William Hogarth Collection (page 2)

A House of Cards, 1730 (oil on canvas)
NGW184295 A House of Cards, 1730 (oil on canvas) by Hogarth, William (1697-1764); 64.3x76.5 cm; National Museum Wales; National Museums & Galleries of Wales

The Jones Family Conversation Piece, 1730 (oil on canvas)
NGW184258 The Jones Family Conversation Piece, 1730 (oil on canvas) by Hogarth, William (1697-1764); 72x91.8 cm; National Museum and Gallery, Cardiff

A Children's Tea Party, 1730 (oil on canvas)
NGW184284 A Children's Tea Party, 1730 (oil on canvas) by Hogarth, William (1697-1764); 64.3x76.5 cm; National Museum Wales; National Museums & Galleries of Wales

Night (The Four Times of Day), March 25, 1738. Creator: William Hogarth
Night (The Four Times of Day), March 25, 1738

The Analysis of Beauty, Plate 1, March 5, 1753. Creator: William Hogarth
The Analysis of Beauty, Plate 1, March 5, 1753

King Henry the Eighth and Anna Bullen, ca. 1728. Creator: William Hogarth
King Henry the Eighth and Anna Bullen, ca. 1728

Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790. after 1790
Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790

I am not mad, most noble Festus, 19th century. Creator: H Robinson
I am not mad, most noble Festus, 19th century. Biblical scene, from Acts 26: 25: But he said, I am not mad, most noble Festus; but speak forth the words of truth and soberness

School in Leicester Square on the Site of Hogarths House, c1935. Creator: Donald McLeish
School in Leicester Square on the Site of Hogarths House, c1935. Archbishop Tenison School in Leicester Square, Westminster, central London, which opened in 1895

Beer Street, 1751, (1925). Creator: William Hogarth
Beer Street, 1751, (1925). Issued in 1751 by English artist William Hogarth. From " London in the Eighteenth Century", by Sir Walter Besant. [A. & C. Black, Ltd. London, 1925]

A Country Inn Yard, 1747, (1925). Creator: William Hogarth
A Country Inn Yard, 1747, (1925). Published soon after the 1747 election. The composition renders the Election marginal, suggesting the English are too preoccupied with their own day-to-day

Gambling at Whites Club, 1734, (1925). Creator: William Radclyffe
Gambling at Whites Club, 1734, (1925). Plate VI, the gaming house scene from Hogarths The Rakes Progress, engraved by W.Radclyffe

Sport in the Eighteenth Century, c1720-1764, (1925). Creator: William Hogarth
Sport in the Eighteenth Century, c1720-1764, (1925). Wagerning bets on a Pocklington cockfight. From " London in the Eighteenth Century", by Sir Walter Besant. [A. & C. Black, Ltd

Treatment of the Insane, 1733, (1925). Creator: William Hogarth
Treatment of the Insane, 1733, (1925). " Bedlam" Bedlam from A Rakes Progress 1733 - engraving by William Hogarth (1697-1764)

The Harlots Progress ensnared by a procuress, from The Works of Hogarth published London 1833
3501419 The Harlots Progress ensnared by a procuress, from The Works of Hogarth published London 1833 (b/w engraving) by Hogarth, William (1697-1764) (after); (add.info.: The Harlots Progress)

The laughing audience (1733).Designed by William Hogarth((1697-1764)and engraved by Jones&Cie in 1828.Now in the public domain.Backgrounds:

William Hogarth Marriage A La Mode The Settlement
Vintage engraving of showing a scene from William Hogarths Marriage A La Mode. Marriage A La Mode is a series of six pictures depicting a pointed skewering of upper class 18th century society

William Hogarth Four Humours of an Election Canvassing for Votes
Vintage engraving of showing a scene from William Hogarths Humours of an Election. They illustrate the election of a member of parliament in Oxfordshire in 1754

Marries an Old Maid
Photo of an original engraving from the Works of William Hogarth published in 1833

Scene in a Madhouse, by William Hogarth
Photo of an original engraving from the Works of William Hogarth published in 1833

The Cock Pit, by William Hogarth
Photo of an original engraving from the Works of William Hogarth published in 1833

Crowded London Street, by William Hogarth
Photo of an original engraving from the Works of William Hogarth published in 1833

Decorative Baroque Frame, by William Hogarth
Photo of an original engraving from the Works of William Hogarth published in 1833

Southwark Fair By William Hogarth
Vintage engraving of Southwark Fair By William Hogarth

Midnight Modern Conversation, by William Hogarth
Photo of an original engraving from the Works of William Hogarth published in 1833

William Hogarth Four Times of the Day - Night
Vintage engraving of showing a scene from William Hogarths Four Times of the Day. They are humorous depictions of life in the streets of London, the vagaries of fashion

The Bench, Judges hearing a case in court, by William Hogarth
Vintage engraving of The Bench, by William Hogarth. 1758, depicts four judges listening to a case in the Court of Common Pleas

Moses brought to Pharaohs daughter, 1809. Artist: Thomas Cook
Moses brought to Pharaohs daughter, 1809

Time smoking a picture, 1761. Artist: William Hogarth
Time smoking a picture, 1761.The allegorical figure of Time is a satire concerning Hogarths belief that art connoisseurs only valued paintings for their age

Breakfast scene from The Five Days Peregrination, 1732. Artist: William Hogarth
Breakfast scene from The Five Days Peregrination, 1732. This series is an account of a tour of the Kent Coast made by William Hogarth and four friends in May 1732

