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Neo Classicism Collection (#42)

"Neo Classicism: A Journey through Time and Elegance" Step into the world of Neo Classicism, where art, architecture

Background imageNeo Classicism Collection: FLAUGIER, Joseph (1757-1813)

FLAUGIER, Joseph (1757-1813)

Background imageNeo Classicism Collection: Ferdinand-Philippe, duke of Orleans

Ferdinand-Philippe, duke of Orleans
INGRES, Jean-Auguste-Dominique (1780-1867). Ferdinand-Philippe, duke of Orleans. Portrait of King Louis Philip of Orleans son. Neoclassicism

Background imageNeo Classicism Collection: Portrait of Joseph Bonaparte

Portrait of Joseph Bonaparte

Background imageNeo Classicism Collection: SALVADOR CARMONA, Manuel (1734-1820)

SALVADOR CARMONA, Manuel (1734-1820). Philip the Good, Duke of Burgundy. Neoclassicism. Etching

Background imageNeo Classicism Collection: LAWRENCE, Sir Thomas (1769-1830)

LAWRENCE, Sir Thomas (1769-1830). The Duchess of Sussex. Neoclassicism. Oil on canvas

Background imageNeo Classicism Collection: BARTOLINI, Lorenzo (1777-1850)

BARTOLINI, Lorenzo (1777-1850). Tsar Alexander I. FRANCE. Versailles. National Museum of Versailles. Neoclassicism. Sculpture

Background imageNeo Classicism Collection: REYNOLDS, Sir Joshua (1723-1792)

REYNOLDS, Sir Joshua (1723-1792). Studio portrait of a young woman. Neoclassicism. Oil

Background imageNeo Classicism Collection: MENGS, Anton Raphael (1728-1779). The Adoration

MENGS, Anton Raphael (1728-1779). The Adoration of the Shepherds. 1770. On the left side, behind Saint Joseph there is the self-portrait of the artist. Neoclassicism. Oil on canvas. SPAIN. Madrid

Background imageNeo Classicism Collection: MAXIMILIAN I Joseph (1756-1825). Prince-elector

MAXIMILIAN I Joseph (1756-1825). Prince-elector (Kurf� of the Holy Roman Empire and first ruler of Baviera (1806-1825). Painting from 18th century. Austrian school. Neoclassicism

Background imageNeo Classicism Collection: BELLOTTO, Bernardo (1720-1780). View of Venice

BELLOTTO, Bernardo (1720-1780). View of Venice. 18th c. Neoclassicism. Oil on canvas. SPAIN. Bilbao. Bilbao Fine Arts Museum

Background imageNeo Classicism Collection: BAYEU Y SUBIAS, Francisco (1734-1795). The Paseo

BAYEU Y SUBIAS, Francisco (1734-1795). The Paseo de las Delicias in Madrid. 1785. Made for a tapestry. Neoclassicism. Oil on canvas. SPAIN. Madrid. Prado Museum

Background imageNeo Classicism Collection: VIGNON, Pierre Alexandre (1763-1828)

VIGNON, Pierre Alexandre (1763-1828). The Madeleine Church. FRANCE. Paris. Neoclassicism. Architecture

Background imageNeo Classicism Collection: Portrait of Madame Devauay

Portrait of Madame Devauay
INGRES, Jean-Auguste-Dominique (1780-1867). Portrait of Madame Devauay. Neoclassicism. Oil on canvas

Background imageNeo Classicism Collection: Cybeles Fountain, Madrid

Cybeles Fountain, Madrid
Cybeles Fountain (1782), designed by Ventura Rodriguez. Sculpture on marble

Background imageNeo Classicism Collection: PILLEMENT, Jean (1728-1808)

PILLEMENT, Jean (1728-1808). Landscape. Neoclassicism. Oil on canvas

Background imageNeo Classicism Collection: David, Jacques-Louis (1748-1825)

David, Jacques-Louis (1748-1825)

Background imageNeo Classicism Collection: BOILLY, Louis Leopold (1761-1845)

BOILLY, Louis Leopold (1761-1845). A Game of Billiards. Neoclassicism. Oil on canvas

Background imageNeo Classicism Collection: MADRAZO, Raimundo (1841-1920)

MADRAZO, Raimundo (1841-1920). Gypsy Woman. Neoclassicism. Oil on canvas

Background imageNeo Classicism Collection: ADAN, Juan Antonio (1741-1816)

ADAN, Juan Antonio (1741-1816). Bust of Manuel Gody. Neoclassicism. Sculpture on marble

Background imageNeo Classicism Collection: URRIES PIGNATELLI, Mariana (18th century-1806)

URRIES PIGNATELLI, Mariana (18th century-1806). Archer Love. 18th c. Neoclassicism. Oil on canvas. SPAIN. Madrid. St. Fernando Royal Academy Museum

Background imageNeo Classicism Collection: MAELLA, Mariano Salvador (1739-1819). Self-portrait

