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Literature Collection (page 6)

1,071 items

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Background imageLiterature Collection: DANISH WEST INDIES, 1773. Detail from a St. Croix newspaper, December 1773, for a cargo of horses

DANISH WEST INDIES, 1773. Detail from a St. Croix newspaper, December 1773, for a cargo of horses, bread and smoked salmon just arrived from Quebec, Canada, and put up for sale by Benedict Arnold

Background imageLiterature Collection: PENNSYLVANIA PACKET, 1787. Page from The Pennsylvania Packet, and Daily Advertiser

PENNSYLVANIA PACKET, 1787. Page from The Pennsylvania Packet, and Daily Advertiser, 18 May 1787, with annoucements of auctions and ship departures

Background imageLiterature Collection: CHINA: CALLIGRAPHY. Handwriting on a Chinese handscroll. Yuan Dynasty, 14th century

CHINA: CALLIGRAPHY. Handwriting on a Chinese handscroll. Yuan Dynasty, 14th century

Background imageLiterature Collection: BYRON: MAZEPPA. Scene from the Romantic narrative poem by Lord Byron, 1819, about

BYRON: MAZEPPA. Scene from the Romantic narrative poem by Lord Byron, 1819, about the early life of Ukrainian Cossack leader Ivan Mazeppa

Background imageLiterature Collection: PRINTING OFFICE. Interior of a printing office. Dutch woodcut by Abraham von Werdt

PRINTING OFFICE. Interior of a printing office. Dutch woodcut by Abraham von Werdt, 17th century

Background imageLiterature Collection: PRINTING OFFICE. Interior of a printing office. Dutch woodcut by Abraham von Werdt

PRINTING OFFICE. Interior of a printing office. Dutch woodcut by Abraham von Werdt, 17th century

Background imageLiterature Collection: BEATUS OF SAINT-SEVER. Page from the Beatus made at the Abbey of Saint-Sever in Gascogny

BEATUS OF SAINT-SEVER. Page from the Beatus made at the Abbey of Saint-Sever in Gascogny, France, c1050. The manuscript contains Beatus of Liebanas Commentary on the Apocalypse

Background imageLiterature Collection: ALICE IN WONDERLAND, 1865. The trial of the Knave of Hearts

ALICE IN WONDERLAND, 1865. The trial of the Knave of Hearts. Illustration by John Tenniel for the first edition of Lewis Carrolls Alices Adventures in Wonderland, 1865

Background imageLiterature Collection: LEARNING BRAILLE, 1919. Reading and writing are not lost arts to blinded men. Top

LEARNING BRAILLE, 1919. Reading and writing are not lost arts to blinded men. Top: Men at the Military Hospital for Blinded Men at Baltimore, learning to read Braille

Background imageLiterature Collection: TICKHILL PSALTER, c1310. A manuscript page illuminated with scenes from the life of King David

TICKHILL PSALTER, c1310. A manuscript page illuminated with scenes from the life of King David, from the Tickhill Psalter, English, c1310

Background imageLiterature Collection: ANNIE GERTRUDE CHATAWAY (1866-1951). Child friend and muse of Charles Dodgson

ANNIE GERTRUDE CHATAWAY (1866-1951). Child friend and muse of Charles Dodgson, known as Lewis Carroll. Drawing by Carroll, 1875

Background imageLiterature Collection: JAPAN: CALLIGRAPHY. Page of grass writing (sousho) calligraphy. Japanese, late Heian period

JAPAN: CALLIGRAPHY. Page of grass writing (sousho) calligraphy. Japanese, late Heian period, 12th century

Background imageLiterature Collection: MEDIEVAL COURT & BATTLE. A Medieval king in his court with a battle scene outside

MEDIEVAL COURT & BATTLE. A Medieval king in his court with a battle scene outside. Illumination from Chronicles d Angleterre, made in Flanders by Jean de Wavrin, c1490

Background imageLiterature Collection: MEDIEVAL KING. A medieval European king in his court. Illumination from Chronicles d Angleterre

MEDIEVAL KING. A medieval European king in his court. Illumination from Chronicles d Angleterre, made in Flanders by Jean de Wavrin, c1490

Background imageLiterature Collection: BELLEVILLE BREVIARY, c1325. Page from the Belleville Breviary, produced for Jeanne

BELLEVILLE BREVIARY, c1325. Page from the Belleville Breviary, produced for Jeanne de Belleville by Jean Pucelle, c1325

Background imageLiterature Collection: LEWIS: MAIN STREET, 1920. Cover of the first edition of Sinclair Lewis novel Main Street