The Times, plate I, c1762 (1895). A representative of King George III fights a fire (the Seven Years War), which is burning down houses representing Germany and France

Mrs Richard Hogarth, the artists mother, mid 18th century (1901). Artist: William Hogarth
Mrs Richard Hogarth, the artists mother, mid 18th century (1901). Illustration from The Connoisseur, (November 1901)

A Rakes Progress - 8: The Mad House, 1733. Artist: William Hogarth
A Rakes Progress - 8: The Mad House, 1733. True to his nature Tom Rakewell has run through a vast fortune through indulgence in all the luxuries of modern living

The Painter and his Pug, 1745. Artist: William Hogarth
The Painter and his Pug, 1745. The portrait deliberately projects a guide to the way Hogarth wanted others to think of him

The Laughing Audience L'Audience Risant William Hogarth
The Laughing Audience / L'Audience Risant. After an 18th century work by William Hogarth. Later colorization

The unfortunate Knight of the Rock meeting Don Quixote 1756. by William Hogarth
3521507 The unfortunate Knight of the Rock meeting Don Quixote 1756. by William Hogarth by Hogarth, William (1697-1764); (add.info.: The unfortunate Knight of the Rock meeting Don Quixote 1756)

Characters and Caricaturas by William Hogarth
3521495 Characters and Caricaturas by William Hogarth by Hogarth, William (1697-1764); (add.info.: Characters and Caricaturas by William Hogarth (1697 - 1764)

The Five Orders of Periwigs by William Hogarth
3521485 The Five Orders of Periwigs by William Hogarth by Hogarth, William (1697-1764); (add.info.: The Five Orders of Periwigs)

Self portrait by William Hogarth (1697 - 1764)
3521467 Self portrait by William Hogarth (1697 - 1764). by Hogarth, William (1697-1764); (add.info.: Self portrait by William Hogarth (1697 - 1764)

Tail-Piece, or The Bathos
2625681 Tail-Piece, or The Bathos by Hogarth, William (1697-1764); (add.info.: Engraving by british artist & engraver, William Hogarth 1697-1764: Tail-Piece, or The Bathos, 1764)

Head studies from cartoons at Hampton Court
2625670 Head studies from cartoons at Hampton Court by Hogarth, William (1697-1764); (add.info.: Engraving by british artist & engraver)

The House of Commons in Sir Robert Walpole's Administration
2625645 The House of Commons in Sir Robert Walpole's Administration by Hogarth, William (1697-1764) (after); (add.info.: Engraving after the british artist & engraver)

Leveridges songs frontispiecey by William Hogarth 1727
3788044 Leveridges songs frontispiecey by William Hogarth 1727 by Hogarth, William (1697-1764); (add.info.: Leveridges songs frontispiecey by William Hogarth 1727 WH: English painter, printmaker)

Mary and Ann Hogarth A shop-bill by William Hogarth 1724
3788043 Mary and Ann Hogarth A shop-bill by William Hogarth 1724 by Hogarth, William (1697-1764); (add.info.: Hogarth's advert for his sisters linen-shop.Caption reads)

Taste in High Life
2625608 Taste in High Life by Hogarth, William (1697-1764); (add.info.: Engraving by british artist & engraver, William Hogarth 1697-1764: Taste in High Life 1742.); Universal History Archive/UIG

Mary and Ann Hogarth A shop-bill by William Hogarth 1724
3788030 Mary and Ann Hogarth A shop-bill by William Hogarth 1724 by Hogarth, William (1697-1764); (add.info.: Hogarth's advert for his sisters linen-shop. Engraved by Thomas Cook)

The lottery. by William Hogarth (1697 - 1764). English painter, printmaker, pictorial satirist
3521119 The lottery. by William Hogarth (1697 - 1764). English painter, printmaker, pictorial satirist. by Hogarth, William (1697-1764); (add.info.: The lottery. by William Hogarth (1697 - 1764)

Engraving by William Hogarth
3520265 Engraving by William Hogarth by Hogarth, William (1697-1764); (add.info.: Engraving by William Hogarth (1697-1764) English painter, printmaker, pictorial satirist, social critic

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William Hogarth was a renowned English artist and social critic of the 18th century. His works depicted various aspects of society, often highlighting the vices and follies prevalent during his time. One of his most famous pieces is "Gin Lane, " created in 1751, which portrays the devastating effects of gin consumption on individuals and society as a whole. In this powerful image, Hogarth depicts a scene filled with poverty, despair, and moral decay caused by excessive drinking. Another notable work by Hogarth is "Night, " part of the series "Times of the Day. " This painting captures the dark side of London's nightlife, showcasing debauchery and immorality that occurred after sunset. Similarly, in "Revelling with Harlots" from his series "A Rake's Progress, " he exposes the consequences faced by those who indulge in a life of pleasure-seeking. Hogarth also explored different themes such as beauty standards in society through works like "The Analysis of Beauty. " Here he challenges conventional notions by presenting an unconventional perspective on what constitutes true beauty. In contrast to these somber depictions, Hogarth also portrayed scenes celebrating community spirit and industry. For instance, in "Beer Street, " he showcases a vibrant street bustling with activity where people enjoy beer responsibly while engaging in productive work. However, not all his artworks were focused on societal issues; some captured humorous moments or satirical commentary like "The Sleeping Congregation" or "Watching Cockfight. " Throughout his career spanning several decades, William Hogarth used art as a medium to critique contemporary culture and provoke thought among viewers. His paintings continue to be admired for their detailed storytelling abilities that shed light on both positive aspects and darker realities within society.