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Symbolist Collection (page 12)

"Symbolist: Unveiling the Hidden Meanings in Art and Literature" Step into the enchanting world of Symbolism

Background imageSymbolist Collection: Fruhlingsreigen (Song of Spring), 1913 (oil on canvas)

Fruhlingsreigen (Song of Spring), 1913 (oil on canvas)
PNH354194 Fruhlingsreigen (Song of Spring), 1913 (oil on canvas) by Lenz, Maximilian (1860-1948); 162x201 cm; Private Collection; (add.info)

Background imageSymbolist Collection: Envy, 1898 (w / c)

Envy, 1898 (w / c)
6197977 Envy, 1898 (w/c) by Davidson, George Dutch (1879-1901); 76.2x24.1 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums

Background imageSymbolist Collection: The Tree of Life, 1912

The Tree of Life, 1912
7227554 The Tree of Life, 1912 by Cominetti, Giuseppe (1882-1930); Private Collection; (add.info.: Milan, Private Collection, Giuseppe Cominetti, The Tree of Life); Photo © Mauro Ranzani

Background imageSymbolist Collection: Charity beneath an arch, c. 1640 (silk, metal threads & spangles on satin)

Charity beneath an arch, c. 1640 (silk, metal threads & spangles on satin)
449745 Charity beneath an arch, c.1640 (silk, metal threads & spangles on satin) by English School, (17th century); The Holburne Museum, Bath, UK; (add.info.: Seated under a bower)

Background imageSymbolist Collection: Charity beneath an arch, c. 1640 (silk, metal threads & spangles on satin)

Charity beneath an arch, c. 1640 (silk, metal threads & spangles on satin)
449747 Charity beneath an arch, c.1640 (silk, metal threads & spangles on satin) by English School, (17th century); The Holburne Museum, Bath, UK; (add.info.: Seated under a bower)

Background imageSymbolist Collection: I greet thee Maria, c. 1894 (litho)

I greet thee Maria, c. 1894 (litho)
6431703 I greet thee Maria, c.1894 (litho) by Gauguin, Paul (1848-1903); Private Collection; (add.info.: La Orana Maria)

Background imageSymbolist Collection: Lumiere, 1893 (litho)

Lumiere, 1893 (litho)
1721351 Lumiere, 1893 (litho) by Redon, Odilon (1840-1916); Private Collection; (add.info.: Lumiere, gravure par Odilon Redon, 1893 --- Ligth, engraving by Odilon Redon, 1893); French

Background imageSymbolist Collection: Aareschlucht, 1907 (oil on canvas)

Aareschlucht, 1907 (oil on canvas)
6771544 Aareschlucht, 1907 (oil on canvas) by Hodler, Ferdinand (1853-1918); 91x68 cm; Private Collection; (add.info.: Hodler, Ferdinand (1853-1918))

Background imageSymbolist Collection: The Song, 1921 (oil on canvas)

The Song, 1921 (oil on canvas)
7212362 The Song, 1921 (oil on canvas) by Mucha, Alphonse Marie (1860-1939); Prague Hlahol, Prague, Czech Republic; (add.info.: Lunette in the Great Hall of the Prague Hlahol choir)

Background imageSymbolist Collection: Jesus Christ as Orpheus (engraving)

Jesus Christ as Orpheus (engraving)
7185065 Jesus Christ as Orpheus (engraving) by French School, (19th century); Private Collection; (add.info.: Jesus Christ as Orpheus, painting from the ceiling of the catacombs of Rome)

Background imageSymbolist Collection: The Love Swing, 1902 (oil on canvas mounted on wood)

The Love Swing, 1902 (oil on canvas mounted on wood)
6431746 The Love Swing, 1902 (oil on canvas mounted on wood) by Stuck, Franz von (1863-1928); 56x78 cm; Private Collection

Background imageSymbolist Collection: George Frederic Watts, British painter and sculptor (litho)

George Frederic Watts, British painter and sculptor (litho)
7200373 George Frederic Watts, British painter and sculptor (litho) by Watts, George Frederick (1817-1904) (after); Private Collection; (add.info.: George Frederic Watts (1817-1904)

