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Watercolour Collection (page 8)

"Capturing the Frozen Beauty

Background imageWatercolour Collection: Rose Rosier de Bancks var. a fleurs jaunea, Rosa banksiae, Banks rose

Rose Rosier de Bancks var. a fleurs jaunea, Rosa banksiae, Banks rose
7278384 Rose Rosier de Bancks var. a fleurs jaunea, Rosa banksiae, Banks rose; Private Collection; (add.info.: Rose Rosier de Bancks var)

Background imageWatercolour Collection: Wood forget-me-not (Myosotis sylvatica), digitally processed reproduction of a watercolour drawing

Wood forget-me-not (Myosotis sylvatica), digitally processed reproduction of a watercolour drawing from 1827
7278380 Wood forget-me-not (Myosotis sylvatica), digitally processed reproduction of a watercolour drawing from 1827; Private Collection; (add.info.: Wood forget-me-not (Myosotis sylvatica)

Background imageWatercolour Collection: Mountain bellflower (Campanula) collina, digitally processed reproduction of a watercolour drawing

Mountain bellflower (Campanula) collina, digitally processed reproduction of a watercolour drawing from 1827
7278374 Mountain bellflower (Campanula) collina, digitally processed reproduction of a watercolour drawing from 1827; Private Collection; (add.info.: Mountain bellflower (Campanula) collina

Background imageWatercolour Collection: 'Indians at Fort Rupert, Vancouver's Island, July 1851 [Canada]', 1851 (watercolour)

'Indians at Fort Rupert, Vancouver's Island, July 1851 [Canada]', 1851 (watercolour)
7295633 'Indians at Fort Rupert, Vancouver's Island, July 1851 [Canada]', 1851 (watercolour) by Fanshawe, Admiral Sir Edward Gennys (1814-1906); 12.6x17.8 cm; National Maritime Museum

Background imageWatercolour Collection: 'Esquimalt Harbour, Vancouver's Island, June 28th 1851 [Canada]', 1851 (watercolour)

'Esquimalt Harbour, Vancouver's Island, June 28th 1851 [Canada]', 1851 (watercolour)
7295632 'Esquimalt Harbour, Vancouver's Island, June 28th 1851 [Canada]', 1851 (watercolour) by Fanshawe, Admiral Sir Edward Gennys (1814-1906); 17.5x25.5 cm; National Maritime Museum

Background imageWatercolour Collection: 'The Cuesta de Chacabuco, looking towards San Felipe de Aconcagua [Chile], Jany 14th 1851'

'The Cuesta de Chacabuco, looking towards San Felipe de Aconcagua [Chile], Jany 14th 1851', 1851 (watercolour)
7295629 'The Cuesta de Chacabuco, looking towards San Felipe de Aconcagua [Chile], Jany 14th 1851', 1851 (watercolour) by Fanshawe

Background imageWatercolour Collection: 'Feejee hair-dressing; from one Tanoa's younger sons, Octr 7th 1849 [Fiji]', 1849 (watercolour)

'Feejee hair-dressing; from one Tanoa's younger sons, Octr 7th 1849 [Fiji]', 1849 (watercolour, graphite)
7295607 'Feejee hair-dressing; from one Tanoa's younger sons, Octr 7th 1849 [Fiji]', 1849 (watercolour, graphite) by Fanshawe

Background imageWatercolour Collection: Teriitaria or Ariapaia [Teri'i tari'a II Ari'i' paea], Queen of Huahine

Teriitaria or Ariapaia [Teri'i tari'a II Ari'i' paea], Queen of Huahine
7295597 Teriitaria or Ariapaia [Teri'i tari'a II Ari'i' paea], Queen of Huahine, Augt 30th 1849' [Society Islands], 1849 (graphite, watercolour) by Fanshawe

Background imageWatercolour Collection: 'In Eimeo [Moorea, Society Islands], Augt 27th 1849', 1849 (watercolour)

'In Eimeo [Moorea, Society Islands], Augt 27th 1849', 1849 (watercolour)
7295596 'In Eimeo [Moorea, Society Islands], Augt 27th 1849', 1849 (watercolour) by Fanshawe, Admiral Sir Edward Gennys (1814-1906); 17.5x25.8 cm; National Maritime Museum, London

Background imageWatercolour Collection: 'Fautaua, Tahiti, Augt 25th 1849 [Society Islands]', 1849 (watercolour)

'Fautaua, Tahiti, Augt 25th 1849 [Society Islands]', 1849 (watercolour)
7295593 'Fautaua, Tahiti, Augt 25th 1849 [Society Islands]', 1849 (watercolour) by Fanshawe, Admiral Sir Edward Gennys (1814-1906); 22.7x32.5 cm; National Maritime Museum, London