LEWIS: MAIN STREET, 1920. Cover of the first edition of Sinclair Lewis novel Main Street, 1920

Background imageLiterature Collection: PREDICTIONS, 1900. Beginning of the article What May Happen in the Next Hundred

PREDICTIONS, 1900. Beginning of the article What May Happen in the Next Hundred Years? by John Elfreth Watkins, Jr. from the December 1900 issue of the Ladies Home Journal

Background imageLiterature Collection: PREDICTIONS, 1900. First page of the article What May Happen in the Next Hundred

PREDICTIONS, 1900. First page of the article What May Happen in the Next Hundred Years? by John Elfreth Watkins, Jr. from the December 1900 issue of the Ladies Home Journal

Background imageLiterature Collection: DREISER: GERHARDT, 1911. Frontispiece illustration, 1911, from the first edition

DREISER: GERHARDT, 1911. Frontispiece illustration, 1911, from the first edition of Theodore Dreisers novel Jennie Gerhardt, depicting the title character

Background imageLiterature Collection: DICKENS: PICKWICK PAPERS. Etching by Hablot Knight Browne ( Phiz ) from the first

DICKENS: PICKWICK PAPERS. Etching by Hablot Knight Browne ( Phiz ) from the first edition of Charles Dickens The Pickwick Papers, 1837

Background imageLiterature Collection: DICKENS: PICKWICK PAPERS. Etching by Hablot Knight Browne ( Phiz ) from the first

DICKENS: PICKWICK PAPERS. Etching by Hablot Knight Browne ( Phiz ) from the first edition of Charles Dickens The Pickwick Papers, 1837

Background imageLiterature Collection: DICKENS: PICKWICK PAPERS. Etching by Hablot Knight Browne ( Phiz ) from the first

DICKENS: PICKWICK PAPERS. Etching by Hablot Knight Browne ( Phiz ) from the first edition of Pickwick Papers, 1837

Background imageLiterature Collection: EMINENT VICTORIANS, 1918. Cover of the first edition, 1918, of Lytton Strachey s

EMINENT VICTORIANS, 1918. Cover of the first edition, 1918, of Lytton Strachey s
EMINENT VICTORIANS, 1918. Cover of the first edition, 1918, of Lytton Stracheys biography of four biographies

Background imageLiterature Collection: THACKERAY: VANITY FAIR. Ensign Stubble practising the art of war

THACKERAY: VANITY FAIR. Ensign Stubble practising the art of war. Wood engraving after the authors design for a 1861 edition of William Makepeace Thackerays Vanity Fair

Background imageLiterature Collection: THACKERAY: VANITY FAIR. Rebecca makes acquaintance with a live baronet

THACKERAY: VANITY FAIR. Rebecca makes acquaintance with a live baronet. Etching after the authors design, for the first edition of Willam Makepeace Thackerays novel Vanity Fair, London, 1848

Background imageLiterature Collection: SUNDAY SUPPLEMENT, 1913. Front page of the fun supplement for the Sunday edition

SUNDAY SUPPLEMENT, 1913. Front page of the fun supplement for the Sunday edition of the New York World, 21 December 1913, which contained the first crossword puzzle

Background imageLiterature Collection: DICKENS: DAVID COPPERFIELD. Mrs. Gummidge casts a damp on our departure. Etching by Phiz

DICKENS: DAVID COPPERFIELD. Mrs. Gummidge casts a damp on our departure. Etching by Phiz (Hablot Knight Browne), c1850

Background imageLiterature Collection: WILLA CATHER: MY ANTONIA. Pen drawing by Wladyslaw Theodor Benda for the first edition

WILLA CATHER: MY ANTONIA. Pen drawing by Wladyslaw Theodor Benda for the first edition, 1918, of Willa Cathers novel My Antonia

Background imageLiterature Collection: MILTON: PARADISE LOST. Manuscript page of Paradise Lost, by John Milton, c1667

MILTON: PARADISE LOST. Manuscript page of Paradise Lost, by John Milton, c1667

Background imageLiterature Collection: LA PRINCESSE DE CLEVES. Title page of the first edition of the French novel, La

LA PRINCESSE DE CLEVES. Title page of the first edition of the French novel, La Princesse de Cleves, by Madame de Lafayette, 1678

Background imageLiterature Collection: OLD CURIOSITY SHOP, 1900. Exterior of The Old Curiosity Shop, immortalized by

OLD CURIOSITY SHOP, 1900. Exterior of The Old Curiosity Shop, immortalized by Charles Dickens novel, London, England. Stereograph, 1900

