Pre Raphaelite Collection (page 4)

Head, 1885 (pencil on paper)
NGW405352 Head, 1885 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 24.4x15.1 cm; National Museum Wales; National Museums & Galleries of Wales

Apollo and Marsyas, 1879 (oil on canvas)
NGW184256 Apollo and Marsyas, 1879 (oil on canvas) by Strudwick, John Melhuish (1849-1937); 106.5x170 cm; National Museum Wales; National Museums & Galleries of Wales

Spring, 1894 (pencil & red chalk)
FFA178176 Spring, 1894 (pencil & red chalk) by Burne-Jones, Edward Coley (1833-98); 45.7x20.3 cm; Private Collection

Kirkcaldy Old Kirk, Morris & Co. William Morris, Acorns & Oak Leaves, 1886
3475772 Kirkcaldy Old Kirk, Morris & Co. William Morris, Acorns & Oak Leaves, 1886 by Morris, William (1834-96); Old Kirk, Kirkcaldy, UK; (add.info.: Kirkcaldy Old Kirk, M&C, WM, Acorns & Oak Leaves)

The Last of England, 1852-1855. Creator: Ford Madox Brown
The Last of England, 1852-1855. This is a painting about emigration, the couple are departing for Australia. The subject itself - departure in desperate circumstances for a foreign land - has

The Nativity, 1858. Creator: Arthur Hughes
The Nativity, 1858

Gareth and Lynette, 1874. Creator: Julia Margaret Cameron
Gareth and Lynette, 1874. A bearded man (Andrew Hichens) poses as Gareth reclining with head cast down and eyes closed. A woman (May Prinsep Hichens), poses as Lynette

Sir Galahad and the Pale Nun, 1874. Creator: Julia Margaret Cameron
Sir Galahad and the Pale Nun, 1874. A photographic illustration to Alfred Tennysons " Idylls of the King" ; a series of narrative poems based on the legends of King Arthur

The Passing of King Arthur, 1874. Creator: Julia Margaret Cameron
The Passing of King Arthur, 1874. A melodramatic depiction of Arthurs death scene. A bearded man (William Warder) in profile

The Madonna Penserosa, 1864. Creator: Julia Margaret Cameron
The Madonna Penserosa, 1864

King Arthur, September 1874. Creator: Julia Margaret Cameron
King Arthur, September 1874. A photograph of the torso and head in profile of a bearded and long-haired knight (William Warder) with helmet and chainmail gripping a sword

The Palisades, ca. 1870. Creator: John William Hill
The Palisades, ca. 1870

May Morning on Magdalen Tower, 1888-1890, (1942). Creator: William Holman Hunt
May Morning on Magdalen Tower, 1888-1890, (1942). Dawn on the first day of May: the choristers of Magdalen College, Oxford, are singing a hymn to the rising sun

The Death of Cleopatra, 1890. Creator: John Maler Collier
The Death of Cleopatra, 1890. The Egyptian queen Cleopatra VII (69-30 BC) is believed to have committed suicide by allowing herself to be bitten by an asp. Painting in Gallery Oldham

The Betrothed, 1892. Artist: John William Godward
The Betrothed, 1892; showing a woman lying on a cushion and leopard skin viewing a ring on her left hand

Dante and Beatrice, 1883, (1912). Artist: Henry Holiday
Dante and Beatrice, 1883, (1912). A colour print from Famous Paintings with an Introduction by Gilbert Chesterton, (Cassell and Company, London, New York, Toronto, 1912)

Morris and Burne-Jones Family Photo
A family photograph consisting of British Pre-Raphaelite painter Edward Coley Burne-Jones with his father, wife and children, and Pioneer of the Arts and Crafts movement

Kelmscott Manor, Morris Bed
A photograph which shows the bed of Pre-Raphaelite craftsman, William Morris, located at his country home of Kelmscott Manor, Oxfordshire

The Red House, Upton
A drawing which shows the Red House, home of Pre-Raphaelite craftsman William Morris and his wife, Jane. When their couple got married in 1859, Morris commissioned his friend and architect

Kelmscott House Curtain Of Woollen Tissue
A patterned curtain of woollen tissue, designed for the drawing room at Kelmscott House, the home of English textile designer and Pre-Raphaelite craftsman, William Morris between 1878 and 1896

