Symbolist Collection (page 20)

Judas, 1896 (engraving)
CHT440667 Judas, 1896 (engraving) by Schneider, Sascha (1870-1927); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; Russian, out of copyright

A Meeting, Judas before Christ, 1896 (engraving)
CHT440666 A Meeting, Judas before Christ, 1896 (engraving) by Schneider, Sascha (1870-1927); Bibliotheque des Arts Decoratifs, Paris

Head of a woman, c. 1910 (pastel, wax crayon & crayon on paper)
CH438391 Head of a woman, c.1910 (pastel, wax crayon & crayon on paper) by Khnopff, Fernand (1858-1921); 19x13.1 cm; Private Collection; (add.info)

Requiem, 1907 (pencil, charcoal & w / c on paper)
CH401484 Requiem, 1907 (pencil, charcoal & w/c on paper) by Khnopff, Fernand (1858-1921); 80.3x80.3 cm; Private Collection; Photo eChristies Images; Belgian, out of copyright

Study for Feeling I (Indian ink on paper)
CH401113 Study for Feeling I (Indian ink on paper) by Hodler, Ferdinand (1853-1918); 53x34 cm; Private Collection; (add.info.: Studie Zu Empfindung I ; ); Photo eChristies Images; Swiss

Study for Einmutigkeit (oil on paper on canvas)
CH401111 Study for Einmutigkeit (oil on paper on canvas) by Hodler, Ferdinand (1853-1918); 47x22 cm; Private Collection; (add.info.: Studie zur Einmutigkeit; ); Photo eChristies Images; Swiss

Orpheus and Eurydice, c. 1922 (oil on canvas)
PNH468022 Orpheus and Eurydice, c.1922 (oil on canvas) by Ricketts, Charles (1866-1931); 135x107 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English

The White Princess (oil on board)
LEF218181 The White Princess (oil on board) by Redon, Odilon (1840-1916); 47x39 cm; Private Collection; Photo eLefevre Fine Art Ltd. London; French, out of copyright

Ecstasy, c. 1885 (charcoal on buff paper)
LEF218180 Ecstasy, c.1885 (charcoal on buff paper) by Redon, Odilon (1840-1916); 49.5x37.5 cm; Private Collection; Photo eLefevre Fine Art Ltd. London; French, out of copyright

Thunersee with the Stockhorn Mountains, 1910 (oil on canvas)
FFA273095 Thunersee with the Stockhorn Mountains, 1910 (oil on canvas) by Hodler, Ferdinand (1853-1918); 83x106 cm; Private Collection; (add.info.: Thunersee mit Stockhornkette; ); Swiss

Head of a Woman, 1892 (chalk on paper)
PCD282354 Head of a Woman, 1892 (chalk on paper) by Khnopff, Fernand (1858-1921); 12.2x11.7 cm; Private Collection; (add.info.: Tete de femme; ); Piccadilly Gallery, London, UK; Belgian

Female Nude (pastel on paper)
PCD282383 Female Nude (pastel on paper) by Khnopff, Fernand (1858-1921); Private Collection; Piccadilly Gallery, London, UK; Belgian, out of copyright

St. Elisabeth of Hungary, or The Miracle of the Roses, 1879 (w / c on paper)
PCD282349 St. Elisabeth of Hungary, or The Miracle of the Roses, 1879 (w/c on paper) by Moreau, Gustave (1826-98); 27.5x19 cm; Private Collection; (add.info)

Girl in a White Dress Standing in a Forest (w / c on paper)
PCD282330 Girl in a White Dress Standing in a Forest (w/c on paper) by Klimt, Gustav (1862-1918); 9.6x9.5 cm; Private Collection; Piccadilly Gallery, London, UK; Austrian, out of copyright

Dream (w / c & gouache on paper)
1071861 Dream (w/c & gouache on paper) by Redon, Odilon (1840-1916); 26x22.5 cm; Dallas Museum of Art, Texas, USA; gift of The Pollock Foundation in honor of Hortense D. and Lawrence S

Gustav Klimt, 1914 (b / w photo)
3037178 Gustav Klimt, 1914 (b/w photo) by Trcka, Anton Josef (1893-1940); Private Collection; (add.info.: Gustav Klimt (July 14, 1862 - February 6)

