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A Hue and a cry after Cupid, illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c. 1910 (colour litho)
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A Hue and a cry after Cupid, illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c. 1910 (colour litho)
IL314812 A Hue and a cry after Cupid, illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c.1910 (colour litho) by Fortescue-Brickdale, Eleanor (1871-1945); Private Collection; (add.info.: The Hue and the Cry After Cupid or Lord Haddingtons Masque, was a masque performed on Shrove Tuesday by Ben Jonson with costumes by Inigo Jones; )
Media ID 25142986
© Bridgeman Images
Demure Hiding Rose Garden Shyness Skirts Cherub Pre Raphaelite
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EDITORS COMMENTS
This print, titled "A Hue and a cry after Cupid" transports us to the enchanting world of Old English Songs and Ballads. Created by Eleanor Fortescue-Brickdale in 1910, this color lithograph is a delightful illustration from The Book of Old English Songs and Ballads published by Hodder and Stoughton. In this scene, we find ourselves amidst a beautiful rose garden, where a shy woman seeks solace among the vibrant blooms. Her demure nature is evident as she hides behind the flowers, her skirts gently swaying in the breeze. The atmosphere exudes an air of poetry and romance. The focal point of this image is undoubtedly Cupid's bow held delicately by a cherub hovering above our protagonist. This symbolizes love's playful mischief that often leaves us feeling coy and hesitant like the woman depicted here. It reminds us that even in our shyness, there is beauty to be found. Fortescue-Brickdale's artistic style reflects elements of Pre-Raphaelite aesthetics with its attention to detail and rich colors. Each petal on every flower seems meticulously rendered, inviting viewers into this idyllic realm. As we gaze upon this exquisite print, we are reminded of Ben Jonson's masque "The Hue and the Cry After Cupid" performed on Shrove Tuesday centuries ago. This connection adds depth to our appreciation for both literature and art history. Overall, this print captures not only the essence of femin
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