Background imageSymbolist Collection: George Frederic Watts, British painter and sculptor (litho)

George Frederic Watts, British painter and sculptor (litho)
7200370 George Frederic Watts, British painter and sculptor (litho) by Watts, George Frederick (1817-1904) (after); Private Collection; (add.info.: George Frederic Watts (1817-1904)

Background imageSymbolist Collection: Portrait Josef Pembaur, 1890 (oil on canvas)

Portrait Josef Pembaur, 1890 (oil on canvas)
FIA5395040 Portrait Josef Pembaur, 1890 (oil on canvas) by Klimt, Gustav (1862-1918); Tiroler Landesmuseum Ferdinandeum, Innsbruck, Austria; Photo © Fine Art Images

Background imageSymbolist Collection: Study of a Woman, 1898 (pencil and chalk)

Study of a Woman, 1898 (pencil and chalk)
6619403 Study of a Woman, 1898 (pencil and chalk) by Khnopff, Fernand (1858-1921); Private Collection; (add.info.: Khnopff, Fernand (1858-1921))

Background imageSymbolist Collection: Vera Mukhina, Soviet Russian sculptor (b / w photo)

Vera Mukhina, Soviet Russian sculptor (b / w photo)
7200732 Vera Mukhina, Soviet Russian sculptor (b/w photo) by Nesterov, Mikhail Vasilievich (1862-1942); Private Collection; (add.info.: Vera Mukhina (1889-1953), Soviet Russian sculptor

Background imageSymbolist Collection: George Watts, father of English painter and sculptor George Frederic Watts (litho)

George Watts, father of English painter and sculptor George Frederic Watts (litho)
7200374 George Watts, father of English painter and sculptor George Frederic Watts (litho) by Watts, George Frederick (1817-1904) (after); Private Collection; (add.info.: George Watts)

Background imageSymbolist Collection: Neris, 1915 (oil on canvas)

Neris, 1915 (oil on canvas)
7063420 Neris, 1915 (oil on canvas) by Hodler, Ferdinand (1853-1918); 89x68 cm; Private Collection

Background imageSymbolist Collection: Lake Silvaplana with Piz Corvatsch, 1907 (oil on canvas)

Lake Silvaplana with Piz Corvatsch, 1907 (oil on canvas)
7063410 Lake Silvaplana with Piz Corvatsch, 1907 (oil on canvas) by Hodler, Ferdinand (1853-1918); 66x89 cm; Private Collection

Background imageSymbolist Collection: Figure to Look into Infinity, 1914 (oil on canvas)

Figure to Look into Infinity, 1914 (oil on canvas)
6771546 Figure to Look into Infinity, 1914 (oil on canvas) by Hodler, Ferdinand (1853-1918); 119x63 cm; Private Collection; (add.info.: Hodler, Ferdinand (1853-1918))

Background imageSymbolist Collection: Liberal Arts (engraving)

Liberal Arts (engraving)
7164009 Liberal Arts (engraving) by English School, (19th century); Private Collection; (add.info.: Liberal Arts. Illustration for The Book of Trades, or Circle of Useful Arts (10th edn)

Background imageSymbolist Collection: George Frederic Watts, British painter and sculptor (litho)

George Frederic Watts, British painter and sculptor (litho)
7200372 George Frederic Watts, British painter and sculptor (litho) by Watts, George Frederick (1817-1904) (after); Private Collection; (add.info.: George Frederic Watts (1817-1904)

Background imageSymbolist Collection: August Strindberg, 1893 (oil on canvas)

August Strindberg, 1893 (oil on canvas)
OVR390557 August Strindberg, 1893 (oil on canvas) by Krohg, Christian (1852-1925); Private Collection; (add.info.: Johan August Strindberg (1849-1912) Swedish playwright

Background imageSymbolist Collection: Leda and the swan (oil on canvas)

Leda and the swan (oil on canvas)
YOU4419171 Leda and the swan (oil on canvas) by Moreau, Gustave (1826-98); Musee Gustave Moreau, Paris, France; (add.info.: Leda, in Greek mythology)

Background imageSymbolist Collection: The Tree, 1895 (oil on canvas)

