Watercolour Collection (page 100)

Costume design for Oedipus at Colonnus- Antigone, c. 1899 to 1909 (pencil
1195675 Costume design for Oedipus at Colonnus- Antigone, c. 1899 to 1909 (pencil, pen and black ink, w/c on paper) by Bakst

A Prelude by Bach, 1868 (pencil and w / c on paper)
1199599 A Prelude by Bach, 1868 (pencil and w/c on paper) by Solomon, Simeon (1840-1905); 43.2x65 cm; Private Collection; Photo eChristies Images; English, out of copyright

Venus and Aeneas, 1874-c. 1919 (w / c on vellum)
1195384 Venus and Aeneas, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

A Young Girl Seated in a Chair, a Bowl of Cherries in her Hand
1199534 A Young Girl Seated in a Chair, a Bowl of Cherries in her Hand, (pencil and w/c on paper) by Greenaway, Kate (1846-1901); 45.4x35.5 cm; Private Collection; Photo eChristies Images; English

Study of a Rhododendron, 1915 (pencil and w / c on paper)
1199519 Study of a Rhododendron, 1915 (pencil and w/c on paper) by Mackintosh, Charles Rennie (1868-1928) & MacDonald Mackintosh

Christ Church, Oxford (pencil and w / c on paper)
1199497 Christ Church, Oxford (pencil and w/c on paper) by Rayner, Louise Ingram (1832-1924); 53.3x76.2 cm; Private Collection; (add.info.: Rayner)

Place de la Republique, Paris, (w / c & gouache on card)
1197559 Place de la Republique, Paris, (w/c & gouache on card) by Galien-Laloue, Eugene (Jacques Lievin) (1854-1941); 22.8x36.2 cm; Private Collection; Photo eChristies Images; French

Portrait of the Late Sam Khan Ilkhani, 19th century (w / c on cream paper)
1196963 Portrait of the Late Sam Khan Ilkhani, 19th century (w/c on cream paper) by Persian School, (19th century); 33.3x20 cm; Private Collection; Photo eChristies Images; Persian, out of copyright

Portrait of Sadre A zam, Prime Minister under Fath Ali Shah
1196960 Portrait of Sadre A zam, Prime Minister under Fath Ali Shah, 19th century (w/c & gold paint on cream paper) by Persian School

Specimens of the Mosaics, from the Tomb of the Emperor, c. 1815 (pencil, pen, ink, w / c)
1196926 Specimens of the Mosaics, from the Tomb of the Emperor, c. 1815 (pencil, pen, ink, w/c) by Agra School, (19th century); 53.4x68 cm; Private Collection; Photo eChristies Images; Indian

The Purana Qila, Delhi, (pencil and w / c)
1196906 The Purana Qila, Delhi, (pencil and w/c) by Daniell, Thomas (1749-1840) & William (1769-1837); 44.2x62.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Mausoleum of Prince Khusrau, Allahabad, Uttar Pradesh, (pencil and w / c)
1196902 The Mausoleum of Prince Khusrau, Allahabad, Uttar Pradesh, (pencil and w/c) by Daniell, Thomas (1749-1840) & William (1769-1837)

The South East View of Bijaigarh, Uttar Pradesh, c. 1790 (pencil and w / c)
1196897 The South East View of Bijaigarh, Uttar Pradesh, c. 1790 (pencil and w/c) by Daniell, William (1769-1837); 47.3x60 cm; Private Collection; Photo eChristies Images; English, out of copyright

A Princely Paradise, c. 1750-1760 (w / c on paper)
1196880 A Princely Paradise, c. 1750-1760 (w/c on paper) by Indian School, (18th century); 44.2x31.3 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Krishna Attacking the Impregnable Castle of Prag-jyoshita
1196879 Krishna Attacking the Impregnable Castle of Prag-jyoshita, to Recover the Ear-rings of Aditi, c. 1775 (w/c on paper) by Nepalese School

Portrait of a Notable, c. 1780-1790 (w / c on paper)
1196858 Portrait of a Notable, c.1780-1790 (w/c on paper) by Indian School, (18th century); 96.5x63.5 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

A Zand book cover painted with a central seated figure within an interior
1196844 A Zand book cover painted with a central seated figure within an interior, surrounded by floral sprays, mid 18th century (w/c & lacquer on cardboard) by Persian School

Krishna Fighting Jambavata, King of the Bears, c. 1775 (w / c on paper)
1196813 Krishna Fighting Jambavata, King of the Bears, c. 1775 (w/c on paper) by Nepalese School, (18th century); 35.6x52 cm; Private Collection; Photo eChristies Images; Nepalese, out of copyright

Brahma Offering Homage to Krishna as the Incarnation of Vishnu, c
1196812 Brahma Offering Homage to Krishna as the Incarnation of Vishnu, c.1540-1575 (w/c on paper) by Indian School, (16th century); 18.5x25.7 cm; Private Collection; Photo eChristies Images; Indian

