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Under the Arches, 1872. Creator: Gustave Doré

Under the Arches, 1872. Creator: Gustave Doré


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Under the Arches, 1872. Creator: Gustave Doré

Under the Arches, 1872. destitute men, womenmand children sleep under the bridges on the banks of the River Thames. From, " LONDON. A Pilgrimage" by Gustave Dore and Blanchard Jerrold. [Grant and Co. 72-78, Turnmill Street, E.C. 1872]

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Media ID 19665677

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Asleep Blanchard Blanchard Jerrold Destitute Dore Dore Gustave Dore Paul Gustave Doru Grant And Co Grant Co Gustave Gustave Dore Gustave Doru Hardship Homeless Homelessness Jerrold Jerrold Blanchard London A Pilgrimage London England United Kingdom Louis Christophe Gustave Dore Mast Paul Gustave Paul Gustave Dore Side By Side Skyline Sleep Sleeping Social Class Thames Underneath William Blanchard Jerrold Working Class Archway Metaphor


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> Architecture > Country > England

> Architecture > Styles > Victorian Architecture

> Arts > Artists > D > Gustave Dore

> Arts > Landscape paintings > Waterfall and river artworks > River artworks

> Arts > Literature > Books

> Arts > Literature

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Portraits > Pop art gallery > Street art portraits

> Arts > Portraits


Under the Arches, 1872 - A Glimpse into London's Forgotten Souls

EDITORS COMMENTS
. In this poignant print captured by Gustave Doré in 1872, we are transported to the banks of the River Thames. Underneath the arches of a bridge, destitute men, women, and children find solace in sleep amidst their harsh reality. This evocative image is taken from "LONDON. A Pilgrimage" a collaborative work by Gustave Dore and Blanchard Jerrold. Doré's engraving skillfully portrays the architectural beauty of the archway while simultaneously revealing its transformation into an unlikely shelter for those society has forgotten. The composition draws our attention to a group huddled together under these stone guardians, seeking refuge from their hardships. The image serves as a powerful metaphor for poverty and homelessness that plagued 19th century London. It captures not only physical deprivation but also highlights societal neglect towards those living on society's fringes. Through his lens, Doré invites us to confront uncomfortable truths about class divisions and inequality prevalent during this era. His artistic prowess illuminates both the resilience of these individuals facing adversity night after night and our collective responsibility to address such social issues. This historical snapshot reminds us that beneath grand architecture lies hidden stories waiting to be heard—a reminder that compassion should extend beyond mere aesthetics or geographical boundaries.

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