MAELLA, Mariano Salvador (1739-1819). Self-portrait. Neoclassicism. Oil on canvas. SPAIN. Madrid. St. Fernando Royal Academy Museum

Background imageNeo Classicism Collection: GONZALEZ VELAZQUEZ, Zacar�(1763-1834). Don

GONZALEZ VELAZQUEZ, Zacar�(1763-1834). Don
GONZALEZ VELAZQUEZ, Zacaric; (1763-1834). Don Ventura Rodr ez. Copy of an original work of Francisco de Goya, 1784. Rodr ez with a plan of the palace of Boadilla del Monte. Neoclassicism

Background imageNeo Classicism Collection: BAYEU Y SUBIAS, Ram󮠨1746-1793). The card players

BAYEU Y SUBIAS, Ram󮠨1746-1793). The card players
BAYEU Y SUBIAS, Ram󮠨 1746-1793). The card players. SPAIN. San Lorenzo de El Escorial. Royal Monastery of San Lorenzo de El Escorial. Tapestry placed in the former Emperorss anteroom

Background imageNeo Classicism Collection: MENGS, Anton Raphael (1728-1779). Maria Luisa

MENGS, Anton Raphael (1728-1779). Maria Luisa of Parma, Princess of Asturias. 1765. Neoclassicism. Oil on canvas. SPAIN. Madrid. Prado Museum

Background imageNeo Classicism Collection: ROUGET, Georges (1784-1869); David, Jacques-Louis

ROUGET, Georges (1784-1869); David, Jacques-Louis (1748-1825). The Consecration of the Emperor Napoleon and the Coronation of the Empress Josephine, 2nd December 1804. 1808. Central detail

Background imageNeo Classicism Collection: AGREDA, Esteban de (1759-1842)

AGREDA, Esteban de (1759-1842). Faun. Neoclassicism. Terra-cotta

Background imageNeo Classicism Collection: Neoclassical monument on the Tidal Basin designed by John Russell Pope

Neoclassical monument on the Tidal Basin designed by John Russell Pope, authorized by Congress in 1934
THOMAS JEFFERSON MEMORIAL. Neoclassical monument on the Tidal Basin designed by John Russell Pope, authorized by Congress in 1934, and dedicated in 1943. Photograph, 20th century, Washington, D.C

Background imageNeo Classicism Collection: WOMENs RIGHTS, 1792. Allegorical depiction of a woman presenting the seated figure of Liberty with

WOMENs RIGHTS, 1792. Allegorical depiction of a woman presenting the seated figure of Liberty with a copy of Mary Wollstonecrafts A Vindication of the Rights of Woman

Background imageNeo Classicism Collection: CALIFORNIA: COURTHOUSE. Courthouse at San Jose, California. Wood engraving, 1852

CALIFORNIA: COURTHOUSE. Courthouse at San Jose, California. Wood engraving, 1852

Background imageNeo Classicism Collection: NORTH CAROLINA: MANSION. Antebellum mansion in North Carolina. Line engraving, 19th century

NORTH CAROLINA: MANSION. Antebellum mansion in North Carolina. Line engraving, 19th century

Background imageNeo Classicism Collection: KANSAS: STATE CAPITOL. The Kansas State Capitol at Topeka. Line engraving, 19th century

KANSAS: STATE CAPITOL. The Kansas State Capitol at Topeka. Line engraving, 19th century

Background imageNeo Classicism Collection: NEW YORK: INFIRMARY, 1868. Eye and Ear Infirmary, corner of Second Avenue and Thirteenth Street

NEW YORK: INFIRMARY, 1868. Eye and Ear Infirmary, corner of Second Avenue and Thirteenth Street, New York. Wood engraving, 1868

Background imageNeo Classicism Collection: PARIS: PANTHEON. The Pantheon at Paris, France. Steel engraving, 19th century

PARIS: PANTHEON. The Pantheon at Paris, France. Steel engraving, 19th century

Background imageNeo Classicism Collection: ENGLAND: LEEDS TOWN HALL. Town Hall at Leeds, England. Wood engraving, 1853

ENGLAND: LEEDS TOWN HALL. Town Hall at Leeds, England. Wood engraving, 1853

Background imageNeo Classicism Collection: PARIS: CHAMBER OF DEPUTIES. Palace of the Chamber of Deputies at Paris, France

PARIS: CHAMBER OF DEPUTIES. Palace of the Chamber of Deputies at Paris, France. Steel engraving, 19th century

Background imageNeo Classicism Collection: APHRODITE / VENUS. Tinted Venus. Wood engraving, English, 1862, after a tinted marble sculpture

APHRODITE / VENUS. Tinted Venus. Wood engraving, English, 1862, after a tinted marble sculpture, 1851-55
APHRODITE/VENUS. Tinted Venus. Wood engraving, English, 1862, after a tinted marble sculpture, 1851-55, by John Gibson

Background imageNeo Classicism Collection: NEW HAMPSHIRE: PORTSMOUTH. View of State Street in Portsmouth, New Hampshire

