Stefano Collection

ITALY. Siena. Cathedral. Hermes Trismegistus delivers a book to two personages who represent the Orient and the Western. Work attributed to Giovanni di Maestro Stefano (1488). Renaissance art

Cver of the work Dialogo di Galileo Galilei
" Cver of the work " Dialogo di Galileo Galilei Linceo Al Sermo. Ferd. II. Grand. Duca di Toscana". Copy of an engraving by Stefano della Bella (1632). Engraving."

Official poster for the XX Olympic Winter Games 2006 in Turin. Artist: Riboli, Stefano
Official poster for the XX Olympic Winter Games 2006 in Turin. Private Collection

The three graces, from Game of Mythology (Jeu de la Mythologie), 1644

A child and a satyr child playing with a goat, ca. 1657. Creator: Stefano della Bella
A child and a satyr child playing with a goat, ca. 1657

Bologna, Italy - Chiese di Santo Stefano & Tour Bus
Hotel Tourist Postcard from Bologna, Italy - with a photograph of the Chiesa di Santo Stefano & Tour Bus of the Stella D Italia e Aquila Nera Company (Star of Italy and Black Eagle Co.)

Alfredo di Stefano, Real Madrid, in a duel against the center-forward of Stade Reims, Fontaine, at the final of the Champions League in Stuttgart Alfredo di Stefano in action, 1959

The church of Santo Stefano dei Cavalieri, Piazza dei Cavalieri, Pisa, Italy

Treaty of San Stefano, signing for peace treaty between Turkey and Russia, cartoon showing Bismarck, Minister President of Prussia at the time trying to control the winds " confound the easterly

Screen with Rebus of Fortune, ca. 1639. Creator: Stefano della Bella
Screen with Rebus of Fortune, ca. 1639

Frontispiece for the comedy The Buffoons (Li Buffoni), a set on stage resembling a public space, various figures dancing around two people in cages in center stage, fifteen spectators below, ca. 1639

Salmacis and Hermaphrodite, from Game of Mythology (Jeu de la Mythologie), 1644

The grave of Saint Cecilia - Catacomb of Callixtus
Rome, Italy - The Catacomb(s) of Callixtus (also known as the Cemetery of Callixtus) is one of the Catacombs of Rome on the Appian Way - the grave of Saint Cecilia

DDE-90032842
Italy, Tuscany, L'Isolotto, Promontorio dell'Argentario. Porto Santo Stefano, town view Date: 30/08/2007

DDE-90032843
Italy, Tuscany, L'Isolotto, Promontorio dell'Argentario. Porto Santo Stefano, town view Date: 30/08/2007

DDE-90032701
Italy, Como Province, Menaggio. Town view and Chiesa San Stefano church. Date: 19/05/2006

Patrick Gobbo & Stefano Gai Ferrari 458 Trofeo Pirelli, Silverstone Race Track Trofeo Pirelli Ferrari Challenge Silverstone, England 16 September 2012 Date: 16 September 2012

Stefano Brecciaroli 3 Day Eventing, Cross Country Cross Country Athens, Greece 17 August 2004 Date: 17 August 2004

Stefano Galvani Italy Wimbledon Championship 2008 Wimbledon, London, England 26 June 2008 Date: 26 June 2008

Piazza Santo Stefano Bologna, Italy
Vintage 19th century photograph: Piazza Santo Stefano also known as Piazza delle Sette Chiese is a piazza of Bologna, Italy

Aerial view of Pompeii showing the large theatre, small theatre, Quadriportico dei Teatri, etc. Chromolithograph after an illustration by S

Interior of the Small Theatre or Odeon, Pompeii VIII. 7. 19
Interior of the Small Theatre or Odeon, Pompeii VIII.7.19. Chromolithograph after an illustration by S. De Stefano from Antonio Niccolinis Pompeii: Views and Restorations (Pompeii)

Exterior of the Small Theatre or Odeon, Pompeii VIII. 7. 19
Exterior of the Small Theatre or Odeon, Pompeii VIII.7.19. Columns in the street, and plinth for a statue. Chromolithograph and illustration by S

View of the Basilica, near the west corner of the Forum, Pompeii. Chromolithograph and illustration by S. De Stefano from Antonio Niccolinis Pompeii: Views and Restorations (Pompeii)

The Lions Roused At Last by J E Mitchell and J H Lester
Promotional music sheet for The Lions Roused At Last music hall song of 1878 by J. E. Mitchell and J. H Lester, sung with unbounded applause by Sam Torr