The Tree, 1895 (oil on canvas)
7063423 The Tree, 1895 (oil on canvas) by Hodler, Ferdinand (1853-1918); Private Collection

Background imageSymbolist Collection: The Crying Spider, 1881 (charcoal)

The Crying Spider, 1881 (charcoal)
145467 The Crying Spider, 1881 (charcoal) by Redon, Odilon (1840-1916); 49.5x37.5 cm; Private Collection

Background imageSymbolist Collection: Virginia, Countess Somers (litho)

Virginia, Countess Somers (litho)
7200371 Virginia, Countess Somers (litho) by Watts, George Frederick (1817-1904) (after); Private Collection; (add.info.: Virginia, Countess Somers (1829-1910)

Background imageSymbolist Collection: Little Holland House, Kensington, London (litho)

Little Holland House, Kensington, London (litho)
7200368 Little Holland House, Kensington, London (litho) by Griggs, Frederick Landseer Maur (1876-1938); Private Collection; (add.info.: Little Holland House, Kensington, London)

Background imageSymbolist Collection: Les Preludes (oil on canvas)

Les Preludes (oil on canvas)
6431709 Les Preludes (oil on canvas) by Hawkins, Louis Welden (1849-1910); 90x116 cm; Private Collection

Background imageSymbolist Collection: The Genius of Death, 1890 (oil on canvas)

The Genius of Death, 1890 (oil on canvas)
6431756 The Genius of Death, 1890 (oil on canvas) by Anker, Albert (1831-1910); Private Collection

Background imageSymbolist Collection: Mada Primavesi, c. 1925 (pencil on simli japan paper)

Mada Primavesi, c. 1925 (pencil on simli japan paper)
6436331 Mada Primavesi, c.1925 (pencil on simli japan paper) by Klimt, Gustav (1862-1918); 55.2x36.8 cm; Private Collection

Background imageSymbolist Collection: Lovers in a Landscape (oil on canvas)

Lovers in a Landscape (oil on canvas)
PNH356353 Lovers in a Landscape (oil on canvas) by Menard, Marie Auguste Emile Rene (1862-1930); 50x73 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; French

Background imageSymbolist Collection: The Annunciation, 1887. Creator: George Hitchcock

The Annunciation, 1887. Creator: George Hitchcock
The Annunciation, 1887. The Virgin Mary as a Dutch peasant girl standing in a field of lilies

Background imageSymbolist Collection: In the Sea, 1883. Creator: Arnold Bocklin

In the Sea, 1883. Creator: Arnold Bocklin
In the Sea, 1883

Background imageSymbolist Collection: Time, Death and Judgment, 1866. Creator: George Frederick Watts

Time, Death and Judgment, 1866. Creator: George Frederick Watts
Time, Death and Judgment, 1866

Background imageSymbolist Collection: Day (Truth), 1896 / 98. Creator: Ferdinand Hodler

Day (Truth), 1896 / 98. Creator: Ferdinand Hodler
Day (Truth), 1896/98

Background imageSymbolist Collection: James Vibert, Sculptor, 1907. Creator: Ferdinand Hodler

James Vibert, Sculptor, 1907. Creator: Ferdinand Hodler
James Vibert, Sculptor, 1907

Background imageSymbolist Collection: The Apparition (oil on canvas)

The Apparition (oil on canvas)
XIR6282 The Apparition (oil on canvas) by Moreau, Gustave (1826-98); 142x103 cm; Musee Gustave Moreau, Paris, France; French, out of copyright

Background imageSymbolist Collection: The Misshapen Polyp Floated on the Shores, a Sort of Smiling and Hideous Cyclops

The Misshapen Polyp Floated on the Shores, a Sort of Smiling and Hideous Cyclops
3927658 The Misshapen Polyp Floated on the Shores, a Sort of Smiling and Hideous Cyclops, from the series Les Origines, 1883 (litho) by Redon

Background imageSymbolist Collection: The Solitude of Christ, 1897 (oil on wood)

The Solitude of Christ, 1897 (oil on wood)
3506790 The Solitude of Christ, 1897 (oil on wood) by Osbert, Alphonse (1857-1939); 37.5x56 cm; Private Collection; Photo eFine Art Images; French, out of copyright

