Neo Classicism Collection (#37)

Caen Wood, Lord Mansfields House, in 1785, (c1876). Creator: Unknown
Caen Wood, Lord Mansfields House, in 1785, (c1876). Estate of Caen (or Ken) Wood house on Hampstead Heath, extended c1764-1779 by Robert Adam into a neoclassical villa for William Murray

East Room of the White House, Washington, D. C. c1897. Creator: Unknown
East Room of the White House, Washington, D.C. c1897. Beaux Arts paneling in the East Room, an event and reception room in the White Hous, official residence of the President of the United States

Portrait of the Artist, after 1782, (c1915). Artist: Madame Vigee Lebrun
Portrait of the Artist, after 1782, (c1915). The painting is part of the collection of the National Gallery, London. From International Art: Past and Present by Alfred Yockney

La archiduquesa Maria Teresa de Austria, 1771 (c1927). Artist: Anton Raphael Mengs
La archiduquesa Maria Teresa de Austria, 1771 (c1927). Maria Theresa Walburga Amalia Christina (1717-1780) was last descendant of the House of Habsburg to be sovereign of the Holy Roman Empire

The Milkmaid, 18th century, (1938). Artist: Jean-Baptiste Greuze
The Milkmaid. Painting housed in the Louvre, Paris. From World-Famous Paintings edited by J. Greig Pirie [W. & G. Foyle, Ltd, London, 1938.]

Sappho, Phaon and Cupid, 1809. Artist: Jacques-Louis David
Sappho, Phaon and Cupid, 1809. According to Greek legend, the poet Sappho fell in love with Phaon, a ferryman from the island of Lesbos, and when he rejected her

Aurora and Cephalus, 1811. Artist: Pierre Narcisse Guerin
Aurora and Cephalus, 1811. Guerin, Pierre Narcisse, Baron (1774-1833). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

LANDON, Charles Paul (1760-1826). Daedalus and Icarus. 18th c. Neoclassicism. Oil on canvas. FRANCE. Alen篮. Alen篮 Museum of Fine Arts and Lace

France, Paris, Leonidas at Thermopylae
Jacques-Louis David (1748-1825), Leonidas at Thermopylae

Marble statue of Cupid and Butterfly, by Antoine-Denis Chaudet, completed by Pierre Cartellier
Antoine-Denis Chaudet, 1763-1810. Marble statue of Cupid and Butterfly, completed by Pierre Cartellier (1757-1831)

The Trinity Cathedral, consecrated in 1835, boasts stunning blue cupolas emblazoned with golden stars. St Petersburg. Russia

University graduates outside Sheffield City Hall, South Yorkshire, 1967. Artist
University graduates outside Sheffield City Hall, South Yorkshire, 1967. Students in robes gather for their graduation ceremony with their families and friends

Hotel Del Prado, Barranquilla, Colombia, c1940s. From Barranquilla. [Raul de la Espriella B. Barranquilla]

Lady Craven, 1778, (c1915). Artist: George Romney
Lady Craven, 1778, (c1915). Held by the Tate Modern, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Kedleston, Derby - The Rev. The Lord Scarsdale, 1910. Spectacular 18th-century mansion with Adam interiors and parkland. 1760s Neo-classical mansion, designed for lavish entertaining

Roma - Facade of the Basilica of St. John Lateran (Ales. Galilei, 1734), 1910
Roma - Fathade of the Basilica of St. John Lateran (Ales. Galilei, 1734), 1910. From Cento Vedute Classiche di Roma. [Enrico Verdesi, Rome, 1910]

Radcliffes Library, 1845. The Radcliffe Camera is a building of Oxford University, England, designed by James Gibbs in neo-classical style and built in 1737-1749

Whitehall Chapel, c1845, (1864). From Old England: A Pictorial Museum of Regal, Ecclesiastical, Municipal, Baronial, and Popular Antiquities, edited by Charles Knight. [James Sangster and Co

Standard Oil Building, New York City, 1924. New Yorks Standard Oil Building was designed by Carrere and Hastings and built between 1921 and 1928. From The Architectural Forum Volume XLI

Upper Part of Mantelpiece in the Style of Daniel Marot, 18th century, (1910) Daniel Marot (1661-1752) was a French Protestant, architect

Joan of Arc, 1854, (c1915). Artist: Jean-Auguste-Dominique Ingres
Joan of Arc, 1854, (c1915). The painting is held by the Musee du Louvre, Paris. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Madame Recamier, 1800, (c1915). Artist: Jacques Louis David
Madame Recamier, 1800, (c1915). The painting is held by the Musee du Louvre, Paris. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

The Painter Francisco Bayeu, 1795 (1939). Artist: Francisco Goya
The Painter Francisco Bayeu, 1795 (1939). Francisco Bayeu y Subias (1734-1795), Spanish Neoclassic painter. The painting is held at the Museo del Prado, Madrid

Retrato Del Pintor Don Francsico Goya, (The painter Francisco de Goya), 1826, (c1934). Artist: Vicente Lopez y Portana
Retrato Del Pintor Don Francsico Goya, (The painter Francisco de Goya), 1826, (c1934). Francisco de Goya y Lucientes (1746-1828 ) was a Spanish painter and engraver

The Archduke Francis of Austria, 1770 (c1927). Artist: Anton Raphael Mengs
The Archduke Francis of Austria, 1770 (c1927). Francis of Austria (1768-1835) was the son of Leopold and Maria Luisa, Grand Duke and Duchess of Tuscany

Marino, 1783. Artist: Thomas Milton
Marino, 1783. Neo-classical building in landscape of Marino, a comune in Lazio on the Alban Hills famous for its white wine, and for its Grape Festival

Detail of portico - Hartford Fire Insurance Building, Hartford, Connecticut, 1922. From The Architectural Forum Volume XXXVI. [Rogers and Manson, New York, 1922]

