Watercolour Collection (page 14)

Poison Girl
Laura Gervais

Laki. Dog Watercolor Doodle Painting.
Johan Liewendahl

Landscape Made of Ink Block by Alexander Cozens
3524324 Landscape Made of Ink Block by Alexander Cozens; (add.info.: Landscape Made of Ink Block by Alexander Cozens (1717-1786) British landscape painter in watercolours, born in Russia

A Ball or Party, 1867 (watercolor)
5669491 A Ball or Party, 1867 (watercolor); Universal History Archive/UIG.

The Cotillion Dance, 1831 (watercolour on paper)
FIA5633818 The Cotillion Dance, 1831 (watercolour on paper); Private Collection; Photo © Fine Art Images.

Trompe l'Oeil Still Life, c.1754 (gouache, tempera? and w/c)
XOS5874072 Trompe l'Oeil Still Life, c.1754 (gouache, tempera? and w/c) by Meyer, Jacobus Cornelis (18th century); 37.3x27.4 cm; Cleveland Museum of Art, OH

Woolwich dockyard, late 18th century (pen, black ink, watercolour)
7342004 Woolwich dockyard, late 18th century (pen, black ink, watercolour) by Unknown artist, (18th century); 26.7x40.5 cm; National Maritime Museum, London

Study of a flower arrangement (graphite, watercolour)
7342114 Study of a flower arrangement (graphite, watercolour) by Herschel, Margaret Louisa (1834-61); 22.4x28.9 cm; National Maritime Museum, London

Portrait of a West Indian lady, early 19th century (watercolour)
7341861 Portrait of a West Indian lady, early 19th century (watercolour) by Brenton, Edward Pelham (1774-1839); 20.6x13 cm; National Maritime Museum, London

Burning of the Ocean Monarch, emigrant ship, 24 Aug 1848, 19th century (watercolour)
7341843 Burning of the Ocean Monarch, emigrant ship, 24 Aug 1848, 19th century (watercolour) by D'Orleans, Francois (1818-1900), Prince de Joinville; 16.7x35.6 cm; National Maritime Museum

Britannia' getting underway, 1810 (watercolour, graphite, pen, ink)
7341819 Britannia' getting underway, 1810 (watercolour, graphite, pen, ink) by Pocock, Nicholas (1741-1821); 22x35.6 cm; National Maritime Museum, London

A sticker-up of bills on Tower Hill at the rendezvous at the King's Arms, 1774 (watercolour)
7341532 A sticker-up of bills on Tower Hill at the rendezvous at the King's Arms, 1774 (watercolour) by Bray, Gabriel (1750-1823); 21.6x18.4 cm; National Maritime Museum, London

HMS 'Cardiff' leading the German fleet to surrender, 1918, 1919 (paper, watercolour)
7342504 HMS 'Cardiff' leading the German fleet to surrender, 1918, 1919 (paper, watercolour) by Dixon, Charles Edward (1872-1934); 37.3x52 cm; National Maritime Museum, London

HMS 'Rolla' off Dover, seen from the cliffs, 1850s (watercolour, paper, scratching out)
7342499 HMS 'Rolla' off Dover, seen from the cliffs, 1850s (watercolour, paper, scratching out) by English School, (19th century); 12.2x17.4 cm; National Maritime Museum, London

Spindrift, 1867 (watercolour)
7342617 Spindrift, 1867 (watercolour) by Taylor, Josiah (fl.1867); 45x76.8 cm; National Maritime Museum, London, UK; (add.info.: Creator: Josiah Taylor Spindrift); © National Maritime Museum

The Barham off S. end of Sardinia on her passage to England with Vice-Admiral Sir Pulteney Malcolm
7342600 The Barham off S. end of Sardinia on her passage to England with Vice-Admiral Sir Pulteney Malcolm, mid 19th century (watercolour) by Willson

Four shipping studies, including of a frigate action, 1851 (pen, ink, wash, watercolour)
7342248 Four shipping studies, including of a frigate action, 1851 (pen, ink, wash, watercolour) by Mends, George Pechell (1815-71); 25.5x37.2 cm; National Maritime Museum, London

View of Smyrna with shipping, 18th century (pen, ink, watercolour)
7342240 View of Smyrna with shipping, 18th century (pen, ink, watercolour) by Serres, Dominic (1722-93); 40.5x57.1 cm; National Maritime Museum, London

The 'Charlemagne' with 'Trafalgar' leaving Port Mahon under tow by 'Firebrand', 1 June 1822
7342257 The 'Charlemagne' with 'Trafalgar' leaving Port Mahon under tow by 'Firebrand', 1 June 1822, 1852 (pen, ink, wash, watercolour) by Mends

HMS Victory (watercolour)
7342688 HMS Victory (watercolour) by Atkins, William Edward (1842-1910); 83.9x65 cm; National Maritime Museum, London, UK; (add.info.: Creator: W. E)