The Crucifixion with Virgin, St John and Magdalen, 1470-1523

Stefano della Bella, 1649. Creator: Wenceslaus Hollar
Stefano della Bella, 1649

Plate 12: bust of an old Turkish man in a turban, looking towards the left, from Various heads and figures (Diverses tetes et figures), 1650

Plate 11: bust of a man wearing a cap and looking towards the right, from Various heads and figures (Diverses tetes et figures), 1650

Head of a Man without a Beard, Turned in Profile to the Right, from Diverse Heads and Figures (Diverses tetes et figures), plate 10, 1650

Plate 9: bust of Minerva, wearing a helmet with feathers, looking towards the left, from Various heads and figures (Diverses tetes et figures), 1650

Plate 7: bust of a bearded soldier wearing armor, facing left in profile, from Various heads and figures (Diverses tetes et figures), 1650

Plate 6: head of an old bearded soldier wearing a helmet facing right, from Various heads and figures (Diverses tetes et figures), 1650

Plate 5: head of a woman, turned in profile to the right, from Various heads and figures (Diverses tetes et figures), 1650

Plate 4: head of an old woman with a bonnet, looking left from Various heads and figures (Diverses tetes et figures), 1650

Plate 3: head of a woman with braided hair, turned in profile to the right, from Various heads and figures (Diverses tetes et figures), 1650

Plate 2: head of a man with a moustache and fur cap facing left, an oval composition, from Various heads and figures (Diverses tetes et figures), 1650

Plate 16: head of an old man in profile with a cloth tied around his head, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649

Plate 14: head of a woman, in profile, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649

Plate 11: a Polish bust in profile, turned to the right, another Polish head seen from behind in the background, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649

Plate 7: Five feet, from The Book for Learning to Draw (Livre pour apprendre à
Plate 7: Five feet, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649

Plate 4: two profiles and three mouths, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649

Plate 2: at top, the head of a young man, frontal view, at bottom, four eyes, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649

Clotaire 2.-e / Juste, modere... from Game of the Kings of France (Jeu des Rois de France), 1644

Pepin le bref / Chef de la seconde race... from Game of the Kings of France (Jeu des Rois de France), 1644

Clovis le grand / Vaillant, sage... from Game of the Kings of France (Jeu des Rois de France), 1644

Charles neuf.-e / Bon Prince... from Game of the Kings of France (Jeu des Rois de France), 1644

Charles Sept.-e / Prince facile... from Game of the Kings of France (Jeu des Rois de France), 1644

Charles Martel / Vaillant et sage... from Game of the Kings of France (Jeu des Rois de France), 1644

Charles 4.e- dit le bel / Prince sage... from Game of the Kings of France (Jeu des Rois de France), 1644

Louis le debonnaire... Charles le Simple, from Game of the Kings of France (Jeu des Rois de France), 1644

Meroüee / Prudent et vaillant... from Game of the Kings of France
Merouee / Prudent et vaillant... from Game of the Kings of France (Jeu des Rois de France), 1644

Louis 6.-e dit le gros / Sage, vaillant... from Game of the Kings of France (Jeu des Rois de France), 1644

Raoul... / Louis le Jeune... from Game of the Kings of France (Jeu des Rois de France), 1644

Plate 13: two peasants standing to left, a cripple kneeling on the ground in center, a woman carrying a child seen from behind to right in middleground, a church to right in background

Plate 10: a peasant woman turned towards the right with a child on her back, a boy lying on the ground behind her in center, two women and a child to left in middleground

Plate 8: two horsemen in hats at right, each with a woman seated behind them, riding towards the left in profile across a river, a tree at far right, from Caprice faict par de la Bella, ca. 1642

Plate 7: a peasant woman carrying a child to right, speaking to another child standing facing right in center, a castle to left in the background, from Caprice faict par de la Bella, ca. 1642

Plate 2: a ship at right and a rowboat at left, washed up on shore, a tower in ruins behind to left, from Caprice faict par de la Bella, ca. 1642

Plate 19: a rider making his horse drink from a basin of a fountain at left, another horseman seen from behind riding towards the left in the background

A female satyr breastfeeding an child to the right, turned towards the left, a satyr child on the ground to the left, from Landscapes and seaports (Paysages et ports de mer, dans des ronds), 1639

Three children carrying a tray, ca. 1638. Creator: Stefano della Bella
Three children carrying a tray, ca. 1638

Plate 17: a cartouche with a marble center, an infant on either side holding a garland over the horns of a ram in center, from Collection of various caprices and new inventions of cards

