Symbolist Collection (page 19)

Action, 1881 (etching)
5864228 Action, 1881 (etching) by Klinger, Max (1857-1920); 48.6x31.8 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: from the series Ein Handschuh (A Glove) 9 13/16 x 7 3/8 in

Triumph, 1881 (etching)
5864230 Triumph, 1881 (etching) by Klinger, Max (1857-1920); 31.8x48.6 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: from the series Ein Handschuh (A Glove) 4 5/16 x 9 7/16 in

Vase of Flowers, 1916 (pastel)
5672894 Vase of Flowers, 1916 (pastel) by Redon, Odilon (1840-1916); 84.1 x 58 cm; Cleveland Museum of Art, OH, USA; French, out of copyright

Symbols of The Four Evangelists (engraving)
5198344 Symbols of The Four Evangelists (engraving) by English School, (19th century); Private Collection; (add.info.: Symbols of The Four Evangelists)

Illustration for Gottliche Jugen by K W Diefenbach (lithograph)
5198731 Illustration for Gottliche Jugen by K W Diefenbach (lithograph) by Diefenbach, Karl Wilhelm (1851-1913); Private Collection; (add.info)

The Town (oil on canvas)
3086714 The Town (oil on canvas) by Strindberg, August Johan (1849-1912); 94.5x53 cm; National Museum, Stockholm, Sweden; Swedish, out of copyright

Meadow Piece, c. 1901 (oil on canvas)
3956447 Meadow Piece, c.1901 (oil on canvas) by Hodler, Ferdinand (1853-1918); 38.2x46.3 cm; Kunstmuseum, Basel, Switzerland; Swiss, out of copyright

Saint Sebastian, 1910 (oil on canvas)
3959999 Saint Sebastian, 1910 (oil on canvas) by Redon, Odilon (1840-1916); 92.3 x 59.3 cm; Kunstmuseum, Basel, Switzerland; (add.info.: Saint Sebastian was an early Christian saint and martyr)

Siren, c. 1900 (oil and gold powder on fibreboard)
3959997 Siren, c.1900 (oil and gold powder on fibreboard) by Redon, Odilon (1840-1916); 27 x 22 cm; Kunstmuseum, Basel, Switzerland; (add.info.: In Greek mythology)

The Jungfrau seen from Isenfluh, 1902 (oil on canvas)
3956462 The Jungfrau seen from Isenfluh, 1902 (oil on canvas) by Hodler, Ferdinand (1853-1918); 75x56 cm; Kunstmuseum, Basel, Switzerland; (add.info.: Bernese Oberland on the Lauterbrunnen Valley)

Katcina Mask with Squash Blossom Appendage and Rain Cloud Symbolism (colour litho)
980390 Katcina Mask with Squash Blossom Appendage and Rain Cloud Symbolism (colour litho) by American School, (19th century) (after); Private Collection; (add.info)

The Isle of the Dead, 1880 (oil on canvas)
3597131 The Isle of the Dead, 1880 (oil on canvas) by Bocklin, Arnold (1827-1901); 110.9x156.4 cm; Kunstmuseum, Basel, Switzerland; (add.info)

Newly Hatched Bird of Prey, c. 1910 (w / c with pen and ink)
3613984 Newly Hatched Bird of Prey, c.1910 (w/c with pen and ink) by Crowley, Herbert E. (1873-1939); 15.7x22.6 cm; Metropolitan Museum of Art, New York, USA; (add.info.: May be a Wiggle Much design)

Portrait of Gustav Mahler, 1907 (oil on canvas)
3511925 Portrait of Gustav Mahler, 1907 (oil on canvas) by Gallen-Kallela, Akseli Valdemar (1865-1931); Serlachius-museo GAosta, MAanttAa

Decor for "Peer Gynt"by Henrik Ibsen, 1912 (tempera on cardboard)
3511924 Decor for " Peer Gynt" by Henrik Ibsen, 1912 (tempera on cardboard) by Roerich, Nicholas (1874-1947); State Russian Museum, St

Vase of flowers (oil on canvas)
3432729 Vase of flowers (oil on canvas) by Redon, Odilon (1840-1916); 61.1x50.1 cm; Private Collection; (add.info.: Vase de fleurs ); Photo eChristies Images; French, out of copyright