NEW HAMPSHIRE: PORTSMOUTH. View of State Street in Portsmouth, New Hampshire. Wood engraving, American, 1853

Background imageNeo Classicism Collection: POTSDAM: MARBLE PALACE. View of the Marble Palace at Potsdam, Germany

POTSDAM: MARBLE PALACE. View of the Marble Palace at Potsdam, Germany, residence of Emperor William II. Wood engraving, English, 1888

Background imageNeo Classicism Collection: PHAEDRA AND HIPPOLYTUS. Phaedra rejected by Hippolytus. Line engraving, 19th century

PHAEDRA AND HIPPOLYTUS. Phaedra rejected by Hippolytus. Line engraving, 19th century

Background imageNeo Classicism Collection: TREATY OF GHENT, 1814. Peace of Ghent 1814, and the Triumph of America

TREATY OF GHENT, 1814. Peace of Ghent 1814, and the Triumph of America. An allegorical representation of the Treaty of Ghent that concluded the War of 1812

Background imageNeo Classicism Collection: MERCURY / HERMES. Copper engraving, French, late 18th century

MERCURY / HERMES. Copper engraving, French, late 18th century
MERCURY/HERMES. Copper engraving, French, late 18th century

Background imageNeo Classicism Collection: MERCURY AND MINERVA. Mercury (Greek name Hermes) offering his purse to Minerva

MERCURY AND MINERVA. Mercury (Greek name Hermes) offering his purse to Minerva, who takes moderately out of it. Copper engraving, French, late 18th century

Background imageNeo Classicism Collection: MERCURY AND FORTUNE. Mercury (Greek name Hermes) giving up his purse to Fortune

MERCURY AND FORTUNE. Mercury (Greek name Hermes) giving up his purse to Fortune. Copper engraving, French, late 18th century

Background imageNeo Classicism Collection: MURCURY AND PUDICITIA. Mercury (Greek name Hermes), giver of fertility

MURCURY AND PUDICITIA. Mercury (Greek name Hermes), giver of fertility, offering his purse to Pudicitia, personification of chastity, who refuses it. Copper engraving, French, 18th century

Background imageNeo Classicism Collection: U. S. CAPITOL: DOME. The dome of the Capitol building in Washington, D. C

U. S. CAPITOL: DOME. The dome of the Capitol building in Washington, D. C. photographed in spring, 1970s
U.S. CAPITOL: DOME. The dome of the Capitol building in Washington, D.C. photographed in spring, 1970s

Background imageNeo Classicism Collection: TEPIDARIUM, 1853. Tepidarium. Oil on canvas, 1853, by Theodore Chasseriau

TEPIDARIUM, 1853. Tepidarium. Oil on canvas, 1853, by Theodore Chasseriau

Background imageNeo Classicism Collection: Christiansborg Palace, Copenhagen, Denmark, Scandinavia, Europe

Christiansborg Palace, Copenhagen, Denmark, Scandinavia, Europe

Background imageNeo Classicism Collection: Christiansborg Palace and statues, Copenhagen, Denmark, Scandinavia, Europe

Christiansborg Palace and statues, Copenhagen, Denmark, Scandinavia, Europe



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"Neo Classicism: A Journey through Time and Elegance" Step into the world of Neo Classicism, where art, architecture, and history intertwine to create a timeless aesthetic. From the grandeur of Marylebone Town Hall to the iconic portrayal of Napoleon Crossing the Grand Saint-Bernard Pass, this artistic movement captivates with its refined beauty. In Antonio Canova's masterpiece "The Graces and Venus, " we witness the sculptor's mastery in capturing divine grace and sensuality. Meanwhile, Eclipse, a magnificent dark chestnut racehorse held by a groom with a jockey atop, symbolizes power and strength in motion. Upton House stands as an architectural gem from the mid-19th century, showcasing intricate details that epitomize Neo Classicism's attention to symmetry and proportion. Queen Mary's Chinese Chippendale Room at Buckingham Palace transports us to another era with its opulent furnishings and exquisite craftsmanship. As we stroll through Trafalgar Square in London during 1910, The National Gallery and St Martin in the Fields greet us with their neoclassical facades. Across continents lies The Red House in Port of Spain, Trinidad - an early 20th-century government building exuding elegance amidst tropical surroundings. Randolph Rogers' sculpture "The Lost Pleiade" evokes emotions as it immortalizes Greek mythology within marble. Pilgrims beside Classical Buildings takes us back to c. 1710 when artists sought inspiration from ancient ruins for their creations. Lauderdale House offers a glimpse into 1820s England; its charming exterior reflects Neo Classicism's influence on domestic architecture during that time. And finally, stepping inside Rome's Pantheon reveals an awe-inspiring interior captured on canvas around 1734 - a testament to human ingenuity throughout centuries. Neo Classicism transcends mere trends; it is an enduring homage to classical antiquity fused with contemporary vision.