Portrait of a Courtier, c. 1590-1605 (w / c & gold paint on paper)
1196809 Portrait of a Courtier, c.1590-1605 (w/c & gold paint on paper) by Manohar (fl.1580-1620) (attr. to); 38.9x25.3 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Shiva Seated on a Tiger Skin, Holds Devi Wrapped in a Cloak, c. 1760 (w / c on paper)
1196770 Shiva Seated on a Tiger Skin, Holds Devi Wrapped in a Cloak, c.1760 (w/c on paper) by Indian School, (18th century); 40.6x33 cm; Private Collection; Photo eChristies Images; Indian

A Comb Duck, c. 1800 (w / c on european paper)
1196757 A Comb Duck, c.1800 (w/c on european paper) by Indian School, (18th century); 54x46 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

The Golden Temple, Benares, 1862 (pencil and w / c, with touches of white and gum arabic)
1196748 The Golden Temple, Benares, 1862 (pencil and w/c, with touches of white and gum arabic) by Simpson, William Crimea (1823-99)

Portrait of a Young Qajar Prince, c. 1850 (w / c, carved wood frame)
1196734 Portrait of a Young Qajar Prince, c.1850 (w/c, carved wood frame) by Persian School, (19th century); 28.6x15.2 cm; Private Collection; Photo eChristies Images; Persian, out of copyright

A Fairy Tale, (black chalk, watercolour and bodycolour with white on cream pape)
989706 A Fairy Tale, (black chalk, watercolour and bodycolour with white on cream pape) by Vibert, Jean or Jehan Georges (1840-1902); 44.3x68.7 cm; Private Collection; (add.info)

The Letter from an Absent One, 1871 (black lead, pen and black ink
989654 The Letter from an Absent One, 1871 (black lead, pen and black ink, watercolour on white paper) by Alma-Tadema, Lawrence (1836-1912); 39x26.4 cm; Private Collection; (add.info)

A Bateau-Lavoir near the old Pont des Invalides (black lead, watercolour on paper)
989649 A Bateau-Lavoir near the old Pont des Invalides (black lead, watercolour on paper) by Cutbert, Albert (19th century); 12.1x18.6 cm; Private Collection; (add.info)

Gathering Flowers, (watercolour and gouache heightened with white and gum arabic on)
989635 Gathering Flowers, (watercolour and gouache heightened with white and gum arabic on) by Morgan, Frederick (1856-1927); 57.2x38.1 cm; Private Collection; (add.info.: Gathering Flowers)

The Genius of the Village, (watercolour on paper)
989634 The Genius of the Village, (watercolour on paper) by Hopkins, Arthur (1848-1930); 58.5x81.3 cm; Private Collection; (add.info.: The Genius of the Village. Arthur Hopkins (1848-1930)

The Painters Studio, (watercolour, gouache, and pencil with gum arabic on board)
989622 The Painters Studio, (watercolour, gouache, and pencil with gum arabic on board) by Signorini, Giuseppe (1857-1932); 45.2x30 cm; Private Collection; (add.info.: The Painters Studio)

St Cecilia (watercolour with bodycolour on paper)
989550 St Cecilia (watercolour with bodycolour on paper) by Murray, Charles Fairfax (1849-1919); 163.2x57.8 cm; Private Collection; (add.info.: St Cecilia)

A Conversation, (pen and ink and watercolour on paper)
989530 A Conversation, (pen and ink and watercolour on paper) by Guys, Constantin (1802-92); 25.1x19.7 cm; Private Collection; (add.info.: A Conversation. Constantin Guys (1802-1892)

The Run-away Knock, (watercolour over traces of pencil on paper)
989432 The Run-away Knock, (watercolour over traces of pencil on paper) by Cruikshank, George (1792-1878); 57.7x47.6 cm; Private Collection; (add.info.: The Run-away Knock)

The Window-shopping Girl, (watercolour on paper)
989386 The Window-shopping Girl, (watercolour on paper) by Irolli, Vicenzo (1860-1945); 55.8x59 cm; Private Collection; (add.info.: The Window-shopping Girl; La Bambina che Guirda)

I greet thee Maria, c. 1894 (watercolour and brown chalk over brush and black ink on paper
988889 I greet thee Maria, c.1894 (watercolour and brown chalk over brush and black ink on paper) by Gauguin, Paul (1848-1903); 25.6x18 and 31.5x24.6 cm; Private Collection; (add.info)

Woodland Scene, c. 1900-1904 (watercolour over pencil on paper)
988641 Woodland Scene, c.1900-1904 (watercolour over pencil on paper) by Cezanne, Paul (1839-1906); 50.8x43.2 cm; Private Collection; (add.info.: Woodland Scene; Sous-bois. Paul Cezanne (1839-1906)