Spring in a Narrow Gorge, 1881 (oil on canvas)
3545809 Spring in a Narrow Gorge, 1881 (oil on canvas) by Bocklin, Arnold (1827-1901); 84.5x59.4 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: Quell in einer Felsschlucht); Swiss

Tamaris, c. 1886-87 (oil on canvas)
3493114 Tamaris, c.1886-87 (oil on canvas) by Puvis de Chavannes, Pierre (1824-98); 25.4x39.4 cm; Metropolitan Museum of Art, New York

Portrait of Miss Jeanne Chaine, 1903 (pastel on paper)
3588571 Portrait of Miss Jeanne ChaAne, 1903 (pastel on paper) by Redon, Odilon (1840-1916); 79.5x69 cm; Kunstmuseum, Basel

June (engraving)
2780565 June (engraving) by Leighton, John (1822-1912); Private Collection; (add.info.: June. Illustration for The Life of Man Symbolised by the Months of the Year (Longmans)

July (engraving)
2780564 July (engraving) by Leighton, John (1822-1912); Private Collection; (add.info.: July. Illustration for The Life of Man Symbolised by the Months of the Year (Longmans)

November (engraving)
2780560 November (engraving) by Leighton, John (1822-1912); Private Collection; (add.info.: November. Illustration for The Life of Man Symbolised by the Months of the Year (Longmans)

December (engraving)
2780559 December (engraving) by Leighton, John (1822-1912); Private Collection; (add.info.: December. Illustration for The Life of Man Symbolised by the Months of the Year (Longmans)

L Esperance, Hope (colour photo)
2800621 L Esperance, Hope (colour photo) by French Photographer, (20th century); Private Collection; (add.info.: L Esperance, Hope. Postcard, early 20th century.); © Look and Learn

Melisande, 1900 (w / c on paper)
711041 Melisande, 1900 (w/c on paper) by Rheam, Henry Meynell (1859-1920); 77x33 cm; Private Collection; eChristopher Wood Gallery, London, UK; English, out of copyright

Consecration of a Masonic temple (engraving)
3100800 Consecration of a Masonic temple (engraving) by French School, (19th century); Private Collection; (add.info.: Consecration of a Masonic temple)

Initiation of a Prince of Mercy (engraving)
3100764 Initiation of a Prince of Mercy (engraving) by French School, (19th century); Private Collection; (add.info.: Initiation of a Prince of Mercy)

Initiation of a Knight of the Sun (engraving)
3100761 Initiation of a Knight of the Sun (engraving) by French School, (19th century); Private Collection; (add.info.: Initiation of a Knight of the Sun)

Initiation of a Grand Pontiff (engraving)
3100754 Initiation of a Grand Pontiff (engraving) by French School, (19th century); Private Collection; (add.info.: Initiation of a Grand Pontiff)

Initiation of a Prince of Jerusalem (engraving)
3100749 Initiation of a Prince of Jerusalem (engraving) by French School, (19th century); Private Collection; (add.info.: Initiation of a Prince of Jerusalem)

Initiation of a Knight of the Sword, or Knight of the East (engraving)
3100746 Initiation of a Knight of the Sword, or Knight of the East (engraving) by French School, (19th century); Private Collection; (add.info.: Initiation of a Knight of the Sword)

Initiation of an Elect of the Fifteen (engraving)
3100739 Initiation of an Elect of the Fifteen (engraving) by French School, (19th century); Private Collection; (add.info.: Initiation of an Elect of the Fifteen)

The chain of union (engraving)
3100737 The chain of union (engraving) by French School, (19th century); Private Collection; (add.info.: The chain of union)

Seals of The British Colonies, designed by Frederick Leighton (colour litho)
3100090 Seals of The British Colonies, designed by Frederick Leighton (colour litho) by Leighton, Frederic (1830-96) (after); Private Collection; (add.info.: Seals of The British Colonies)

In the Sea, 1883 (oil on panel)
2968198 In the Sea, 1883 (oil on panel) by Bocklin, Arnold (1827-1901); 86.5x115 cm; The Art Institute of Chicago, IL, USA; Joseph Winterbotham Collection; Swiss, out of copyright

The Apparition, 1895
PWI83525 The Apparition, 1895 by Martin, Henri (1860-1943); Hartlepool Museum Service, UK; ePeter Willi; French, out of copyright