WW1, American and Britain united (colour litho)
3093572 WW1, American and Britain united (colour litho) by American School, (20th century); Private Collection; (add.info.: WW1, American and Britain united)

Hope (b / w photo)
3093427 Hope (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Hope. Postcard, early 20th century.); © Look and Learn

Charity (b / w photo)
3093426 Charity (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Charity. Postcard, early 20th century.); © Look and Learn

Death with Two Children Carried on his Scythe, 1915 (etching on paper)
AFC210536 Death with Two Children Carried on his Scythe, 1915 (etching on paper) by Fingesten, Michel (1884-1943); Private Collection; Austrian, out of copyright

On the River, Morning, 1896 (oil on canvas)
XIR210471 On the River, Morning, 1896 (oil on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); 50x78 cm; Musee des Beaux-Arts, Dunkirk, France; French, out of copyright

Boy in Rocky Landscape by F. Holland Day, 1906 (platinum print)
2622393 Boy in Rocky Landscape by F. Holland Day, 1906 (platinum print) by Day, Holland Fred (1864-1933); Private Collection; (add.info.: Boy in rocky landscape by F)

A blind beggar boy and a dog (chalk & ink on paper)
615735 A blind beggar boy and a dog (chalk & ink on paper) by Rembrandt Harmensz. van Rijn (1606-69); 13x8.5 cm; Private Collection; Photo eChristies Images; Dutch, out of copyright

Vase of Flowers, c. 1905 (oil on fabric)
491179 Vase of Flowers, c.1905 (oil on fabric) by Redon, Odilon (1840-1916); 73x59 cm; Cleveland Museum of Art, OH, USA; Gift of Roberta Holden Bole; French, out of copyright

Portrait of Boris Nikolayevich Bugaev (1880-1934) pseudonym Andrey Bely
STC133647 Portrait of Boris Nikolayevich Bugaev (1880-1934) pseudonym Andrey Bely, 1905 (colour litho) by Bakst, Leon (1866-1924); Private Collection; The Stapleton Collection; Russian

The Kiss, 1900 (oil on canvas)
MIB120361 The Kiss, 1900 (oil on canvas) by Granie, Joseph (1866-1915); 75x90 cm; Private Collection; eWhitford Fine Art, London, UK; French, out of copyright

The Flying Demon, 1899 (oil on canvas)
SRM93013 The Flying Demon, 1899 (oil on canvas) by Vrubel, Mikhail Aleksandrovich (1856-1910); 138.5x430.5 cm; State Russian Museum, St

The Forefathers, 1912 (oil on canvas)
AMO162494 The Forefathers, 1912 (oil on canvas) by Roerich, Nicholas (1874-1947); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Russian, out of copyright

Ultissima verba, drawing of Arthur Rimbaud, 1875 (pen & ink on paper
CHT157493 Ultissima verba, drawing of Arthur Rimbaud, 1875 (pen & ink on paper) (b/w photo) by Verlaine, Paul (1844-96); Bibliotheque Litteraire Jacques Doucet, Paris

Woman with arms outstretched (w / c on paper)
PHD30281 Woman with arms outstretched (w/c on paper) by Redon, Odilon (1840-1916); Musee du Petit Palais, Paris, France; French, out of copyright

The Sciapods (charcoal)
BRM191085 The Sciapods (charcoal) by Redon, Odilon (1840-1916); 48x37 cm; Private Collection; (add.info.: man possessing so large a foot that he can use it as a sunshade; ); French, out of copyright

Vivien from Tennysons Idylls of the King, 1896 (polychromatic plaster)
XAM70788 Vivien from Tennysons Idylls of the King, 1896 (polychromatic plaster) by Khnopff, Fernand (1858-1921); height 98 cm; Osterreichische Galerie Belvedere, Vienna

Repose, 1881 (etching & aquatint)
5864234 Repose, 1881 (etching & aquatint) by Klinger, Max (1857-1920); 31.8x48.6 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: from the series Ein Handschuh (A Glove) 4 3/8 x 9 1/4 in

Rescue, 1881 (etching)
5864231 Rescue, 1881 (etching) by Klinger, Max (1857-1920); 48.6x31.8 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: from the series Ein Handschuh (A Glove) 5 11/16 x 4 1/16 in

The Triumph of Social Democracy, 1904 (litho)
5231383 The Triumph of Social Democracy, 1904 (litho) by Crane, Walter (1845-1915) (after); Private Collection; (add.info.: The Triumph of Social Democracy, 1904)

