator: William Heath
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Going to the Races, published May 14, 1819. Creator: William Heath
Going to the Races, published May 14, 1819. Carriage pulled by men riding hobby horses, a forerunner of the bicycle lacking pedals and brakes. Attributed to William Heath
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Media ID 36262785
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Bicycle Bicycles Bike Bikes Bonnet Carriage Contraption Cycling Cyclist Cyclists Dandy Horse Footman Footmen Funny Heath William Hobby Horse Invention Paul Pry Pedestrian Hobbyhorse Pry Paul Servant Servants Silly T Tegg Son Tegg Son T Tegg Thomas Thomas Tegg William Heath Hand Tinted Horseless Carriage Parody Satirical
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EDITORS COMMENTS
Going to the Races," a captivating hand-colored etching on ivory wove paper, published on May 14, 1819, by the renowned British artist William Heath, offers a humorous glimpse into the world of 19th-century transportation and fashion. The image showcases an unusual mode of transport, a carriage pulled by men riding hobby horses, which served as a forerunner to the bicycle, lacking pedals and brakes. The scene is set in the English countryside, with a group of dandies, dressed in the height of fashion, making their way to the races. The men, dressed in top hats and colorful waistcoats, are seated in a carriage, while their footmen, also in livery, walk alongside, each leading a hobby horse. The women, elegantly attired in bonnets and dresses, watch the scene unfold from the sidelines. This hand-tinted etching, a parody of the time, showcases the amusing concept of a horseless carriage, with the men appearing as if they are riding horses, albeit made of wood and iron. The image is a testament to the inventive spirit of the era, as well as the importance of fashion and the role of the servant class. The satirical tone of the print is further emphasized by the inclusion of a figure of Paul Pry, a character known for his prying and intrusive nature, who is shown peering into the carriage from the side. The print, with its intricate details and vibrant colors, is a fascinating glimpse into the past, offering a unique perspective on the concepts of transportation, fashion, and satire during the 19th century. This rare and intriguing work of art, attributed to William Heath, is a must-see for anyone interested in the history of art, fashion, or transportation. It is currently housed in the Art Institute of Chicago's impressive collection of prints and drawings, where it continues to inspire and delight visitors from around the world.
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