Neo Classicism Collection (#38)

Self-Portrait of Angelica Kauffmann, c1780. Artist: Angelica Kauffman
Self-Portrait of Angelica Kauffmann, c1780. Angelica Kauffman (1741-1807) was anAustrianNeoclassicalpainter who was one of two femalefounding membersof theRoyal Academyin London in 1768

Marguerites, c1900, (1918). Artist: Conrad Kiesel
Marguerites, c1900, (1918). Painting held at the Manchester City Galleries, Manchester. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Outside the Mansion House, City of London, 9 AM, c1901 (1901). Mansion House is the official residence of the Lord Mayor of London, designed by George Dance the Elder (1695-1768) in 1739

General Post Office, City of London, c1910 (1911). Britains first purpose-built mail facility located in St Martins le Grand

The Mansion House and Cheapside, City of London, c1890 (1911). Artist: Photochrom Co Ltd of London
The Mansion House and Cheapside, City of London, c1890 (1911). Mansion House has been the official residence of the Lord Mayor of London since 1752

National Gallery and Church of St Martin-in-the-Fields, Westminster, London, c1910 (1911). From London - North of the Thames, by Sir Walter Besant. [Adam & Charles Black, London, 1911]

The Mansion House and Cheapside, London, c1910. [Hartmann, London, c1910]

London, The Royal Mint, c1907

Brompton Oratory, London, c1910. The Church of the Immaculate Heart of Mary, known as Brompton Oratory, is a large neo-classical Roman Catholic Church in Knightsbridge, London

The British Museum, London, c1907

London, British Museum, c1900. [F.F. & Co. London, c1900]

British Museum, London, c1920. British Museum, London situate in Great Russell Street, close to Russell Square. Its foundation was due to Sir Hans Sloane who in 1753 left 50

Secretaire commode, c1785 Artist: George Brookshaw
Secretaire commode, c1785. The medallions are all derived from Angelica Kauffmanns work. Representing: ?Una and the Lion? (on top), the lovers ?Damon and Musidora? and ?Paris and Oenone?

El Templete, Havana, Cuba, c1920. Monument inaugurated in 1828 that commemorates the foundation of the city of Havana in 1519. From Souvenir Album from Havana Cuba. [Harris Bros

The Tate Gallery (National Gallery of British Art), 1906. From Cassells History of England, Vol. IX, [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1906]

Detail of Mural Decoration in a Concert-Room in a Private House, c1927. Artist: Alexandre Jacovleff
Detail of Mural Decoration in a Concert-Room in a Private House, c1927. From The Studio Volume 94 [London Offices of the Studio, London, 1927]

View from the Madeleine, 1915. Artist: Herbert Hillier
View from the Madeleine, 1915. From Paris Past and Present. [London Offices of the Studio, London, 1915]

The Grand Hotel, Calcutta, c1920. Built in an extravagant neoclassical style, the hotel was a popular spot amongst the English population of Calcutta

The Four Courts, Dublin, Ireland, c1900s-c1920s(?). The Four Courts building, which houses Irelands main courts, was completed in 1802. The architect was James Gandon

State Street, Albany, New York, USA, c1835. The New York Museum of Albany can be seen on the right

El Capitolio, Havana, Cuba, 1931. El Capitolio, the National Capitol Building in Old Havana, built in the 1920s as the seat of government, later became the Cuban Academy of Sciences

The Royal Exchange, London, late 19th or early 20th century. The Royal Exchange in the City of London was founded in 1565 by Sir Thomas Gresham to act as a centre of commerce for the city

Exterior of the British Museum, Great Russell Street, London, 1887. The British Museum was built in 1823-1852 in a Classical style to designs by Sir Robert Smirke to house the growing national

Lord Grosvenors Gallery, Park Lane, London, 1828. Artist: William Deeble
Lord Grosvenors Gallery, Park Lane, London, 1828. The gallery, which housed the art treasures owned by the wealthy Grosvenor family, who later became the Dukes of Westminster

Cumberland Terrace, Regents Park, London, 1827. Artist: J Tingle
Cumberland Terrace, Regents Park, London, 1827. Cumberland Terrace is one of the Regency terraces of houses surrounding Regents Park designed by John Nash. It was completed in 1827

Aerial view of the Walhalla Temple, near Regensburg, Germany, from a Zeppelin, c1931 (1933). the Neoclassical Walhalla Temple stands on the banks of the Danube

Church of St Martin-in-the-Fields, Trafalgar Square, London, c1930s. Artist: Herbert Felton
Church of St Martin-in-the-Fields, Trafalgar Square, London, c1930s. St Martin-in-the-Fields was designed by James Gibbs and built in 1726

Haberdashers Alms Houses, Hoxton, Hackney, London, 1828. Artist: John Rolph
Haberdashers Alms Houses, Hoxton, Hackney, London, 1828. The almshouses were built with money bequeathed to the Haberdashers Company by Robert Aske, a merchant who died in 1689

New York Stock Exchange, New York City, USA, c1930s. Artist: Ewing Galloway
New York Stock Exchange, New York City, USA, c1930s. The largest stock exhange in the world, the New York Stock Exchange (NYSE)