Study Of Jane Burden
A portrait study of English embroiderer, Jane Burden, future wife of Pre-Raphaelite craftsman, William Morris, the study was for one of his famous paintings, La Belle Iseult. Date: circa 1857

April Love
A Pre-Raphaelite portrait painting exhibited at the Royal Academy in 1856, a depiction of young love, showing a girl holding her scarf, as she looks around a corner

Exeter College, Oxford
A reproduction print from an original copper engraving in 1675 by David Loggan, providing a view of Exeter College, Oxford, where in 1853

Water House, Walthamstow
A photograph of Water House, Walthamstow, a fine Georgian house dating from 1762, built out of brown brick, it served as a childhood home of Pre-Raphaelite craftsman, William Morris

Elm House, Walthamstow
A pencil and ink drawing of Elm House, in Walthamstow, the place of birth of the Pre-Raphaelite craftsman, William Morris, a pioneer of the Arts and Crafts movement. Date: circa 1890s

William Morris
A portrait oil painting of famed British craftsman, William Morris (1834-1896), an important figure of the Arts and Crafts movement and the Pre-Raphaelite Brotherhood. Date: 1870

Dante Gabriel Rossetti, Pre-Raphaelite artist, self-portrait dated 20 September 1855 Date: 1855

William Holman Hunt, artist, carte de visite
Pre-Raphaelite artist William Holman Hunt - carte de visite Date: circa 1865

The Entrance Hall, Eaton Hall, Cheshire, from The English Country House (b/w photo)
CLF306390 The Entrance Hall, Eaton Hall, Cheshire, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info.: built for Hugh Lupus Grosvenor)

The Ornithologist, 1885 (oil on canvas)
2636045 The Ornithologist, 1885 (oil on canvas) by Millais, John Everett (1829-96); 160.7x215.9 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Danae, or The Tower of Brass, 1887-88 (oil on canvas)
GLS111327 Danae, or The Tower of Brass, 1887-88 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 231.1x113 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Regina Cordium: Alice Wilding, 1866 (oil on canvas)
GLS219807 Regina Cordium: Alice Wilding, 1866 (oil on canvas) by Rossetti, Dante Gabriel Charles (1828-82); 59.7x49.5 cm; Art Gallery and Museum, Kelvingrove, Glasgow

The Angel (oil on panel)
GLS314063 The Angel (oil on panel) by Burne-Jones, Edward Coley (1833-98); 26.7x19.1 cm; Glasgow Museums, UK; (add.info.: playing a flageolet.); © CSG CIC Glasgow Museums Collection

The Death of Leander, predella panel of The Last Watch of Hero, 1887 (oil on canvas)
MAN62956 The Death of Leander, predella panel of The Last Watch of Hero, 1887 (oil on canvas) by Leighton, Frederic (1830-96); 33.6x76.5 cm; Manchester Art Gallery

Only a Lock of Hair, c. 1857-58 (oil on panel)
MAN62964 Only a Lock of Hair, c.1857-58 (oil on panel) by Millais, John Everett (1829-96); 35.3x25 cm; Manchester Art Gallery, UK; (add.info.: by John Everett Millais); © Manchester Art Gallery

Study: Female Figure, 1873 (w/c, gouache & oil paint on paper)
7214969 Study: Female Figure, 1873 (w/c, gouache & oil paint on paper) by Solomon, Simeon (1840-1905); 25x15.1 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Study for The Vale of Rest (w/c, gouache & gum arabic on paper)
5890678 Study for The Vale of Rest (w/c, gouache & gum arabic on paper) by Millais, John Everett (1829-96); 13.3x20.9 cm; Manchester Art Gallery, UK; (add.info.: Graveyard scene at twilight)

Boatmen and Siren, c. 1853 (pen & ink on paper)
6309430 Boatmen and Siren, c.1853 (pen & ink on paper) by Rossetti, Dante Gabriel Charles (1828-82); 11.1x18.4 cm; Manchester Art Gallery, UK; (add.info.: Inscribed: Lo marinaio oblia)

Girl Reading, 1878 (oil on canvas)
2967744 Girl Reading, 1878 (oil on canvas) by Perugini, Charles Edward (1839-1918); 98x73 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

