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Literature Collection (#4)

1,071 Items

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Background imageLiterature Collection: ROSNARD: TITLE PAGE, 1555. Title page for Les Meslanges, by Pierre de Ronsard

ROSNARD: TITLE PAGE, 1555. Title page for Les Meslanges, by Pierre de Ronsard. Published in Paris, 1555

Background imageLiterature Collection: RONSARD: WORKS, 1584. Title page of Les Ouvres (The Works) of Pierre de Ronsard

RONSARD: WORKS, 1584. Title page of Les Ouvres (The Works) of Pierre de Ronsard. Published in Paris by Gabriel Buon, 1584

Background imageLiterature Collection: ROSNARD: LE BOCAGE, 1554. Title page for Le Bocage, by Pierre de Ronsard. Published in Paris

ROSNARD: LE BOCAGE, 1554. Title page for Le Bocage, by Pierre de Ronsard. Published in Paris, 1554

Background imageLiterature Collection: ROSNARD: TITLE PAGE, 1553. Title page for Livret de Folastries, by Pierre de Ronsard

ROSNARD: TITLE PAGE, 1553. Title page for Livret de Folastries, by Pierre de Ronsard. Published in Paris, 1553

Background imageLiterature Collection: RONSARD: LA FRANCIADE, 1572. Title page of the first edition of Les Quatre Premiers

RONSARD: LA FRANCIADE, 1572. Title page of the first edition of Les Quatre Premiers Livres de La Franciade (The First Four Books of La Franciade), by Pierre de Ronsard. Published in Paris, 1572

Background imageLiterature Collection: NEW YORK MORNING POST. Front page of the New York Morning Post, 7 November 1783

NEW YORK MORNING POST. Front page of the New York Morning Post, 7 November 1783

Background imageLiterature Collection: TITLE PAGE: ENGRAVING, 1662. Title page from The Art of Graveing and Etching

TITLE PAGE: ENGRAVING, 1662. Title page from The Art of Graveing and Etching, by William Faithorne. Published in London, 1662

Background imageLiterature Collection: TYPEWRITER, 1896. The Dudley typewriter and adding machine. Engraving, American, 1896

TYPEWRITER, 1896. The Dudley typewriter and adding machine. Engraving, American, 1896

Background imageLiterature Collection: MCKAY: HARLEM SHADOWS. The title page of Harlem Shadows by Claude McKay, 1922

MCKAY: HARLEM SHADOWS. The title page of Harlem Shadows by Claude McKay, 1922

Background imageLiterature Collection: TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons

TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons, New York, mid or late 19th century

Background imageLiterature Collection: TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons

TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons, New York, mid or late 19th century

Background imageLiterature Collection: TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons

TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons, New York, mid or late 19th century

Background imageLiterature Collection: HARTE: CROTALUS, 1887. Crotalus: Rattlesnake Bar, Sierras. Illustrated poem by Bret Harte

HARTE: CROTALUS, 1887. Crotalus: Rattlesnake Bar, Sierras. Illustrated poem by Bret Harte, 1887

Background imageLiterature Collection: GIRL AND BIRD, 1867. Illustration for the proverb A bird in the hand is worth two in the bush

GIRL AND BIRD, 1867. Illustration for the proverb A bird in the hand is worth two in the bush. Wood engraving, American, 1867

Background imageLiterature Collection: DECORATIVE BORDER. Engraved decorative border, 19th century

DECORATIVE BORDER. Engraved decorative border, 19th century

Background imageLiterature Collection: TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons

TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons, New York, mid or late 19th century

Background imageLiterature Collection: TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons

TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons, New York, mid or late 19th century

Background imageLiterature Collection: TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons

TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons, New York, mid or late 19th century

Background imageLiterature Collection: TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons

TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons, New York, mid or late 19th century

Background imageLiterature Collection: TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons

TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons, New York, mid or late 19th century

Background imageLiterature Collection: TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons

TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons, New York, mid or late 19th century

Background imageLiterature Collection: TYPE FOUNDRY DESIGNS. Designs for sale by an American type foundry, mid or late

TYPE FOUNDRY DESIGNS. Designs for sale by an American type foundry, mid or late 19th century

Background imageLiterature Collection: TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons

TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons, New York, mid or late 19th century

Background imageLiterature Collection: TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons

TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons, New York, mid or late 19th century

Background imageLiterature Collection: TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons

TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons, New York, mid or late 19th century

Background imageLiterature Collection: TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons

TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons, New York, mid or late 19th century

Background imageLiterature Collection: TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons

TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons, New York, mid or late 19th century

Background imageLiterature Collection: TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons

TYPE FOUNDRY DESIGNS. Designs for sale by The United States Type Foundry, James Conners Sons, New York, mid or late 19th century

Background imageLiterature Collection: DOMESTIC SCIENCE, 1870. The Principles of Domestic Science by Catharine Beecher

DOMESTIC SCIENCE, 1870. The Principles of Domestic Science by Catharine Beecher and Harriet Beecher Stowe, 1870

Background imageLiterature Collection: THE AMERICAN WOMANs HOME. The American Womans Home by Catharine Beecher