Title page: a man carrying a case on his back in center, three men looking towards him on left, Medici coat of arms on ground to left, various boats and figures to right in the background

A rowboat full of men at right, a ship with men descending into a rowboat behind to left, two men with a shotgun on a ship to left, another ship to far right in the background

Plate 13: ruins of an ancient temple in the background, a herd of cows in the foreground, a round composition, from Roman landscapes and ruins (Paysages et ruines de Rome), ca. 1643-48

Plate 7: a triple waterfall, a dead tree to right, a mountain and a herd of cows to right in the background, a round composition, from Roman landscapes and ruins (Paysages et ruines de Rome), ca

Plate 11: the pyramid of Caius Cestius to right in the background, a horse grazing in center, a foal suckling a mare to left

Frontispiece for The Fall of Longobardi (La Caduta de Longobardi), poems by Sigismond Boldoni; a laurel tree at center, two putti holding up the coat of arms of Christine of France, duchess of Savoy

An ordinary ship travelling between Douvre and Calais (Naviere ordinaire qui passe de Douvre a Calais), ship in the sea at center, other boats to left and right, a ship to left in the background

View of a part of Calais (Veue d un coin de Calais), a man sitting on an overturned canoe on the pier in center, men cooking over a fire to left

Tower of Calais (Tour de Calais), tower to right, two ships in the sea to left and in center, from Views of seaports (Vues de ports de mar), 1647

View of the coast of Italy (Veue des Costes d Italie), the bow of a ship resting to left, a group of men playing cards in center, a tower in ruins to right in the background

View of Amsterdam (Vue d Amsterdam), a tower and houses to left, men standing on the pier to right, many ships in the port in the background, from Views of seaports (Vues de ports de mar), 1647

Another view of Amsterdam (Autre vue d Amsterdam), a group of four men stand in center on a seashore, a boat being built to right, a rowboat on shore to left, two ships to left in the background

View of the Amsterdam seaport (Veue d Amsterdam), men in rowboats work on a ship in center, other men stand on a dock to right, from Views of seaports (Vues de ports de mar), 1647

Two satyrs and a faun seated to right watching two child satyrs and another satyr with an child on his shoulders dance to left, a round composition, from Six animal subjects (Six sujets d animaux)

A shepherd at right, facing left, driving a group of animals downhill, a round composition, from Six animal subjects (Six sujets d animaux), ca. 1643-48

Two cows in center, followed by two peasant women and other cows in the river to left, a round composition, from Six animal subjects (Six sujets d animaux), ca. 1643-48

The test of fire, the monk Peter, the disciple Saint John Gualbert, passing through the flames from two pyres unharmed, various spectators to either side

A woman carrying a child in center, seen from behind, another woman to right, facing left, following a group of cows across a river, a round composition

A peasant woman seated on a horse to left, facing right, surrounded by a herd of fcows, goats, sheep, and dogs, a round composition, from Six animal subjects (Six sujets d animaux), ca. 1643-48

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Stefano, a name that echoes through the vibrant streets of Italy. From the enchanting city of Siena with its majestic Cathedral to the historic Chiese di Santo Stefano in Bologna, his presence is felt. But Stefano's influence extends beyond architecture and churches. He is an artist, a master of capturing mythical tales and playful scenes. In his work "The Three Graces, " he transports us to a world where gods and goddesses reign supreme, reminding us of our fascination with ancient mythology. In another masterpiece by Stefano della Bella, we witness the innocence of childhood as a child and satyr child playfully engage with a goat. The artist's attention to detail brings this scene to life, showcasing his talent for storytelling through art. Yet Stefano's creativity knows no bounds. As seen on the cover of Galileo Galilei's Dialogo, he merges science and art seamlessly. His intricate illustrations invite us into Galileo's world of discovery and intellectual curiosity. Moving from canvas to stage, Stefano lends his artistic touch to theater productions like "The Buffoons. " With its elaborate frontispiece resembling a set on stage, it captures the essence of comedic performances that have entertained audiences for centuries. Santo Stefano dei Cavalieri stands tall in Pisa as yet another testament to Stefano's legacy. This church holds stories untold within its walls; whispers from history echoing through time. Stefano Torelli takes up the brush next as he paints Selene and Endymion in their eternal embrace under moonlit skies. Their love story unfolds before our eyes as Torelli skillfully portrays their passion and longing. Not limited to paintings alone, Stefan della Bella also showcases his talent in other forms such as screen designs like "Rebus of Fortune. " Through intricate details woven together flawlessly, he invites us into a riddle-filled world where luck plays its part.