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The Lions Roused At Last by J E Mitchell and J H Lester

The Lions Roused At Last by J E Mitchell and J H Lester


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The Lions Roused At Last by J E Mitchell and J H Lester

Promotional music sheet for The Lions Roused At Last music hall song of 1878 by J. E. Mitchell and J. H Lester, sung with unbounded applause by Sam Torr. Artist Alfred Concanen shows the British Lion having forced the Russian Bear to drop the Treaty of San Stefano, which gave huge gains to Russia. Date: 1878

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Media ID 23102610

© The Michael Diamond Collection / Mary Evans Picture Library

1878 Berlin Congress Crimea Crimean Enjoyment Jan19 Marketing Programme Publicity Sheet Stefano Musical


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EDITORS COMMENTS
The Lions Roused at Last: A Musical Triumph of British Pride and Diplomacy in the Late 19th Century This promotional music sheet, featuring the artwork of Alfred Concanen, showcases the iconic song "The Lions Roused at Last" by J. E. Mitchell and J. H. Lester, performed with thunderous applause by the renowned music hall artist Sam Torr. The image, dating back to January 1878, transports us to an era of Victorian grandeur and intrigue. The illustration encapsulates the political climate of the time, with the British Lion boldly standing over the subdued Russian Bear. The Russian Bear, symbolizing Russia, is depicted as having reluctantly dropped the Treaty of San Stefano, which had granted significant territorial gains to Russia following the end of the Crimean War in 1856. The British Lion, embodying the British nation, has successfully intervened, ensuring a more favorable outcome at the upcoming Congress of Berlin. This musical piece, with its powerful imagery, served as a source of national pride and enjoyment for the British public during the late 1870s. The music hall, a popular form of leisure and entertainment, provided an accessible platform for people to engage with current events and express their emotions through song. The intricate details of the artwork, from the determined gaze of the British Lion to the defeated demeanor of the Russian Bear, serve as a testament to the skill and artistry of the time. This music sheet is a fascinating glimpse into the past, offering a unique perspective on the political and cultural landscape of the Victorian era.

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GERMANY: KULTURKAMPF, 1875. Pope Pius IX moving his game piece, the encyclical Quod nunquam
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Mr Hermans Bras, the Prussian Youth 18 years of age weighing upwards of 500 lbs (engraving)

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