Background imageSymbolist Collection: The Inspiration (w / c on paper)

The Inspiration (w / c on paper)
CH19590 The Inspiration (w/c on paper) by Moreau, Gustave (1826-98); Private Collection; Photo eChristies Images; French, out of copyright

Background imageSymbolist Collection: Madam Camille Redon Reading (oil on paper laid down on canvas)

Madam Camille Redon Reading (oil on paper laid down on canvas)
1109179 Madam Camille Redon Reading (oil on paper laid down on canvas) by Redon, Odilon (1840-1916); 53.2x43.3 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageSymbolist Collection: A Classical Beauty, (watercolour on paper)

A Classical Beauty, (watercolour on paper)
987324 A Classical Beauty, (watercolour on paper) by Ryland, Henry (1856-1924); 43.2x52.1 cm; Private Collection; (add.info.: A Classical Beauty. Henry Ryland (1856-1924). Watercolour on paper

Background imageSymbolist Collection: Head of a Young Woman in Profile, c. 1895 (pastel on paper)

Head of a Young Woman in Profile, c. 1895 (pastel on paper)
CH376441 Head of a Young Woman in Profile, c.1895 (pastel on paper) by Redon, Odilon (1840-1916); Private Collection; Photo eChristies Images; French, out of copyright

Background imageSymbolist Collection: The Cup of Mystery, or Sibyl, c. 1890 (oil on paper laid down on canvas)

The Cup of Mystery, or Sibyl, c. 1890 (oil on paper laid down on canvas)
CH376423 The Cup of Mystery, or Sibyl, c.1890 (oil on paper laid down on canvas) by Redon, Odilon (1840-1916); 57.5x36 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageSymbolist Collection: The Mask, with a Black Curtain, c. 1909 (coloured chalks heightened with white on paper)

The Mask, with a Black Curtain, c. 1909 (coloured chalks heightened with white on paper)
CH401490 The Mask, with a Black Curtain, c.1909 (coloured chalks heightened with white on paper) by Khnopff, Fernand (1858-1921); 26.9x17 cm; Private Collection; (add.info)

Background imageSymbolist Collection: Study of a Woman in Profile, 1910 (coloured chalk on paper)

Study of a Woman in Profile, 1910 (coloured chalk on paper)
CH401489 Study of a Woman in Profile, 1910 (coloured chalk on paper) by Khnopff, Fernand (1858-1921); 14x8.4 cm; Private Collection; (add.info)



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"Symbolist: Unveiling the Hidden Meanings in Art and Literature" Step into the enchanting world of Symbolism, where art becomes a language that speaks to our subconscious. From Gustav Klimt's mesmerizing masterpiece "The Kiss, " with its golden embrace capturing love's ethereal essence, to the haunting wood engraving "Death as Assassin, " which confronts mortality head-on, these artworks transport us to a realm beyond reality. In Laurits Andersen Ring's "Breakfast with the Morning Newspaper, " we witness a quiet moment frozen in time, inviting us to reflect on the fleeting nature of existence. The enigmatic figures of Arthur Rimbaud and Charles Baudelaire emerge from their poetic realms, leaving behind words that ignite our imagination and challenge societal norms. As we delve deeper into this artistic movement, we encounter Vienna Secessionists like Gustav Klimt himself, surrounded by fellow visionaries who dared to break free from traditional constraints. Their rebellious spirit is embodied in "A Garland for May Day, " an emblematic call for social change and equality. Don Quixote's encounter with Death echoes through centuries as an allegory for mankind's eternal struggle against adversity. Meanwhile, Narcissus gazes at his own reflection in watercolors—a poignant reminder of self-obsession and introspection. Beyond visual arts, symbolism permeates other aspects of life. Winston Churchill emerges as a symbol of resilience during World War II—an iconic figure wielding both power and vulnerability amidst chaos. And in "The Playing Boys, " innocence intertwines with mischief on canvas—reminding us not to lose touch with our inner childlike wonder. Symbolism invites us to decipher hidden messages within each stroke or word—to explore depths beyond what meets the eye. It challenges conventions while embracing ambiguity; it stirs emotions while provoking thoughts.