Squatting (self-portrait), 1912 (watercolour and gouache over pencil on paper)
988335 Squatting (self-portrait), 1912 (watercolour and gouache over pencil on paper) by Schiele, Egon (1890-1918); 43.8x29.8 cm; Private Collection; (add.info)

The Port of Landerneau, 1921 (watercolour and gouache over black chalk on paper)
988317 The Port of Landerneau, 1921 (watercolour and gouache over black chalk on paper) by Signac, Paul (1863-1935); 26x38.7 cm; Private Collection; (add.info)

Tulips, Forget-me-nots, Peonies and other Flowers in a Vase on a Ledge
991407 Tulips, Forget-me-nots, Peonies and other Flowers in a Vase on a Ledge, (black chalk and watercolour) by Fornenburgh

A Young Bather near a Column, (pen and brown ink, waterolour)
991405 A Young Bather near a Column, (pen and brown ink, waterolour) by Robert, Hubert (1733-1808); 27.9x20.8 cm; Private Collection; (add.info.: A Young Bather near a Column)

The Seven Bens of Connemara, (watercolour)
991389 The Seven Bens of Connemara, (watercolour) by French, William Percy (1854-1920); 16.5x25.5 cm; Private Collection; (add.info.: The Seven Bens of Connemara. William Percy French (1854-1920)

The Fair Conchologist, (pencil and watercolour with gum arabic)
991386 The Fair Conchologist, (pencil and watercolour with gum arabic) by Bayes, Alfred Walter (1858-1903); 37.5x27.3 cm; Private Collection; (add.info.: The Fair Conchologist)

A Classical Beauty, (watercolour on paper)
987324 A Classical Beauty, (watercolour on paper) by Ryland, Henry (1856-1924); 43.2x52.1 cm; Private Collection; (add.info.: A Classical Beauty. Henry Ryland (1856-1924). Watercolour on paper

A figure with a red beard brandishing a sword and holding a golden circle (plate 53), c
986309 A figure with a red beard brandishing a sword and holding a golden circle (plate 53), c.1800 (watercolour and bodycolour drawing) by Chinese School (19th century)

A figure brandishing swords (plate 57), c. 1800 (watercolour and bodycolour drawing)
986308 A figure brandishing swords (plate 57), c.1800 (watercolour and bodycolour drawing) by Chinese School (19th century); 35.5x29.5 cm; Private Collection; (add.info)

Illustration of various perfumery bottles, c. 1825 (watercolour and bodycolour)
986288 Illustration of various perfumery bottles, c.1825 (watercolour and bodycolour) by French School, (19th century); 32.5x45.3

Bird of prey with snake, 1808-21 (watercolour drawing)
986239 Bird of prey with snake, 1808-21 (watercolour drawing) by Hayes, Charles (1772-1826); 27.6x21.6 cm; Private Collection; (add.info.: Bird of prey with snake. From Portraits of British Birds)

The Knight Errant fending off his foe, 1906 (pen, black ink and watercolour)
986146 The Knight Errant fending off his foe, 1906 (pen, black ink and watercolour) by Parkinson, William (fl.1886-93); 26.7x33 cm; Private Collection; (add.info)

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"Capturing the Frozen Beauty: Watercolour Chronicles of Antarctic Expeditions" Immerse yourself in a world of breathtaking landscapes and frozen wonders as we delve into the captivating artistry of watercolour. From Paraselena's ethereal glow at McMurdo Sound on a crisp June morning in 1911 to the vibrant hues adorning Trongate, Glasgow, this artistic medium has brought forth mesmerizing scenes from across time and space. Journey back to April 7, 1911, when Hut Point stood proudly amidst McMurdo Sound, its delicate features delicately captured on canvas. The majestic Mount Erebus looms large in another masterpiece painted at 6 pm on April 2nd that same year. Its towering presence evokes both awe and serenity as day transitions into night. Venture further south with Mount Longstaff's depiction at an astounding altitude of 13, 000 feet - a testament to man's relentless pursuit of discovery. The winter quarters reveal themselves through strokes of paint; McMurdo Sound emerges before our eyes with its icy expanse stretching towards the horizon. Gaze upon Castle Rock beneath Mount Erebus on that fateful August afternoon in 1903; witness nature's grandeur unfold through curtain auroras dancing across the sky. Iridescent clouds grace Cape Evans' Ramp as they shimmer under the gaze of an artist captivated by their otherworldly beauty on August 9th, 1911. Paraselena returns once more - this time illuminating Cape Evans' landscape during a late evening hour on January 15th, offering us a glimpse into its mystical allure. Ascend Observation Hill and experience Hut Point bathed in golden light during January twilight hours - an enchanting sight forever immortalized by skilled hands holding brushes. Amongst these frozen realms lie human stories too; three men huddled together within a pyramid tent symbolize camaraderie against all odds.