Pre Raphaelite Collection (page 7)

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7246562 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

The Prioress Tale, decorated wardrobe, designed by Philip Webb (1831-1915), 1859 (oil on panel)
7246991 The Prioress Tale, decorated wardrobe, designed by Philip Webb (1831-1915), 1859 (oil on panel) by Burne-Jones, Edward Coley (1833-98); Ashmolean Museum, University of Oxford

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7250216 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7249864 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7249622 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Venus, 1886 (stained glass)
3475491 Venus, 1886 (stained glass) by Holmes Jewitt, Edward (1849-1929); Pownall Hall Farm, Wilmslow, Cheshire, UK; (add.info.: Shrigley & Hunt (1873-1982)); © Alastair Carew-Cox

The Passing of Venus, c. 1875 (oil on panel)
MH11890 The Passing of Venus, c.1875 (oil on panel) by Burne-Jones, Edward Coley (1833-98); Exeter College, Oxford, UK; © Martin Harrison

Yeovil, St John The Baptist, Lowndes & Drury, Henry Holiday, Hate, Bestiality & Venom, 1917-18
3476031 Yeovil, St John The Baptist, Lowndes & Drury, Henry Holiday, Hate, Bestiality & Venom, 1917-18 by Holiday, Henry (1839-1927); Church of St John the Baptist, Yeovil, Somerset

The Battle of Beth Horon, 1862-3 (stained glass)
3474767 The Battle of Beth Horon, 1862-3 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Michael, Lyndhurst, UK; (add.info.: Manufactured by Morris, Marshall, Faulkner & Co)

Self Portrait (pencil & chalk on paper)
1734185 Self Portrait (pencil & chalk on paper) by Rossetti, Dante Gabriel Charles (1828-82); (add.info.: Gabriel Charles Dante Rossetti (12 May 1828 - 9 April 1882)

Chivalry, 1885 (oil on canvas)
1767284 Chivalry, 1885 (oil on canvas) by Dicksee, Frank (1853-1928); 182.7x136.6 cm; Private Collection; Photo © Christies Images

Perseus and Andromeda, study for The Doom Fulfilled, 1875 (gouache with gold paint on board)
5859143 Perseus and Andromeda, study for The Doom Fulfilled, 1875 (gouache with gold paint on board) by Burne-Jones, Edward Coley (1833-98); 33--30 cm; The Art Institute of Chicago, IL

Oriana (oil on panel)
659929 Oriana (oil on panel) by Hughes, Arthur (1832-1915) and Hunt, William Holman (1827-1910); 91.5x70.5 cm; Private Collection; (add.info.: It is suspected that although labelled Arthur Hughes)

Lilith, 1887 (oil on canvas) (detail of 125798)
483200 Lilith, 1887 (oil on canvas) (detail of 125798) by Collier, John (1850-1934); (add.info.: character in Jewish mythology; first wife of Adam, created from the same clay)

Silver (oil on canvas) (detail of 422991)
CH139995 Silver (oil on canvas) (detail of 422991) by Moore, Albert Joseph (1841-93); Private Collection; Photo © Christies Images

Dido stabbing herself, opening of Book IV of Virgils Aeneid (w / c on vellum)
621801 Dido stabbing herself, opening of Book IV of Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 14x13.5 cm; Private Collection; Photo © Christies Images

The Song of the Shirt, or For Only One Short Hour, 1854 (oil on canvas)
XYC139990 The Song of the Shirt, or For Only One Short Hour, 1854 (oil on canvas) by Blunden, Anna E. (1830-1915); 47x39.5 cm; Yale Center for British Art, Paul Mellon Fund

Christ Blessing the Little Children, 1892-93 (black & white chalks on paper)
PNH356957 Christ Blessing the Little Children, 1892-93 (black & white chalks on paper) by Burne-Jones, Edward Coley (1833-98); Private Collection; (add.info)

Portrait of Arthur Brett, 1859 (oil on canvas)
7262381 Portrait of Arthur Brett, 1859 (oil on canvas) by Brett, John (1831-1902); 49x41 cm; Private Collection; (add.info.: by John Brett (1831-1902))

Merlin and Vivien (w / c with bodycolour on paper)
Ma198554 Merlin and Vivien (w/c with bodycolour on paper) by Meteyard, Sidney (1868-1947); 47x29.8 cm; Private Collection; Photo © The Ms Gallery, London

King Cophetua and the Beggar Maid, 1909 (pen & ink on paper)
Ma388920 King Cophetua and the Beggar Maid, 1909 (pen & ink on paper) by Fortescue-Brickdale, Eleanor (1871-1945); 35.1x26.7 cm; Private Collection; (add.info)

The Lovers World (w / c on paper)
BAG13603 The Lovers World (w/c on paper) by Fortescue-Brickdale, Eleanor (1871-1945); Bristol Museum and Art Gallery, UK; © Bristol Museums, Galleries & Archives

Saint Cecilia (oil on canvas)
CH251426 Saint Cecilia (oil on canvas) by Meteyard, Sidney (1868-1947); 78.1x91.4 cm; Private Collection; Photo © Christies Images

At the Opera, 1869 (pencil and w / c)
6448787 At the Opera, 1869 (pencil and w/c) by Hueffer, Catherine Nee Madox Brown (1850-1927); 42x35.5 cm; Private Collection; (add.info.: Hueffer, Catherine Nee Madox Brown (1850-1927))

Pan and Psyche (mezzotint printed on paper)
6321732 Pan and Psyche (mezzotint printed on paper) by Campbell, Charles W. (1855-87); 35.6x29.8 cm; The Ms Gallery, London