Detail of main facade - Hartford Fire Insurance Building, Hartford, Connecticut, 1922. From The Architectural Forum Volume XXXVI. [Rogers and Manson, New York, 1922]

Canal Street facade, Chicago Union Station, Illinois, 1926. Chicago Union Station opened in 1925, replacing an earlier station built in 1881. It is the only intercity rail terminal in Chicago

Portico facing Canal Street, Chicago Union Station, Illinois, 1926. Chicago Union Station opened in 1925, replacing an earlier station built in 1881

View of the north stand, Municipal Grant Park Stadium, Chicago, Illinois, 1925
View of the north stand showing the Field Museum on the left, Municipal Grant Park Stadium, Chicago, Illinois, 1925. Municipal Grant Park Stadium was renamed Soldier Field on 11 November 1925 in

Detail of officers space - Uptown Branch Building, National City Bank, New York, 1922. From The Architectural Forum Volume XXXVI. [Rogers and Manson, New York, 1922]

View looking towards the entrance - Banking Room, New York Trust Company, New York, 1922. From The Architectural Forum Volume XXXVI. [Rogers and Manson, New York, 1922]

Smaller public space opposite the entrance - National City Bank, New York, 1922
Smaller public space opposite the entrance - Uptown Branch Bank Building, National City Bank, New York, 1922. From The Architectural Forum Volume XXXVI. [Rogers and Manson, New York, 1922]

The Quadrangle, Somerset House, c1890. Artist: Herbert Railton
The Quadrangle, Somerset House, c1890. Large Neoclassical building situated on the south side of the Strand in central London, From Cassells History of England, Vol. VI. by John Cassell. [A. W

Kassel - Wilhelmshohe. Castle, 1931. Artist: Kurt Hielscher
Kassel - Wilhelmshohe, 1931. From Deutschland by Kurt Hielscher. [F. A. Brockhaus, Leipzig, 1931]

Kassel - Wilhelmshohe. Park, 1931. Artist: Kurt Hielscher
Kassell - Wilhelmshohe. Park, 1931. From Deutschland by Kurt Hielscher. [F. A. Brockhaus, Leipzig, 1931]

Place Royale Brussels, 1850. Artist: Archelaus Cruse
Place Royale Brussels, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]

Prince of Oranges Palace, Brussels, 1850. Artist: Shury & Son
Prince of Oranges Palace, Brussels, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]

Front of Carlton House, Westminster, London, c1820 (1878). Carlton House was a mansion in London, known as the town residence of the Prince Regent, later King George IV (1762-1830)

Morning Amusement, c1784. Artist: Angelica Kauffman
Morning Amusement, c1784. From The Connoisseur Vol LIX, [Otto Limited, London, 1921]

Self-Portrait of Angelica Kauffmann, c1780. Artist: Angelica Kauffman
Self-Portrait of Angelica Kauffmann, c1780. Angelica Kauffman (1741-1807) was anAustrianNeoclassicalpainter who was one of two femalefounding membersof theRoyal Academyin London in 1768

Marguerites, c1900, (1918). Artist: Conrad Kiesel
Marguerites, c1900, (1918). Painting held at the Manchester City Galleries, Manchester. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Outside the Mansion House, City of London, 9 AM, c1901 (1901). Mansion House is the official residence of the Lord Mayor of London, designed by George Dance the Elder (1695-1768) in 1739

General Post Office, City of London, c1910 (1911). Britains first purpose-built mail facility located in St Martins le Grand

The Mansion House and Cheapside, City of London, c1890 (1911). Artist: Photochrom Co Ltd of London
The Mansion House and Cheapside, City of London, c1890 (1911). Mansion House has been the official residence of the Lord Mayor of London since 1752

National Gallery and Church of St Martin-in-the-Fields, Westminster, London, c1910 (1911). From London - North of the Thames, by Sir Walter Besant. [Adam & Charles Black, London, 1911]

The Mansion House and Cheapside, London, c1910. [Hartmann, London, c1910]

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"Neo Classicism: A Journey through Time and Elegance" Step into the world of Neo Classicism, where art, architecture, and history intertwine to create a timeless aesthetic. From the grandeur of Marylebone Town Hall to the iconic portrayal of Napoleon Crossing the Grand Saint-Bernard Pass, this artistic movement captivates with its refined beauty. In Antonio Canova's masterpiece "The Graces and Venus, " we witness the sculptor's mastery in capturing divine grace and sensuality. Meanwhile, Eclipse, a magnificent dark chestnut racehorse held by a groom with a jockey atop, symbolizes power and strength in motion. Upton House stands as an architectural gem from the mid-19th century, showcasing intricate details that epitomize Neo Classicism's attention to symmetry and proportion. Queen Mary's Chinese Chippendale Room at Buckingham Palace transports us to another era with its opulent furnishings and exquisite craftsmanship. As we stroll through Trafalgar Square in London during 1910, The National Gallery and St Martin in the Fields greet us with their neoclassical facades. Across continents lies The Red House in Port of Spain, Trinidad - an early 20th-century government building exuding elegance amidst tropical surroundings. Randolph Rogers' sculpture "The Lost Pleiade" evokes emotions as it immortalizes Greek mythology within marble. Pilgrims beside Classical Buildings takes us back to c. 1710 when artists sought inspiration from ancient ruins for their creations. Lauderdale House offers a glimpse into 1820s England; its charming exterior reflects Neo Classicism's influence on domestic architecture during that time. And finally, stepping inside Rome's Pantheon reveals an awe-inspiring interior captured on canvas around 1734 - a testament to human ingenuity throughout centuries. Neo Classicism transcends mere trends; it is an enduring homage to classical antiquity fused with contemporary vision.