Background imageWatercolour Collection: 'Eimeo [Moorea] from near Papeiti [Tahiti, Society Islands], Augt 25th 1849', 1849 (watercolour)

'Eimeo [Moorea] from near Papeiti [Tahiti, Society Islands], Augt 25th 1849', 1849 (watercolour)
7295592 'Eimeo [Moorea] from near Papeiti [Tahiti, Society Islands], Augt 25th 1849', 1849 (watercolour) by Fanshawe

Background imageWatercolour Collection: Settlement at Port Stanley, Falkland Islands, May 1849 (watercolour)

Settlement at Port Stanley, Falkland Islands, May 1849 (watercolour)
7295587 Settlement at Port Stanley, Falkland Islands, May 1849 (watercolour) by Fanshawe, Admiral Sir Edward Gennys (1814-1906); 17.4x25.6 cm; National Maritime Museum, London, UK; (add.info.: No)

Background imageWatercolour Collection: Nelson encountering a bear, c.1854 (grey wash, heightened with white, watercolour, graphite)

Nelson encountering a bear, c.1854 (grey wash, heightened with white, watercolour, graphite)
7295548 Nelson encountering a bear, c.1854 (grey wash, heightened with white, watercolour, graphite) by Foster, Myles Birket (1825-99); 45.1x32.1 cm; National Maritime Museum, London

Background imageWatercolour Collection: Rochester Cathedral, Castle and Bridge, 19th century (Watercolour)

Rochester Cathedral, Castle and Bridge, 19th century (Watercolour)
7261327 Rochester Cathedral, Castle and Bridge, 19th century (Watercolour); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Rochester Cathedral, Castle and Bridge)

Background imageWatercolour Collection: Landscape with river, castle and boats, 19th century (Watercolour)

Landscape with river, castle and boats, 19th century (Watercolour)
7261313 Landscape with river, castle and boats, 19th century (Watercolour); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Landscape with river, castle and boats. Unsigned and undated)

Background imageWatercolour Collection: Davington Church and Priory, 19th century (Watercolour)

Davington Church and Priory, 19th century (Watercolour)
7261309 Davington Church and Priory, 19th century (Watercolour); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Davington Church and Priory; Watercolour; Unsigned and undated)

Background imageWatercolour Collection: Mother and baby, 19th century (Watercolour)

Mother and baby, 19th century (Watercolour)
7261268 Mother and baby, 19th century (Watercolour); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Mother and baby, possibly Mary/Madonna and Jesus)

Background imageWatercolour Collection: Maria Carolina, 1753-1814, Queen of Sicily, 1780-90 (watercolour)

Maria Carolina, 1753-1814, Queen of Sicily, 1780-90 (watercolour)
7337515 Maria Carolina, 1753-1814, Queen of Sicily, 1780-90 (watercolour) by Unknown artist, (18th century); 7.3x6 cm; National Maritime Museum, London

Background imageWatercolour Collection: Portrait of a young boy, formerly thought to be Horatio Nelson, c.1810 (watercolour, ivory, paper)

Portrait of a young boy, formerly thought to be Horatio Nelson, c.1810 (watercolour, ivory, paper)
7337509 Portrait of a young boy, formerly thought to be Horatio Nelson, c.1810 (watercolour, ivory, paper) by Unknown Artist, (19th century); 5.7x4.6 cm; National Maritime Museum, London

Background imageWatercolour Collection: The Place de Concorde

The Place de Concorde
3078753 The Place de Concorde; (add.info.: Painting depicting the Place de Concorde, one of the major public squares in Paris. Dated 19th Century.); Universal History Archive/UIG.

Background imageWatercolour Collection: Gabrielle Rejane, c.1890-1900 (watercolour)

Gabrielle Rejane, c.1890-1900 (watercolour)
8698364 Gabrielle Rejane, c.1890-1900 (watercolour) by Lemaire, Madeleine (1845-1928); (add.info.: Art. Fine Arts. French actress Gabrielle Rejane)

Background imageWatercolour Collection: Young Midshipman, 1838 (w/c and graphite on paper)

Young Midshipman, 1838 (w/c and graphite on paper)
8696799 Young Midshipman, 1838 (w/c and graphite on paper) by Monnier, Henri Bonaventure (1799-1877); Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Background imageWatercolour Collection: Sailor, 1879-80 (w/c on paper)

Sailor, 1879-80 (w/c on paper)
8696726 Sailor, 1879-80 (w/c on paper) by Toulouse-Lautrec, Henri de (1864-1901); Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Background imageWatercolour Collection: Trafalgar' under the Upper Barracca, Malta, 27 March 1852, 1852 (pen, ink, wash, watercolour)

