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Allegorical thesis print with various figures, set in an architectural structure, 1608

Allegorical thesis print with various figures, set in an architectural structure, 1608


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Allegorical thesis print with various figures, set in an architectural structure, 1608

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Media ID 20375571

© Heritage Art/Heritage Images

Allegorical Figures Aquinas Flaming Torch Francesco Monk Monks Monument Mythological Peace Philippe Philippe Thomassin Quill Pen Rabbit Ray Of Light St Thomas St Thomas Aquinas Symbol Symbolic Symbols Thomas Aquinas Thomassin Thomassin Philippe Torch Vice Vices Virtue Virtues Allegorical Figure Black And


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> Architecture > Churches

> Architecture > Country > France

> Architecture > Religious

> Arts > Artists > T > Philippe Thomassin

> Europe > France > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Religious Art > Religious Architecture


EDITORS COMMENTS
This print, created by Philippe Thomassin in 1608, transports viewers to a world of allegorical symbolism and architectural grandeur. Set within an intricate framework, the image showcases various figures representing virtues, vices, and mythological elements. At the forefront stands St. Thomas Aquinas, a prominent figure in Christianity and philosophy during the 17th century. Clutching a quill pen with utmost concentration, he embodies intellectual pursuit and religious devotion. Surrounding him are other allegorical figures embodying different virtues such as peace and light. The architectural structure that frames these figures adds depth to the composition while emphasizing their significance within society. The monument exudes an aura of wisdom and spirituality through its elegant design. Intriguing mythological creatures like rabbits add whimsy to this otherwise serious scene. A flaming torch illuminates the space with its radiant glow, symbolizing enlightenment amidst darkness. Thomassin's masterful engraving technique brings every intricate detail to life on this historical artwork preserved at The Metropolitan Museum of Art. This French heritage piece not only captures the essence of 17th-century France but also serves as a visual representation of timeless concepts such as virtue versus vice. As we gaze upon this remarkable print by Francesco Nappi under Thomassin's guidance, we are reminded of humanity's eternal quest for knowledge, morality, and spiritual growth – themes that continue to resonate across time and cultures.

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