The Lady of Shalott, c. 1886-1905 (oil on panel) (see also 62953)
495754 The Lady of Shalott, c.1886-1905 (oil on panel) (see also 62953) by Hunt, William Holman (1827-1910); 44.4x34.1 cm; Manchester Art Gallery

Stella, 1868 (oil on canvas)
MAN62961 Stella, 1868 (oil on canvas) by Millais, John Everett (1829-96); 112.7x92.1 cm; Manchester Art Gallery, UK; (add.info)

The Body of Harold brought before William the Conqueror, 1844-61 (oil on canvas)
MAN62927 The Body of Harold brought before William the Conqueror, 1844-61 (oil on canvas) by Brown, Ford Madox (1821-93); 105x123.1 cm; Manchester Art Gallery

The Sleeping Beauty, 1871 (w/c, bodycolour & gold paint on vellum)
MAN63033 The Sleeping Beauty, 1871 (w/c, bodycolour & gold paint on vellum) by Burne-Jones, Edward Coley (1833-98); 25.9x36 cm; Manchester Art Gallery

The Lantern Maker's Courtship, c. 1854-60 (oil on panel)
MAN62952 The Lantern Maker's Courtship, c.1854-60 (oil on panel) by Hunt, William Holman (1827-1910); 29.4x18.8 cm; Manchester Art Gallery

The Isle of Chios, c. 1867 (oil on canvas)
MAN77497 The Isle of Chios, c.1867 (oil on canvas) by Leighton, Frederic (1830-96); 26.5x41.5 cm; Manchester Art Gallery, UK; (add.info.: by Frederic Leighton); © Manchester Art Gallery

Work, 1852-65 (oil on canvas) (see also 198054 and 324488)
3927271 Work, 1852-65 (oil on canvas) (see also 198054 and 324488) by Brown, Ford Madox (1821-93); 137x197.3 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

When Apples were Golden and Songs were Sweet but Summer had Passed Away, c. 1906 (oil on canvas)
MAN62983 When Apples were Golden and Songs were Sweet but Summer had Passed Away, c.1906 (oil on canvas) by Strudwick, John Melhuish (1849-1937); 76.4x48.4 cm; Manchester Art Gallery

The Establishment of the Flemish Weavers in Manchester in 1363, 1888 (tempera on panel)
MAN62935 The Establishment of the Flemish Weavers in Manchester in 1363, 1888 (tempera on panel) by Brown, Ford Madox (1821-93); 27.1x55.9 cm; Manchester Art Gallery

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"Pre-Raphaelite: Capturing the Beauty and Symbolism of the Divine" The Pre-Raphaelite movement, which emerged in the mid-19th century, sought to revive the artistic spirit of medieval times. Artists like William Holman Hunt embraced this vision with his masterpiece "The Light of the World. " Painted between 1851 and 1853, it depicts Jesus as the radiant Light of the World, illuminating a darkened door. Another prominent Pre-Raphaelite artist was Edward Burne-Jones, whose work "Adam & Eve" explores biblical themes. Inspired by John Milton's Paradise Lost, this painting portrays Adam delving into earth while Eve spins thread. It symbolizes their fall from grace and humanity's struggle for redemption. In Arthurian legend-inspired works like "The Attainment, " Sir Galahad, Sir Bors, and Sir Percival embark on a quest for the Holy Grail. The painting captures their awe-inspiring moment when they finally lay eyes upon this sacred relic. A captivating fresco titled "Choosing the Red and White Roses in the Temple Garden" showcases an allegorical scene painted by Evelyn De Morgan in 1910. It represents spiritual choices faced by individuals within a temple garden setting – red roses symbolizing earthly desires while white roses represent purity and virtue. William John Wainwright's creation called "Parable Of The Wise And Foolish Virgins" brings forth a moral lesson through vivid imagery. This piece illustrates five wise virgins who prepared themselves with oil lamps versus five foolish ones who neglected their duty – reminding viewers to be vigilant in their spiritual lives. John Everett Millais' paintings also made significant contributions to Pre-Raphaelitism. In "My First Sermon, " he portrays a young girl engrossed in her first religious experience—a poignant reflection on innocence and faith that resonates deeply with viewers.