Seascape, late 19th century - mid 20th century (watercolour, graphite, board)
7342476 Seascape, late 19th century - mid 20th century (watercolour, graphite, board) by Everett, John (1876-1949); 26.9x36.1 cm; National Maritime Museum, London

Seascape, Guadeloupe, late 19th century - mid 20th century (watercolour, gouache, graphite, paper)
7342436 Seascape, Guadeloupe, late 19th century - mid 20th century (watercolour, gouache, graphite, paper) by Everett, John (1876-1949); 13.2x18.4 cm; National Maritime Museum, London

Seascape. Moonlight over a calm sea, late 19th century - mid 20th century (watercolour)
7342431 Seascape. Moonlight over a calm sea, late 19th century - mid 20th century (watercolour) by Everett, John (1876-1949); 25.4x35.7 cm; National Maritime Museum, London

Mail censorship office, Portsmouth, 1944 (watercolour on paper)
7342245 Mail censorship office, Portsmouth, 1944 (watercolour on paper) by Hennell, Thomas Barclay (1903-45); 60.9x83.8 cm; National Maritime Museum, London

'Corfu, Octr. 12th 1857 [Greece]', 1857 (watercolour)
7342288 'Corfu, Octr. 12th 1857 [Greece]', 1857 (watercolour) by Fanshawe, Admiral Sir Edward Gennys (1814-1906); 22.8x32.1 cm; National Maritime Museum, London

Portrait of John Lovell, aged 70. Bargee on Thames as Greenwich Pensioner (watercolour, heightened with white)
7342078 Portrait of John Lovell, aged 70. Bargee on Thames as Greenwich Pensioner (watercolour, heightened with white) by Cruikshank, Frederic (1800-68); 54x39.7 cm; National Maritime Museum, London

Clipper Ship 'Norwood' (1854), c.1854-57 (watercolour)
7341933 Clipper Ship 'Norwood' (1854), c.1854-57 (watercolour) by Morris, A. E. (fl.c.1854); 28.6x41.6 cm; National Maritime Museum, London

Packet ship Ivanhoe 1849, 19th century (watercolour, card)
7341932 Packet ship Ivanhoe 1849, 19th century (watercolour, card) by Unknown Artist, (19th century); 25.7x37.3 cm; National Maritime Museum, London

Dutch folly, Canton 1858, 1858 (watercolour)
7341874 Dutch folly, Canton 1858, 1858 (watercolour) by Edgell, Harry Edmond (1809-76); 20.6x29.8 cm; National Maritime Museum, London

Study of flowers - pansy, wallflower, 19th century (pen, ink, watercolour)
7341871 Study of flowers - pansy, wallflower, 19th century (pen, ink, watercolour) by Brett, Rosa (1829-82); 13x10.5 cm; National Maritime Museum, London

Submarine D7, early 20th century (watercolour, graphite)
7341731 Submarine D7, early 20th century (watercolour, graphite) by Wyllie, William Lionel (1851-1931); 30x43 cm; National Maritime Museum, London

Submarine J.5 and rough sketch of another fighting vessel, early 20th century (watercolour, graphite)
7341726 Submarine J.5 and rough sketch of another fighting vessel, early 20th century (watercolour, graphite) by Wyllie, William Lionel (1851-1931); 24.7x31 cm; National Maritime Museum, London

Quarantine guard ship 'Rhin' standgate creek, 19th century (pen, ink, watercolour)
7341725 Quarantine guard ship 'Rhin' standgate creek, 19th century (pen, ink, watercolour) by British School, (19th century); 14.8x20 cm; National Maritime Museum, London

Sixth-rate HM ship sailing past the English coast, 1794 (watercolour)
7341724 Sixth-rate HM ship sailing past the English coast, 1794 (watercolour) by Pocock, Nicholas (1741-1821); 16.8x26.2 cm; National Maritime Museum, London

The Battle of the Glorious First of June, 1794; the 'Defence' (?) and 'Le Vengeur', 1794 (watercolour)
7341714 The Battle of the Glorious First of June, 1794; the 'Defence' (?) and 'Le Vengeur', 1794 (watercolour, graphite) by Pocock

Looking at Halley's Comet, 1835 (watercolour)
7341531 Looking at Halley's Comet, 1835 (watercolour) by Chalon, John James (1778-1854); 35.7x44 cm; National Maritime Museum, London

Portrait of a woman, sketchbook, 1901-04 (graphite, watercolour)
7341529 Portrait of a woman, sketchbook, 1901-04 (graphite, watercolour) by Everett, John (1876-1949); 18.1x27.2x0.8 cm; National Maritime Museum, London

Seascape, sketchbook, 1901-04 (graphite, watercolour)
7341527 Seascape, sketchbook, 1901-04 (graphite, watercolour) by Everett, John (1876-1949); 18.1x27.2x0.8 cm; National Maritime Museum, London