Fashions that imitate the costume of antiquity, 1798 (1882-1884). Artist: Smeeton-Tilly
Fashions that imitate the costume of antiquity, 1798 (1882-1884). In the second half of the 1790s in Paris a fashion known as Neo-Grec, which imitated the costume of Ancient Greece, became popular

Jean Auguste Dominique Ingres, French Neoclassical artist, 1841. A photograph from Album de Photographies dans L Intimite de Personnages Illustres, 1850-1900, 2nd album, Editions MD, Paris

The White House and the Treasury Building, Washington DC, USA. Artist: Underwood & Underwood
The White House and the Treasury Building, Washington DC, USA. Stereoscopic card detail

From the Steps of the Mound, Edinburgh, 1900. A print from The Magazine of Art, Cassell and Company, Limited, 1900

St Johns Church, Hoxton, Hackney, London, c1827. Artist: W Bond
St Johns Church, Hoxton, Hackney, London, c1827. St John the Baptist in Hoxton, at the junction of Pitfield Street with New North Road, was constructed in 1825-1826 to designs of Francis Edwards

Haymarket Theatre, Westminster, London, 19th century. View of the new Haymarket Theatre, designed by John Nash, that opened in 1821

The Lyceum Theatre, Westminster, London. The Lyceum Theatre, with its grand Neoclassical portico, was built in 1834 by Samuel Beazley

St Georges Church, Hanover Square, Westminster, London, 1810. Artist: John Le Keux
St Georges Church, Hanover Square, Westminster, London, 1810. One of the so-called Queen Anne Churches, St Georges Hanover Square was designed by John James and built early in 1720-1725

Waterloo Place and part of Regent Street, Westminster, London, 1828. Artist: William Tombleson
Waterloo Place and part of Regent Street, Westminster, London, 1828

St Philips Chapel, Regent Street, Westminster, London, 1827. Artist: J Tingle
St Philips Chapel, Regent Street, Westminster, London, 1827

Highbury College, south-west front, Islington, London, 1827. Artist: Thomas Dale
Highbury College, south-west front, Islington, London, 1827

St Georges Chapel, Regent Street, Westminster, London, 1827. Artist: J Tingle
St Georges Chapel, Regent Street, Westminster, London, 1827

The London Institution, Finsbury Circus, London, 1827. Artist: William Deeble
The London Institution, Finsbury Circus, London, 1827. The London Institution was founded by subscription in 1805, and was for the advancement of literature and the diffusion of useful

The centre of Cumberland Terrace, Regents Park, London, 1829. Artist: W Wallis
The centre of Cumberland Terrace, Regents Park, London, 1829. Cumberland Terrace is one of the Regency terraces of houses surrounding Regents Park designed by John Nash. It was completed in 1827

St Mary le Bone Chapel, St Johns Wood Road, London, 1828. Artist: W Watkins
St Mary le Bone Chapel, St Johns Wood Road, London, 1828

Front Page of The Illustrated London News, 1887. Queen Victoria watching a circus performance at Olympia, West Kensington, London. 1887 marked the Queens Golden Jubilee

The Unitarian Chapel, Finsbury, London, 1828. Artist: Frederick James Havell
The Unitarian Chapel, Finsbury, London, 1828

Congress Hall and Avenida Callao, Buenos Aires, Argentina. The capitol building of Argentinas National Congress was completed in 1906

Metropolitan Cathedral, Buenos Aires, Argentina. View of the 19th century neoclassical portico of the cathedral. A print from Buenos Aires, published by Mitchells Book Store, Cangallo

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"Neo Classicism: A Journey through Time and Elegance" Step into the world of Neo Classicism, where art, architecture, and history intertwine to create a timeless aesthetic. From the grandeur of Marylebone Town Hall to the iconic portrayal of Napoleon Crossing the Grand Saint-Bernard Pass, this artistic movement captivates with its refined beauty. In Antonio Canova's masterpiece "The Graces and Venus, " we witness the sculptor's mastery in capturing divine grace and sensuality. Meanwhile, Eclipse, a magnificent dark chestnut racehorse held by a groom with a jockey atop, symbolizes power and strength in motion. Upton House stands as an architectural gem from the mid-19th century, showcasing intricate details that epitomize Neo Classicism's attention to symmetry and proportion. Queen Mary's Chinese Chippendale Room at Buckingham Palace transports us to another era with its opulent furnishings and exquisite craftsmanship. As we stroll through Trafalgar Square in London during 1910, The National Gallery and St Martin in the Fields greet us with their neoclassical facades. Across continents lies The Red House in Port of Spain, Trinidad - an early 20th-century government building exuding elegance amidst tropical surroundings. Randolph Rogers' sculpture "The Lost Pleiade" evokes emotions as it immortalizes Greek mythology within marble. Pilgrims beside Classical Buildings takes us back to c. 1710 when artists sought inspiration from ancient ruins for their creations. Lauderdale House offers a glimpse into 1820s England; its charming exterior reflects Neo Classicism's influence on domestic architecture during that time. And finally, stepping inside Rome's Pantheon reveals an awe-inspiring interior captured on canvas around 1734 - a testament to human ingenuity throughout centuries. Neo Classicism transcends mere trends; it is an enduring homage to classical antiquity fused with contemporary vision.