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Changing the Interior of the Abbey, 1937
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Changing the Interior of the Abbey, 1937
Changing the Interior of the Abbey, 1937. The construction of seating in Westminster abbey for King George VIs coronation. For each coronation, special seating is constructed to incorporate the large number of guests. King George VI was the first coronation to make use of metal structures to support the seats, in the form of tubular steel. 400 tons were used alongside 72, 000 cubic feet of wood, with 400 men working on the construction. From The Coronation of King George VI and Queen Elizabeth. [Odhams Press Ltd. London, 1937]
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Media ID 14965152
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Abbey Albert Frederick Arthur George Construction Coronation Coronation Of King George Duke Of York George Vi Hm King George Vi King George Vi King Of Great Britain Odhams Press Perspective Publishers Royal Event Saxe Coburg Gotha Scaffold Scaffolding Seating Steel Tubular Westminster Abbey City Of Westminster
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Changing the Interior of the Abbey, 1937 - A Glimpse into Royal Preparations
EDITORS COMMENTS
. This print captures a significant moment in British history - the construction of seating inside Westminster Abbey for King George VI's coronation in 1937. The image showcases the meticulous efforts undertaken to accommodate the large number of guests attending this grand event. Intriguingly, this coronation marked a groundbreaking innovation as it was the first time metal structures were employed to support the seats. Tubular steel, weighing an astonishing 400 tons, was combined with an impressive 72,000 cubic feet of wood. Over 400 skilled workers dedicated their expertise to bring this vision to life. The photograph offers a unique perspective on both architectural marvels and historical traditions. The wooden scaffolding intertwined with tubular steel creates a striking contrast against the majestic interior of Westminster Abbey. This convergence of materials symbolizes progress while respecting centuries-old religious customs. As we delve into this snapshot frozen in time, we are transported back to London during its thirties heyday. The monochrome aesthetic adds depth and character to every detail captured by Odhams Press Ltd. , publishers who expertly documented royal events. This remarkable print serves as a testament not only to King George VI's ascension but also highlights Britain's ability to blend tradition with modernity seamlessly. It stands as an enduring reminder that even within ancient walls like Westminster Abbey, change is possible when innovation meets heritage.
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