The Birth of Galatea (mezzotint on laid india)
6321791 The Birth of Galatea (mezzotint on laid india) by Campbell, Charles W. (1855-87); 35.6x27.9 cm; The Ms Gallery, London

The Betrothed (oil on canvas)
909225 The Betrothed (oil on canvas) by Watts, Leonard T. (1871-1951); 81.3x53.3 cm; Private Collection; Photo © Christies Images

Sir Lancelot went Ambassador, at First, to Fetch Her, and She Took Him for the King (pencil)
CH402309 Sir Lancelot went Ambassador, at First, to Fetch Her, and She Took Him for the King (pencil, w/c & bodycolour on paper) by Fortescue-Brickdale

Prothalmion by Edmund Spenser, illustration from The Book of Old English Songs and Ballads
IL314811 Prothalmion by Edmund Spenser, illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c.1910 (colour litho) by Fortescue-Brickdale

St John The Baptist, detail from the east window, 1861 (stained glass)
3474631 St John The Baptist, detail from the east window, 1861 (stained glass) by Barraud, Francis Philip (1824-1901); St John The Baptist, Bromsgrove

The Pale Complexion of True Love
WH48201 The Pale Complexion of True Love by Fortescue-Brickdale, Eleanor (1871-1945); Private Collection; Photo © Whitford & Hughes, London, UK

Girl Reading a Letter (sanguine on paper)
CMY100629 Girl Reading a Letter (sanguine on paper) by Meteyard, Sidney (1868-1947); 34.3x21.6 cm; Private Collection; English, out of copyright

The Pale Complexion of True Love and the Red Glow of Scorn and Proud Disdain from As You Like It, 1899 (oil on canvas)
CH402308 The Pale Complexion of True Love and the Red Glow of Scorn and Proud Disdain from As You Like It, 1899 (oil on canvas) by Fortescue-Brickdale

A Pompeian Beauty
CH27359 A Pompeian Beauty by Giannetti, Raffaele (1832-1916); Private Collection; Photo © Christies Images

Hope Comforting Love in Bondage, 1901 (oil on canvas)
BIR108329 Hope Comforting Love in Bondage, 1901 (oil on canvas) by Meteyard, Sidney (1868-1947); 104.2x109.2 cm; Birmingham Museums and Art Gallery; English, out of copyright

Bouquet of Flowers, illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c
IL314810 Bouquet of Flowers, illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c.1910 (colour litho) by Fortescue-Brickdale

Pan and Psyche (mezzotint)
6322294 Pan and Psyche (mezzotint) by Campbell, Charles W. (1855-87); 35.6x29.5 cm; The Ms Gallery, London, UK; (add.info)

St. George and the Dragon (oil on canvas)
CH402321 St. George and the Dragon (oil on canvas) by Meteyard, Sidney (1868-1947); 110.5x112.5 cm; Private Collection; Photo © Christies Images

Autumn (oil on canvas)
CH368187 Autumn (oil on canvas) by Muckley, Louis Fairfax (1862-1926); 206.4x82.6 cm; Private Collection; Photo © Christies Images

A Hue and a cry after Cupid, illustration from The Book of Old English Songs and Ballads
IL314812 A Hue and a cry after Cupid, illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c.1910 (colour litho) by Fortescue-Brickdale

They Toil not, Neither do they Spin, 1903 (w / c)
MAL85982 They Toil not, Neither do they Spin, 1903 (w/c) by Fortescue-Brickdale, Eleanor (1871-1945); 40.6x26.7 cm; Mallett Gallery, London, UK; © Mallett Gallery, London, UK

Farewell - one kiss, and I ll descend (oil on canvas)
Ma199029 Farewell - one kiss, and I ll descend (oil on canvas) by Fortescue-Brickdale, Eleanor (1871-1945); 81.5x112 cm; Private Collection; (add.info)

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"Pre-Raphaelite: Capturing the Beauty and Symbolism of the Divine" The Pre-Raphaelite movement, which emerged in the mid-19th century, sought to revive the artistic spirit of medieval times. Artists like William Holman Hunt embraced this vision with his masterpiece "The Light of the World. " Painted between 1851 and 1853, it depicts Jesus as the radiant Light of the World, illuminating a darkened door. Another prominent Pre-Raphaelite artist was Edward Burne-Jones, whose work "Adam & Eve" explores biblical themes. Inspired by John Milton's Paradise Lost, this painting portrays Adam delving into earth while Eve spins thread. It symbolizes their fall from grace and humanity's struggle for redemption. In Arthurian legend-inspired works like "The Attainment, " Sir Galahad, Sir Bors, and Sir Percival embark on a quest for the Holy Grail. The painting captures their awe-inspiring moment when they finally lay eyes upon this sacred relic. A captivating fresco titled "Choosing the Red and White Roses in the Temple Garden" showcases an allegorical scene painted by Evelyn De Morgan in 1910. It represents spiritual choices faced by individuals within a temple garden setting – red roses symbolizing earthly desires while white roses represent purity and virtue. William John Wainwright's creation called "Parable Of The Wise And Foolish Virgins" brings forth a moral lesson through vivid imagery. This piece illustrates five wise virgins who prepared themselves with oil lamps versus five foolish ones who neglected their duty – reminding viewers to be vigilant in their spiritual lives. John Everett Millais' paintings also made significant contributions to Pre-Raphaelitism. In "My First Sermon, " he portrays a young girl engrossed in her first religious experience—a poignant reflection on innocence and faith that resonates deeply with viewers.