Portrait of the artists wife, Madame Odilon Redon (nee Camille Falte) (1853-1923)
PWI82305 Portrait of the artists wife, Madame Odilon Redon (nee Camille Falte) (1853-1923), 1882 by Redon, Odilon (1840-1916); 45.5x37.5 cm; Musee d Orsay, Paris, France; ePeter Willi; French

The Buddha, 1895 (litho)
HGM81075 The Buddha, 1895 (litho) by Redon, Odilon (1840-1916); Haags Gemeentemuseum, The Hague, Netherlands; eKunstmuseum den Haag; French, out of copyright

Pegasus, 1914
HGM78240 Pegasus, 1914 by Redon, Odilon (1840-1916); 58x50.8 cm; Haags Gemeentemuseum, The Hague, Netherlands; eKunstmuseum den Haag; French, out of copyright

Death as Assassin, 1851 (wood engraving)
REY77745 Death as Assassin, 1851 (wood engraving) by Rethel, Alfred (1816-59); 30x27 cm; Private Collection; (add.info.: the outbreak of cholera at the Masked Ball in Paris; ); German

Dead Mother, from the Of Death, Part Two series, 1898 (etching)
REY77740 Dead Mother, from the Of Death, Part Two series, 1898 (etching) by Klinger, Max (1857-1920); 38x29 cm; Private Collection; German, out of copyright

The Guardian Angel with a Garland, 1892 (gouache on plaster)
EDI81383 The Guardian Angel with a Garland, 1892 (gouache on plaster) by Filiger, Charles (1863-1928); 36x71 cm; Private Collection; French, out of copyright

And Therefore, from the Of Death, Part Two series, 1898 (etching)
REY77742 And Therefore, from the Of Death, Part Two series, 1898 (etching) by Klinger, Max (1857-1920); 37.5x27 cm; Private Collection; German, out of copyright

Daylight and Twilight
WH48636 Daylight and Twilight by List, Wilhelm (1864-1918); Private Collection; Photo eWhitford & Hughes, London, UK; Austrian, out of copyright

The Vision, 1914 (oil on canvas)
WH48599 The Vision, 1914 (oil on canvas) by Morgan, Evelyn De (1855-1919); 61x79 cm; Private Collection; (add.info.: possibly Demeter, Persephone and Hades; ); Photo eWhitford & Hughes, London

Apotheosis, 1901 (oil on canvas)
WH49255 Apotheosis, 1901 (oil on canvas) by Hruby, Sergius (1869-1943); Private Collection; Photo eWhitford & Hughes, London, UK; Czech, out of copyright

Detail from La Parque et L Amour, 1879 (bronze) (see also 351940)
PNH351941 Detail from La Parque et L Amour, 1879 (bronze) (see also 351940) by Dore, Gustave (1832-83); height: 100 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries

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"Symbolist: Unveiling the Hidden Meanings in Art and Literature" Step into the enchanting world of Symbolism, where art becomes a language that speaks to our subconscious. From Gustav Klimt's mesmerizing masterpiece "The Kiss, " with its golden embrace capturing love's ethereal essence, to the haunting wood engraving "Death as Assassin, " which confronts mortality head-on, these artworks transport us to a realm beyond reality. In Laurits Andersen Ring's "Breakfast with the Morning Newspaper, " we witness a quiet moment frozen in time, inviting us to reflect on the fleeting nature of existence. The enigmatic figures of Arthur Rimbaud and Charles Baudelaire emerge from their poetic realms, leaving behind words that ignite our imagination and challenge societal norms. As we delve deeper into this artistic movement, we encounter Vienna Secessionists like Gustav Klimt himself, surrounded by fellow visionaries who dared to break free from traditional constraints. Their rebellious spirit is embodied in "A Garland for May Day, " an emblematic call for social change and equality. Don Quixote's encounter with Death echoes through centuries as an allegory for mankind's eternal struggle against adversity. Meanwhile, Narcissus gazes at his own reflection in watercolors—a poignant reminder of self-obsession and introspection. Beyond visual arts, symbolism permeates other aspects of life. Winston Churchill emerges as a symbol of resilience during World War II—an iconic figure wielding both power and vulnerability amidst chaos. And in "The Playing Boys, " innocence intertwines with mischief on canvas—reminding us not to lose touch with our inner childlike wonder. Symbolism invites us to decipher hidden messages within each stroke or word—to explore depths beyond what meets the eye. It challenges conventions while embracing ambiguity; it stirs emotions while provoking thoughts.