Background imageLiterature Collection: WILLIAM H. WINDER (1775-1824). American soldier and lawyer. Line engraving, American

WILLIAM H. WINDER (1775-1824). American soldier and lawyer. Line engraving, American, 1869, from Pictorial Field-Book of the War of 1812 by Benson J. Lossing

Background imageLiterature Collection: PAUL VERLAINE (1844-1896). French poet. Manuscript page from La Sagesse, first

PAUL VERLAINE (1844-1896). French poet. Manuscript page from La Sagesse, first published in 1880

Background imageLiterature Collection: WHITTIER: SNOW-BOUND. Title page to John Greenleaf Whittiers long-form poem, Snow-Bound

WHITTIER: SNOW-BOUND. Title page to John Greenleaf Whittiers long-form poem, Snow-Bound: A Winter Idyl, originally published in 1866

Background imageLiterature Collection: WALPOLE: TITLE PAGE, 1784. Title page to Horace Walpoles A Description of the

WALPOLE: TITLE PAGE, 1784. Title page to Horace Walpoles A Description of the Villa of Horace Walpole, his book about his gothic villa, Strawberry Hill, originally published 1784

Background imageLiterature Collection: FRANKLIN: PLAIN TRUTH, 1747. Title page of Plain Truth: or, Serious Considerations

FRANKLIN: PLAIN TRUTH, 1747. Title page of Plain Truth: or, Serious Considerations On the Present State of the City of Philadelphia and Province of Pennsylvania

Background imageLiterature Collection: FRANKLIN: STENCILS. Typeface stencils made for Benjamin Franklin by Gabriel Bery

FRANKLIN: STENCILS. Typeface stencils made for Benjamin Franklin by Gabriel Bery, while Franklin was living in Passy, France, 1776-1785

Background imageLiterature Collection: THE ART OF SWIMMING. Frontispiece to The Art of Swimming, 18th century, owned

THE ART OF SWIMMING. Frontispiece to The Art of Swimming, 18th century, owned by Benjamin Franklin

Background imageLiterature Collection: PHILADELPHIA: LIBRARY. Text composed for the cornerstone dedication of the Library

PHILADELPHIA: LIBRARY. Text composed for the cornerstone dedication of the Library Company of Philadelphia, by Benjamin Franklin, 1739

Background imageLiterature Collection: CRUIKSHANK: FALSTAFF. The character of Falstaff from William Shakespeares The

CRUIKSHANK: FALSTAFF. The character of Falstaff from William Shakespeares The Merry Wives of Windsor. Etching, 19th century, by George Cruikshank

Background imageLiterature Collection: SPENSER: FAERIE QUEENE. Page from Edmund Spensers the Faerie Queene, published c1590

SPENSER: FAERIE QUEENE. Page from Edmund Spensers the Faerie Queene, published c1590

Background imageLiterature Collection: TWAIN: MISSISSIPPI, 1883. Illustration from the first edition of Mark Twains Life

TWAIN: MISSISSIPPI, 1883. Illustration from the first edition of Mark Twains Life on the Mississippi, 1883

Background imageLiterature Collection: CAEDMON MANUSCRIPT. Defeat of the Bad Angel. A page from the Caedmon Manuscript

CAEDMON MANUSCRIPT. Defeat of the Bad Angel. A page from the Caedmon Manuscript, English, c1000

Background imageLiterature Collection: HUCKLEBERRY FINN, 1885. Advertisement for the first American edition, January 1885

HUCKLEBERRY FINN, 1885. Advertisement for the first American edition, January 1885, of Mark Twainss The Adventures of Huckleberry Finn, sold only by mail order

Background imageLiterature Collection: MEDIEVAL SCHOLARS. Woodcut, c15th century

MEDIEVAL SCHOLARS. Woodcut, c15th century

Background imageLiterature Collection: ALSACE: BIBLE READING. Reading the Bible in a Protestant family in Alsace

ALSACE: BIBLE READING. Reading the Bible in a Protestant family in Alsace. Etching after Gustave Brion (1824-1877)

Background imageLiterature Collection: GENTLEMAN READING, 1881. Original cabinet photograph, London, 1881

GENTLEMAN READING, 1881. Original cabinet photograph, London, 1881

Background imageLiterature Collection: REYNARD THE FOX, 1846. Steel engraving, German, 1846, after Wilhelm von Kaulbach

REYNARD THE FOX, 1846. Steel engraving, German, 1846, after Wilhelm von Kaulbach, for an edition of Johann Wolfgang von Goethes adaptation of the medieval epic Reynard the Fox



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