The Play Garden, 1912-13 (tempera)
6198042 The Play Garden, 1912-13 (tempera) by Duncan, John (1866-1945); 121.9x182.8 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; Scottish, out of copyright

Untitled [Study for St Bride, 1913] (pencil)
6200418 Untitled [Study for St Bride, 1913] (pencil) by Duncan, John (1866-1945); 20.3x12.7 cm; The McManus, Dundee, UK; (add.info.: Sketch book with the number 13 written on the front cover)

Figure portant une tete ailee (La chute d lcare), 1876
6204969 Figure portant une tte ailee (La chute d lcare), 1876 (pastel on paper laid down on board) by Redon, Odilon (1840-1916); 48.2 x 44.8 cm; Private Collection; Photo eChristies Images; French

Allegorical figure of Friesland and Groningen with coats of arms
6039688 Allegorical figure of Friesland and Groningen with coats of arms by Netherlandish School, (17th century); Private Collection; (add.info)

Crowds tearing down mourning emblems from the statue of Strasbourg on the Place de la Concorde, Paris, 1892 (litho)
6014281 Crowds tearing down mourning emblems from the statue of Strasbourg on the Place de la Concorde, Paris, 1892 (litho) by English School

Crucifixion, from the St Gall Gospels (engraving)
6004130 Crucifixion, from the St Gall Gospels (engraving) by English School, (19th century); Private Collection; (add.info.: Crucifixion, from the St Gall Gospels)

Symbolic Head, c. 1890 (oil on paper mounted on canvas)
5672897 Symbolic Head, c.1890 (oil on paper mounted on canvas) by Redon, Odilon (1840-1916); 53.3 x 38 cm; Cleveland Museum of Art, OH, USA; French, out of copyright

The Dents Blanches at Champery in the Morning Sun, 1916 (oil on canvas)
3959971 The Dents Blanches at Champery in the Morning Sun, 1916 (oil on canvas) by Hodler, Ferdinand (1853-1918); 64 x 90 cm; Kunstmuseum, Basel

Sacred Hour, 1910 (oil on canvas)
3959969 Sacred Hour, 1910 (oil on canvas) by Hodler, Ferdinand (1853-1918); 179.5 x 89.4 cm; Kunstmuseum, Basel, Switzerland; Swiss, out of copyright

Guest House, 1879 (oil on canvas)
3959964 Guest House, 1879 (oil on canvas) by Hodler, Ferdinand (1853-1918); 38.1 x 46 cm; Kunstmuseum, Basel, Switzerland; (add.info)

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"Symbolist: Unveiling the Hidden Meanings in Art and Literature" Step into the enchanting world of Symbolism, where art becomes a language that speaks to our subconscious. From Gustav Klimt's mesmerizing masterpiece "The Kiss, " with its golden embrace capturing love's ethereal essence, to the haunting wood engraving "Death as Assassin, " which confronts mortality head-on, these artworks transport us to a realm beyond reality. In Laurits Andersen Ring's "Breakfast with the Morning Newspaper, " we witness a quiet moment frozen in time, inviting us to reflect on the fleeting nature of existence. The enigmatic figures of Arthur Rimbaud and Charles Baudelaire emerge from their poetic realms, leaving behind words that ignite our imagination and challenge societal norms. As we delve deeper into this artistic movement, we encounter Vienna Secessionists like Gustav Klimt himself, surrounded by fellow visionaries who dared to break free from traditional constraints. Their rebellious spirit is embodied in "A Garland for May Day, " an emblematic call for social change and equality. Don Quixote's encounter with Death echoes through centuries as an allegory for mankind's eternal struggle against adversity. Meanwhile, Narcissus gazes at his own reflection in watercolors—a poignant reminder of self-obsession and introspection. Beyond visual arts, symbolism permeates other aspects of life. Winston Churchill emerges as a symbol of resilience during World War II—an iconic figure wielding both power and vulnerability amidst chaos. And in "The Playing Boys, " innocence intertwines with mischief on canvas—reminding us not to lose touch with our inner childlike wonder. Symbolism invites us to decipher hidden messages within each stroke or word—to explore depths beyond what meets the eye. It challenges conventions while embracing ambiguity; it stirs emotions while provoking thoughts.