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What are you at? What are you after?, c1820. Creator: George Cruikshank
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What are you at? What are you after?, c1820. Creator: George Cruikshank
What are you at? What are you after?, c1820. Satirical cartoon of the Prince Regent (future King George IV) dressed as a carpenter and self-destructively sawing through The Crown sign. His loyal courtiers sit in The Political House that Jack Built, with a sign reading Notice of Ejectment as the Premises are undergoing a thorough Repair. From an album containing portraits and satirical caricatures related to the trial of Queen Caroline (1768-1821, also known as Caroline of Brunswick, consort of King George IV) in 1820
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Media ID 19046055
© The Print Collector/Heritage Images
Caroline Caroline Amelia Elizabeth Of Brunswick Caroline Of Brunswick Caroline Of Brunswick Wolfenbuttel Carpenter Cruikshank Danger Dangerous Eviction George Cruikshank George Iv George Iv Of The United Kingdom His Majesty Hone King George Iv King Of Great Britain Legislation Loyalty Notice Pains And Penalties Bill Pains And Penalties Bill 1820 Peril Prince Of Wales Prince Regent Princess Of Wales Prinnie Prinny Pub Sign Queen Caroline Queen Consort Of George Iv Repair Repairs Sawing Sign Silly Symbolic William Hone
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EDITORS COMMENTS
This satirical cartoon print by George Cruikshank, titled "What are you at? What are you after?" captures the political turmoil surrounding the trial of Queen Caroline in 1820. Depicting the Prince Regent (future King George IV) dressed as a carpenter, he is shown self-destructively sawing through The Crown sign. This symbolic act represents his disregard for the monarchy and his own destructive behavior. Surrounded by loyal courtiers sitting in The Political House that Jack Built, with a sign reading Notice of Ejectment due to ongoing repairs, this image highlights the instability within British politics during that time. The caricature emphasizes the tension between royalty and public opinion regarding Queen Caroline's trial. The artist skillfully uses engraving to convey danger and peril associated with these events. Through this visual medium, Cruikshank portrays not only political concepts but also individual occupations and professions such as carpentry. Overall, this print serves as a powerful commentary on loyalty, legislation, and occupation during the reign of King George IV. It offers insight into both historical context and societal attitudes towards monarchy in early 19th century Britain.
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