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Effie Gray, John Everett Millais, and their daughters Effie and Mary, 21 July 1865, (1948)

Effie Gray, John Everett Millais, and their daughters Effie and Mary, 21 July 1865, (1948)


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Effie Gray, John Everett Millais, and their daughters Effie and Mary, 21 July 1865, (1948)

Effie Gray, John Everett Millais, and their daughters Effie and Mary at 7 Cromwell Place, 21 July 1865, (1948). British Pre-Raphaelite painter Millais with his family. From " The Saturday Book", Eighth Year, edited by Leonard Russell. [Hutchinson, London, 1948]

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Media ID 18777632

© The Print Collector/Heritage Images

Carroll Daughter Daughters Gray Husband John Everett John Everett Millais John Everett Millais Ra John Millais Leonard Leonard Russell Lewis Lewis Carroll Millais Reverend Charles Lutwidge Dodgson Ruskin Russell Saturday Book Sir John Everett Millais Sir John Millais Wife Wives Effie Oval Shaped


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> Arts > Artists > M > John Everett Millais

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> Arts > Literature

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Portraits

> Europe > United Kingdom > England > London > Related Images


EDITORS COMMENTS
This print captures a beautiful moment in the life of British Pre-Raphaelite painter, John Everett Millais, and his family. Taken on 21 July 1865 at their residence in Cromwell Place, the image showcases Millais with his wife Effie Gray and their two daughters, Effie and Mary. The photograph exudes a sense of warmth and intimacy as the family poses together. Millais, known for his exceptional talent as an artist during the 19th century, stands proudly beside his wife while holding onto their young daughters. Effie Gray appears elegant and graceful in her attire, radiating maternal love towards her children. This snapshot offers a glimpse into the personal lives of these renowned figures from art history. It is fascinating to see how they balanced their roles as artists and parents during this time period. The oval-shaped portrait adds a touch of nostalgia to the image, evoking memories of bygone eras. Originally featured in "The Saturday Book" edited by Leonard Russell in 1948, this print serves as a remarkable testament to both artistic excellence and familial bonds that transcend time. It allows us to appreciate not only Millais' contributions to art but also provides insight into the joys experienced within this talented family unit.

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