Trafalgar' under the Upper Barracca, Malta, 27 March 1852, 1852 (pen, ink, wash, watercolour)
7342253 Trafalgar' under the Upper Barracca, Malta, 27 March 1852, 1852 (pen, ink, wash, watercolour) by Mends, George Pechell (1815-71); 25.5x37.2 cm; National Maritime Museum, London

Background imageWatercolour Collection: Monarch' at Sheerness from the 'Trafalgar' 29 January 1851, 1851 (pen, ink, watercolour)

Monarch' at Sheerness from the 'Trafalgar' 29 January 1851, 1851 (pen, ink, watercolour)
7342247 Monarch' at Sheerness from the 'Trafalgar' 29 January 1851, 1851 (pen, ink, watercolour) by Mends, George Pechell (1815-71); 25.5x37.2 cm; National Maritime Museum, London

Background imageWatercolour Collection: The Leader valley at Cowdenknowes House, Berwickshire, 1843 [Scotland], 1843 (watercolour)

The Leader valley at Cowdenknowes House, Berwickshire, 1843 [Scotland], 1843 (watercolour)
7342290 The Leader valley at Cowdenknowes House, Berwickshire, 1843 [Scotland], 1843 (watercolour) by Fanshawe, Admiral Sir Edward Gennys (1814-1906); 17.6x26.3 cm; National Maritime Museum, London

Background imageWatercolour Collection: Her Majesty's Ships 'Amphitrite' & 'Trincomalee' Beating out of San Francisco on September 23rd

Her Majesty's Ships 'Amphitrite' & 'Trincomalee' Beating out of San Francisco on September 23rd
7341966 Her Majesty's Ships 'Amphitrite' & 'Trincomalee' Beating out of San Francisco on September 23rd 1854, 1854 (watercolour) by Unknown Artist

Background imageWatercolour Collection: 600 lives rescued from the 'Connaught' by the American ship 'Minnie Shiffe'r in the Atlantic

600 lives rescued from the 'Connaught' by the American ship 'Minnie Shiffe'r in the Atlantic
7341905 600 lives rescued from the 'Connaught' by the American ship 'Minnie Shiffe'r in the Atlantic, 8 October 1860, 19th century (watercolour) by Brierly

Background imageWatercolour Collection: The Baltic fleet at night with ship's boats in the foreground, 19th century (watercolour, graphite)

The Baltic fleet at night with ship's boats in the foreground, 19th century (watercolour, graphite)
7341904 The Baltic fleet at night with ship's boats in the foreground, 19th century (watercolour, graphite) by Carmichael, John Wilson (1800-68); 25.6x43.9 cm; National Maritime Museum, London

Background imageWatercolour Collection: Sketch of merchant ships in port, late 19th to early 20th century (watercolour)

Sketch of merchant ships in port, late 19th to early 20th century (watercolour)
7341728 Sketch of merchant ships in port, late 19th to early 20th century (watercolour) by Wyllie, William Lionel (1851-1931); 23.3x36.9 cm; National Maritime Museum, London

Background imageWatercolour Collection: 'No.22 is a view of the Port side of the ship with an effect of sunrise in February 1837

'No.22 is a view of the Port side of the ship with an effect of sunrise in February 1837
7341721 'No.22 is a view of the Port side of the ship with an effect of sunrise in February 1837 and shewing the state of the snow walls at that time', 1837 (watercolour) by Smyth

Background imageWatercolour Collection: The Battle of the Glorious First of June, 1794; the 'Queen Charlotte' and 'Queen' after the battle

The Battle of the Glorious First of June, 1794; the 'Queen Charlotte' and 'Queen' after the battle
7341713 The Battle of the Glorious First of June, 1794; the 'Queen Charlotte' and 'Queen' after the battle, 1794 (watercolour, graphite) by Pocock

Background imageWatercolour Collection: Captain Henry d'Esterre Darby, 18th century (watercolour, ivory)

Captain Henry d'Esterre Darby, 18th century (watercolour, ivory)
7339252 Captain Henry d'Esterre Darby, 18th century (watercolour, ivory) by British School, (18th Century); 6.1x4.5 cm; National Maritime Museum, London

Background imageWatercolour Collection: Sir Thomas Foley (1757-1833), Admiral of the White, c.1800 (watercolour)

Sir Thomas Foley (1757-1833), Admiral of the White, c.1800 (watercolour)
7339246 Sir Thomas Foley (1757-1833), Admiral of the White, c.1800 (watercolour) by Bowyer, Robert (19th century); 6.5x5.2 cm; National Maritime Museum, London

Background imageWatercolour Collection: Rear-Admiral Sir Horatio Nelson (1758-1805), c.late 19th century (watercolour, ivory, silver)

