Millais Collection (page 2)

William Ewart Gladstone (photo)
820988 William Ewart Gladstone (photo) by Millais, John Everett (1826-96) (after); Private Collection; (add.info.: William Ewart Gladstone (1809-1898)

Sir John Everett Millais, from The Magazine of Art, published 1878 (litho)
1772379 Sir John Everett Millais, from The Magazine of Art, published 1878 (litho) by English School, (19th century); Private Collection; (add.info.: Sir John Everett Millais, 1st Baronet)

Cherry Un-ripe (engraving)
2777075 Cherry Un-ripe (engraving) by English School, (19th century); Private Collection; (add.info.: Cherry Un-ripe. Illustration for Punch, 8 January 1881.); Look and Learn / George Collection

Miss Evelyn Otway, 1880 (oil on canvas)
659806 Miss Evelyn Otway, 1880 (oil on canvas) by Millais, John Everett (1829-96); 123.2x78.7 cm; Private Collection; (add.info.: Miss Evelyn Otway. Sir John Everett Millais (1829-1896)

Countess de Pourtales, the Former Mrs, 1876 (oil on canvas)
1199637 Countess de Pourtales, the Former Mrs, 1876 (oil on canvas) by Millais, John Everett (1829-96); 116.3x75.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Portrait of Alfred, Lord Tennyson (1809-1892). Creator: Millais, John Everett (1829-1896)
Portrait of Alfred, Lord Tennyson (1809-1892). Private Collection

A Widows Mite, 1870. Creator: John Everett Millais
A Widows Mite, 1870

The Blind Girl, 1856. Creator: John Everett Millais
The Blind Girl, 1856. The distant background of this painting shows the village of Winchelsea in Sussex, painted in the autumn of 1854

My Second Sermon, c1854 Creator: John Everett Millais
My Second Sermon, c1854

Portrait of Mary Endicott (d. 1957), Mrs Joseph Chamberlain, 1890-91
Portrait of Mary Endicott (d.1957), Mrs Joseph Chamberlain, 1890-91

Elgiva seized by order of Archbishop Odo, 1847. Creator: John Everett Millais
Elgiva seized by order of Archbishop Odo, 1847

Parable of the Tares, 1865. Creator: John Everett Millais
The Parable of the Tares, 1865

Stewart Harrisons The Iceberg - The Seamstress, 1860. Creator: John Everett Millais
Stewart Harrisons The Iceberg - The Seamstress, 1860

Three Swordhilts, 1839. Creator: John Everett Millais
Three Swordhilts, 1839

Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), March 1, 1866. Creator: James Stephenson
Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), March 1, 1866

The Proscribed Royalist, January 15, 1858. Creator: William Henry Simmons
The Proscribed Royalist, January 15, 1858

James Clarke Hook, RA, 1884. 1884. Creator: Otto Theodor Leyde
James Clarke Hook, RA, 1884

[John Everett Millais], 1860s. Creator: John & Charles Watkins
[John Everett Millais], 1860s

Cartoon, Sowing Tares (Socialism)
Cartoon, SOWING TARES -- the Socialist devil sows tares (weeds) in the field of labour, a parody of a religious painting by Millais, His enemy came and sowed tares among the wheat. Date: 1886

Horsham RH13 6 Map
Postcode Sector Map of Horsham RH13 6

Portia, 1886. Creator: John Everett Millais
Portia, 1886. Actress Ellen Terry (1847-1928) in one of her most famous roles, Portia in Shakespeares The Merchant of Venice

Grey Seal, c1905, (1943). Creator: John Guille Millais
Grey Seal, c1905, (1943). From " Mammals of Great Britain and Ireland" by John Guille Millais. [1904-1906]. Published in " Wildlife of Britain, by F. Fraser Darling

Polecat, c1905, (1943). Creator: Archibald Thorburn
Polecat, c1905, (1943). From " Mammals of Great Britain and Ireland" by John Guille Millais. [1904-1906]. Published in " Wildlife of Britain, by F. Fraser Darling

Red Grouse, 1908, (1942). Creator: Archibald Thorburn
Red Grouse, 1908, (1942). Game birds, from " Natural History of British Game Birds" by John Guille Millais. Published in " The Birds of Britain, by James Fisher. [Collins, London, 1942]

The Convalescent, 1875, (c1930). Creator: John Everett Millais
The Convalescent, 1875, (c1930). Young girl recovering from illness. Painting in the Aberdeen Art Gallery & Museums collection, Aberdeen, Scotland

The North-West Passage, 1874, (1901). Creator: Unknown
The North-West Passage, 1874, (1901). An old seaman looks thoughtful as he considers the danger of an expedition to find the sea route round North America via the Canadian Arctic

Alfred Lord Tennyson, 1881, (1908). Creator: Emery Walker
Alfred Lord Tennyson, 1881, (1908). Portrait of British poet Alfred, Lord Tennyson (1809-1892). In 1850 Tennyson was appointed Poet Laureate of the United Kingdom

Pathfinders - Sir Arthur Sullivan, 1888, (1922). Creator: John Everett Millais
Pathfinders - Sir Arthur Sullivan, 1888, (1922). Portrait of British composer Sir Arthur Seymour Sullivan (1842-1900). Musicologist Sullivan is famous for his co-operation with WS Gilbert on Savoy