THE AMERICAN WOMANs HOME. The American Womans Home by Catharine Beecher and Harriet Beecher Stowe, 1869

Background imageLiterature Collection: KIPLING: KIM, 1912. Title page from a 1912 edition of Kim by Rudyard Kipling

KIPLING: KIM, 1912. Title page from a 1912 edition of Kim by Rudyard Kipling, published first in 1901

Background imageLiterature Collection: CROWE: BOSWELL, 1859. Boswells Introduction to the Literary Club

CROWE: BOSWELL, 1859. Boswells Introduction to the Literary Club. Engraving after a painting by Eyre Crowe, 1859. Left to right: Edmund Burke, Bennet Langton (standing), Oliver Goldsmith (seated)

Background imageLiterature Collection: WHITE: READERS, 1897. The Readers. Palladium print by Clarence White, 1897

WHITE: READERS, 1897. The Readers. Palladium print by Clarence White, 1897

Background imageLiterature Collection: NEW YORK TRIBUNE, 1841. An interior page of the New York Tribune, 8 May 1841

NEW YORK TRIBUNE, 1841. An interior page of the New York Tribune, 8 May 1841

Background imageLiterature Collection: NEW YORK TRIBUNE, 1841. The front page of the New York Tribune, 8 May 1841

NEW YORK TRIBUNE, 1841. The front page of the New York Tribune, 8 May 1841

Background imageLiterature Collection: TRILBY, c1896. Frank Rolleston as the Laird O Cockpen in an stage adaptation of

TRILBY, c1896. Frank Rolleston as the Laird O Cockpen in an stage adaptation of George Du Mauriers novel Trilby. Photograph by Bakers Art Gallery, c1896

Background imageLiterature Collection: BARRIE: PETER PAN, 1911. The mermaids playing in the lagoon. Drawing by Francis D

BARRIE: PETER PAN, 1911. The mermaids playing in the lagoon. Drawing by Francis D. Bedford for the 1911 edition of J.M. Barries Peter Pan

Background imageLiterature Collection: BARRIE: PETER PAN, 1911. Peter teaches the children to fly. Drawing by Francis D

BARRIE: PETER PAN, 1911. Peter teaches the children to fly. Drawing by Francis D. Bedford for the 1911 edition of J.M. Barries Peter Pan

Background imageLiterature Collection: BARRIE: PETER PAN, 1911. Peter flies into the nursery

BARRIE: PETER PAN, 1911. Peter flies into the nursery. Drawing by Francis D. Bedford for the 1911 edition of J.M. Barries Peter Pan

Background imageLiterature Collection: BARRIE: PETER PAN, 1911. To die will be an awfully big adventure. Illustration by Francis D

BARRIE: PETER PAN, 1911. To die will be an awfully big adventure. Illustration by Francis D. Bedford for the 1911 edition of J.M. Barries Peter Pan

Background imageLiterature Collection: PERRAULT: TOM THUMB, 1867. The ogre found Tom Thumb and his brothers under the bed

PERRAULT: TOM THUMB, 1867. The ogre found Tom Thumb and his brothers under the bed and dragged them from their hiding place

Background imageLiterature Collection: POSTCARD, 1875. A pictogram message written on a postcard from Francis W. Holbrook

POSTCARD, 1875. A pictogram message written on a postcard from Francis W. Holbrook, an employee of the Merchants Credit Bureau in New York City, 1875

Background imageLiterature Collection: PERRAULT: TOM THUMB, 1867. While this way or that way each rapidly shoots off

PERRAULT: TOM THUMB, 1867. While this way or that way each rapidly shoots off, Hop o my Thumb takes the Seven League Boots off

Background imageLiterature Collection: PERRAULT: TOM THUMB, 1867. Far away shone a single ray. Wood engraving after Gustave Dore

PERRAULT: TOM THUMB, 1867. Far away shone a single ray. Wood engraving after Gustave Dore, 1867, from Les Contes de Perrault, dessins par Gustave Dore

Background imageLiterature Collection: MONTESQUIEU: PENSEES. Manuscript page from Book III of the Baron de Montesquieus Mes Pensees

MONTESQUIEU: PENSEES. Manuscript page from Book III of the Baron de Montesquieus Mes Pensees, c1750

Background imageLiterature Collection: MONTESQUIEU: PENSEES. Manuscript page from Book III of the Baron de Montesquieus Mes Pensees

MONTESQUIEU: PENSEES. Manuscript page from Book III of the Baron de Montesquieus Mes Pensees, c1750

Background imageLiterature Collection: NEAR TO NATUREs HEART. Scene from Edward Payson Roes 1878 novel, Near to Natures Heart

NEAR TO NATUREs HEART. Scene from Edward Payson Roes 1878 novel, Near to Natures Heart, in which the character Thomas Saville takes in his wife who had deserted him

Background imageLiterature Collection: ARIOSTO: ORLANDO FURIOSO. Ruggiero rescuing Angelica, in a scene from the Italian epic poem

ARIOSTO: ORLANDO FURIOSO. Ruggiero rescuing Angelica, in a scene from the Italian epic poem, Orlando Furioso, by Ludovico Ariosto. Engraving, 18th century



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