Rear-Admiral Sir Horatio Nelson (1758-1805), c.late 19th century (watercolour, ivory, silver, pearl, emerald, leather)
7340096 Rear-Admiral Sir Horatio Nelson (1758-1805), c.late 19th century (watercolour, ivory, silver, pearl, emerald, leather) by Unknown Artist, (19th century); 5.1x4.3 cm; National Maritime Museum

Background imageWatercolour Collection: Rear-Admiral Sir Horatio Nelson (1758-1805), c.1801 (watercolour, ivory, gold, pearl)

Rear-Admiral Sir Horatio Nelson (1758-1805), c.1801 (watercolour, ivory, gold, pearl)
7340094 Rear-Admiral Sir Horatio Nelson (1758-1805), c.1801 (watercolour, ivory, gold, pearl) by Hoppner, John (1758-1810) (after); 4.6x4 cm; National Maritime Museum, London

Background imageWatercolour Collection: A study of a Cedar tree at Merton, 1802 (watercolour, graphite)

A study of a Cedar tree at Merton, 1802 (watercolour, graphite)
7339886 A study of a Cedar tree at Merton, 1802 (watercolour, graphite) by Baxter, Thomas (1782-1821); 13x20.7 cm; National Maritime Museum, London

Background imageWatercolour Collection: America - Procession of Saint javier, 1752 (watercolour)

America - Procession of Saint javier, 1752 (watercolour)
UIG5416336 America - Procession of Saint javier, 1752 (watercolour); (add.info.: America. Watercolor. Religious painting depicting a procession of Saint Javier, 1752)

Background imageWatercolour Collection: Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773)

Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773)
5305860 Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773) was a British naturalist and ornithologist

Background imageWatercolour Collection: Watercolour illustration of a black Monkey and a wild cat from a book by G Edwards 1758

Watercolour illustration of a black Monkey and a wild cat from a book by G Edwards 1758
5305770 Watercolour illustration of a black Monkey and a wild cat from a book by G Edwards 1758. George Edwards (1694-1773) was a British naturalist and ornithologist

Background imageWatercolour Collection: Watercolour illustration of a three toed Sloth by G Edwards 1758. George Edwards (1694-1773)

Watercolour illustration of a three toed Sloth by G Edwards 1758. George Edwards (1694-1773)
5305768 Watercolour illustration of a three toed Sloth by G Edwards 1758. George Edwards (1694-1773) was a British naturalist and ornithologist

Background imageWatercolour Collection: Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773)

Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773)
5305852 Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773) was a British naturalist and ornithologist

Background imageWatercolour Collection: Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773)

Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773)
5305763 Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773) was a British naturalist and ornithologist

Background imageWatercolour Collection: Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773)

Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773)
5305843 Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773) was a British naturalist and ornithologist

Background imageWatercolour Collection: Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773)

Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773)
5305842 Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773) was a British naturalist and ornithologist

Background imageWatercolour Collection: Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773)

Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773)
5305817 Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773) was a British naturalist and ornithologist

Background imageWatercolour Collection: Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773)

Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773)
5305802 Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773) was a British naturalist and ornithologist

Background imageWatercolour Collection: Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773)

Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773)
5305801 Watercolour illustration from a book of rare birds by G Edwards 1750. George Edwards (1694-1773) was a British naturalist and ornithologist



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"Capturing the Frozen Beauty: Watercolour Chronicles of Antarctic Expeditions" Immerse yourself in a world of breathtaking landscapes and frozen wonders as we delve into the captivating artistry of watercolour. From Paraselena's ethereal glow at McMurdo Sound on a crisp June morning in 1911 to the vibrant hues adorning Trongate, Glasgow, this artistic medium has brought forth mesmerizing scenes from across time and space. Journey back to April 7, 1911, when Hut Point stood proudly amidst McMurdo Sound, its delicate features delicately captured on canvas. The majestic Mount Erebus looms large in another masterpiece painted at 6 pm on April 2nd that same year. Its towering presence evokes both awe and serenity as day transitions into night. Venture further south with Mount Longstaff's depiction at an astounding altitude of 13, 000 feet - a testament to man's relentless pursuit of discovery. The winter quarters reveal themselves through strokes of paint; McMurdo Sound emerges before our eyes with its icy expanse stretching towards the horizon. Gaze upon Castle Rock beneath Mount Erebus on that fateful August afternoon in 1903; witness nature's grandeur unfold through curtain auroras dancing across the sky. Iridescent clouds grace Cape Evans' Ramp as they shimmer under the gaze of an artist captivated by their otherworldly beauty on August 9th, 1911. Paraselena returns once more - this time illuminating Cape Evans' landscape during a late evening hour on January 15th, offering us a glimpse into its mystical allure. Ascend Observation Hill and experience Hut Point bathed in golden light during January twilight hours - an enchanting sight forever immortalized by skilled hands holding brushes. Amongst these frozen realms lie human stories too; three men huddled together within a pyramid tent symbolize camaraderie against all odds.