The Hidden Treasure, 1864, (1928). Creator: Dalziel Brothers
The Hidden Treasure, 1864, (1928). Engraving after John Everett Millais from the series The Parable of our Lord. Illustration originally published in " Illustrators of the Sixties" by

Saint Stephen, 1895, (c1902). Creator: Unknown
Saint Stephen, 1895, (c1902). After a painting in the Tate Gallery, London. Saint Stephen was martyred by being stoned to death. From The Nations Pictures

Autumn Leaves, 1856, (c1902). Creator: Unknown
Autumn Leaves, 1856, (c1902). After a painting in the Manchester Art Gallery. Four melancholy young women gathering leaves. From The Nations Pictures

The Knight Errant, 1870, (c1902). Creator: Unknown
The Knight Errant, 1870, (c1902). After a painting in the Tate Gallery, London. Victorian imagining of a medieval scene where a knight rescues a maiden in distress

Death the Reaper, 1896. Artist: P Naumann
Death the Reaper, 1896. From The Magazine of Art. [Cassell & Company, London, Paris & Melbourne, 1896]

Greenwich Pensioners at the Tomb of Nelson, c1868, (1896). Artist: Henry Macbeth-Raeburn
Greenwich Pensioners at the Tomb of Nelson, c1868, (1896). Elderly seamen pay their respects at the tomb of British naval hero Admiral Horatio Nelson (1758-1805)

My Second Sermon, 1864. Artist: John Everett Millais
My Second Sermon, 1864

My First Sermon, 1863. Artist: John Everett Millais
My First Sermon, 1863

The Woodmans Daughter, 1851. Artist: John Everett Millais
The Woodmans Daughter, 1851

John Everett Millais as Dante. Private Collection

Chill October, 1870. Artist: Millais, John Everett (1829-1896)
Chill October, 1870. Private Collection

Pizarro Seizing the Inca of Peru, 1846. Artist: Millais, John Everett (1829-1896)
Pizarro Seizing the Inca of Peru, 1846. Found in the collection of Victoria and Albert Museum

Ducklings. Artist: Millais, John Everett (1829-1896)
Ducklings. Found in the collection of National Museum of Western Art, Tokyo

The captive, 1882. Artist: Millais, John Everett (1829-1896)
The captive, 1882. Found in the collection of the Art Gallery of New South Wales

Illustration from Sister Annes Probation, c1850-1890, (1923). Artist: John Everett Millais
Illustration from Sister Annes Probation, c1850-1890, (1923). Harriet Martineau (1802-1876) was a British social theorist and Whig writer, often cited as the first female sociologist

Millaiss Studio, 1890. From Picturesque London, by Percy Fitzgerald. [Ward & Downey, London, 1890] The studio was at No 2 Palace Gate, Kensington, London

Souvenir by Velazquez, 1868 (c1927). Artist: John Everett Millais
Souvenir by Velazquez, 1868 (c1927). After Diego Velazquez (1599-1660). Portrait of the Infanta Margaret Theresa of Spain (1651-1673), daughter of Philip IV of Spain

The North-West Passage, 1874 (1906). Artist: John Everett Millais
The North-West Passage, 1874 (1906). From Cassells History of England, Vol. VI. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1906]

Thomas Carlyle, 1877 (1906). Artist: John Everett Millais
Thomas Carlyle, 1877 (1906). Carlyle (1795-1881) was a Scottish, philosopher, historian and writer. From Cassells Illustrated History of England, Vol. VIII

Miss Eveleen Tennant, 1874 (1906). Artist: John Everett Millais
Miss Eveleen Tennant, 1874. After an original painting by Sir John Everett Millais (1829-1896). From The Connoisseur VOL. XIV, 1906

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Millais, a renowned artist of the 19th century, captured the essence of various subjects through his exceptional paintings. One such masterpiece is "Moses, " where Millais skillfully portrayed the biblical figure with striking realism and intensity. In another notable work, "The Princes in the Tower, " he depicted the tragic fate of young royals amidst political turmoil. In "My First Sermon" and "My Second Sermon, " Millais explored religious themes, showcasing his ability to convey deep emotions through art. These thought-provoking pieces invite viewers to reflect on their own spiritual journeys. Not limited to religious subjects, it also painted influential figures like John Henry Newman and John Ruskin. His portrait of Newman captures both his intellectual prowess and spiritual devotion, while Ruskin's depiction reveals a profound sense of introspection. Amongst his diverse portfolio lies "Sir Isumbras at the Ford, " a captivating scene from medieval literature that showcases Millais' talent for storytelling through imagery. Similarly, in "Autumn Leaves, " he beautifully portrays the melancholic beauty of nature's transition. "The Order of Release" depicts historical events with great attention to detail and emotion. This painting transports us back to a significant moment in history when compassion triumphed over conflict. Lastly, Millais brought Anthony Trollope's novel "Framley Parsonage" to life with an evocative scene that captures its essence perfectly. Through this artwork, we witness his ability to translate literary narratives into visual masterpieces. Throughout his career, Millais demonstrated unparalleled artistic skill and versatility by delving into various genres and capturing moments frozen in time with remarkable precision. His works continue to inspire awe and admiration even today as they serve as windows into different eras and stories untold.