Seascape, sketchbook, 1901-04 (graphite, watercolour)
7341524 Seascape, sketchbook, 1901-04 (graphite, watercolour) by Everett, John (1876-1949); 18.1x27.2x0.8 cm; National Maritime Museum, London

'Victoria Settlement, Vancouver Island, Augt 13th 1851 [Canada]', 1851 (watercolour)
7295637 'Victoria Settlement, Vancouver Island, Augt 13th 1851 [Canada]', 1851 (watercolour) by Fanshawe, Admiral Sir Edward Gennys (1814-1906); 17.5x25.7 cm; National Maritime Museum

'Lake of Acoleo [Aculeo], Chile, Jany 11th 1851', 1851 (watercolour)
7295627 'Lake of Acoleo [Aculeo], Chile, Jany 11th 1851', 1851 (watercolour) by Fanshawe, Admiral Sir Edward Gennys (1814-1906); 22.7x32.6 cm; National Maritime Museum, London

Outer anchorage in a squall, Mazatlan [Mexico], Augt 22nd 1850, 8.am. ... "Query, which is the way to the ship
7295622 Outer anchorage in a squall, Mazatlan [Mexico], Augt 22nd 1850, 8.am. ... "Query, which is the way to the ship

'From a back window in Panama, March 10th 1850', 1850 (watercolour)
7295613 'From a back window in Panama, March 10th 1850', 1850 (watercolour) by Fanshawe, Admiral Sir Edward Gennys (1814-1906); 22.7x32.5 cm; National Maritime Museum, London

Seru Thakombau [Seru Epenisa Cakobau], 1815 - 83; King of Fiji, 1852-74, 1849 (watercolour, graphite)
7295608 Seru Thakombau [Seru Epenisa Cakobau], 1815 - 83; King of Fiji, 1852-74, 1849 (watercolour, graphite) by Fanshawe

'Andes, Aconcagua Peak distant 170 miles, June 18th 1849', 1849 (watercolour)
7295589 'Andes, Aconcagua Peak distant 170 miles, June 18th 1849', 1849 (watercolour) by Fanshawe, Admiral Sir Edward Gennys (1814-1906); 12.5x17.8 cm; National Maritime Museum, London

Cordillera of the Andes, as seen from the Mystery Plain, near the Santa Cruz, c.1878 (watercolour)
7295561 Cordillera of the Andes, as seen from the Mystery Plain, near the Santa Cruz, c.1878 (watercolour) by Martens, Conrad (1801-78); 25.7x46.6 cm; National Maritime Museum, London

Hunting on the Santa Cruz River, c.1878 (watercolour)
7295559 Hunting on the Santa Cruz River, c.1878 (watercolour) by Martens, Conrad (1801-78); 19.3x29.2 cm; National Maritime Museum, London, UK; (add.info.: In Montevideo near the end of 1833)

Unidentified lady (1801-1881), c.1820 (watercolour on ivory)
7339900 Unidentified lady (1801-1881), c.1820 (watercolour on ivory) by Holmes, James (1777-1860); 8.5x5.9 cm; National Maritime Museum, London

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"Capturing the Frozen Beauty: Watercolour Chronicles of Antarctic Expeditions" Immerse yourself in a world of breathtaking landscapes and frozen wonders as we delve into the captivating artistry of watercolour. From Paraselena's ethereal glow at McMurdo Sound on a crisp June morning in 1911 to the vibrant hues adorning Trongate, Glasgow, this artistic medium has brought forth mesmerizing scenes from across time and space. Journey back to April 7, 1911, when Hut Point stood proudly amidst McMurdo Sound, its delicate features delicately captured on canvas. The majestic Mount Erebus looms large in another masterpiece painted at 6 pm on April 2nd that same year. Its towering presence evokes both awe and serenity as day transitions into night. Venture further south with Mount Longstaff's depiction at an astounding altitude of 13, 000 feet - a testament to man's relentless pursuit of discovery. The winter quarters reveal themselves through strokes of paint; McMurdo Sound emerges before our eyes with its icy expanse stretching towards the horizon. Gaze upon Castle Rock beneath Mount Erebus on that fateful August afternoon in 1903; witness nature's grandeur unfold through curtain auroras dancing across the sky. Iridescent clouds grace Cape Evans' Ramp as they shimmer under the gaze of an artist captivated by their otherworldly beauty on August 9th, 1911. Paraselena returns once more - this time illuminating Cape Evans' landscape during a late evening hour on January 15th, offering us a glimpse into its mystical allure. Ascend Observation Hill and experience Hut Point bathed in golden light during January twilight hours - an enchanting sight forever immortalized by skilled hands holding brushes. Amongst these frozen realms lie human stories too; three men huddled together within a pyramid tent symbolize camaraderie against all odds.