Millais Collection (page 3)

Autumn Leaves, 1895. Artist: Henry Macbeth-Raeburn
Autumn Leaves, 1895. A print from The Magazine of Art, Cassell and Company, Limited, London, Paris and Melbourne, 1895

The Pearl of Great Price, 1864 (1901). A print from The Magazine of Art, Cassell and Company, Limited, 1901

The studio of John Everett Millais, c1880-1882. A print from Modern Artists, prepared under the direction of F G Dumas, Js Virtue and Co, London, c1880-1882

Forbidden Fruit, c1880-1882. Artist: Charles Waltner
Forbidden Fruit, c1880-1882. After the painting by John Everett Millais. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

A Ruined Devotee of the Turf, c1880-1882. Artist: John Everett Millais
A Ruined Devotee of the Turf, c1880-1882. Facsimile of the original drawing by John Everett Millais. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London

Study for The Ransom, 1899. Artist: Andre & Sleigh
Study for The Ransom, 1899. A print from The Magazine of Art, Cassell and Company, Limited, 1899

John Everett Millais (1829-1896), British artist, 1898. Artist: Charles Samuel Keene
John Everett Millais (1829-1896), British artist, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

The Boyhood of Raleigh, 1908-1909. Sir Walter Raleigh (1554-1618) was a famed English writer, poet, courtier and explorer

Sir Isumbras at the Ford, c19th century (1923). Artist: John Everett Millais
Sir Isumbras at the Ford, c19th century (1923). Published in The Outline of Literature, by John Drinkwater, London, 1923

Saint Stephen, 1895 (1926). Artist: John Everett Millais
Saint Stephen, 1895 (1926). From An Outline of Christianity, The Story of Our Civilisation, volume 1: The Birth of Christianity, edited by RG Parsons and AS Peake

A study of a nude, 1913. Artist: John Everett Millais
A study of a nude, 1913. Attributed to Sir John Millais. Sir John Everett Millais, 1st Baronet, (1829-1896) was a British painter and illustrator

James Clarke Hook, British artist, c1880-1882. Artist: Otto Theodor Leyde
James Clarke Hook, British artist, c1880-1882. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

The North West Passage, 1874 (c1880-1882). Artist: A Mongin
The North West Passage, 1874 (c1880-1882). A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

John Everett Millais, British artist, c1880-1882. Artist: Charles Waltner
John Everett Millais, British artist, c1880-1882. Millais (1829-1896) was a founder member of the Pre-Raphaelite Brotherhood in 1848. After 1870 he painted mainly portraits and landscapes

Youth, 19th century. Artist: John Everett Millais
Youth, 19th century

Sir John Everett Millais, 1st Baronet, British painter and illustrator, c1890. Artist: Cassell, Petter & Galpin
Sir John Everett Millais, 1st Baronet, British painter and illustrator, c1890. Millais (1829-1896) was a founder member of the Pre-Raphaelite Brotherhood in 1848

A Yeoman of the Guard, c1905. Print published in Parliament Past and Present by Arnold Wright and Philip Smith, (London, c1905). Original painting by Sir John Everett Millais

Walter William Ouless, portrait painter, 1880. Artist: Lock & Whitfield
Walter William Ouless, portrait painter, 1880. He first exhibited at the Royal Academy in 1869. He was elected Associate of the Academy in 1877, and Royal Academician in 1881

JE Millais, RA, British artist and founder member of the Pre-Raphaelite Brotherhood, 1876. Artist: Lock & Whitfield
JE Millais, RA, British artist and founder member of the Pre-Raphaelite Brotherhood, 1876. From Men of Mark: a gallery of contemporary portraits of men distinguished in the Senate, the Church

Speak! Speak!, 1895, (1912). Artist: John Everett Millais
Speak! Speak!, 1895, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Sir John Everett Millais, Pre-Raphaelite painter, (1899). Artist: E Stodart
Sir John Everett Millais, Pre-Raphaelite painter, (1899). An engraving from James Taylors The Victorian Empire, William Mackenzie, (London, 1899)

Benjamin Disraeli, Earl of Beaconsfield, (detail), 1881. Artist: John Everett Millais
Benjamin Disraeli, Earl of Beaconsfield, (detail), 1881

Margaret Wilson, 1862. Artist: Millais, John Everett (1829-1896)
Margaret Wilson, 1862. Found in the collection of the Yale University

The Bishop and the Knight, 1862. Artist: John Everett Millais
The Bishop and the Knight, 1862. The Knight kneels in penitence before the Bishop who, on hearing his sin, refuses to shrive him. From The Cornhill Magazine. (London, 1862)

Illustration for the poem Last Words by Owen Meredith, 1860. Artist: John Everett Millais
Illustration for the poem Last Words by Owen Meredith, 1860. Will watching and listening at his friends deathbed. Owen Meredith was the pseudonym of Edward Robert Bulwer Lytton (1831-1891)

John Everett Millais, British Pre-Raphaelite painter, c1880
John Everett Millais, British Pre-Raphaelite painter, c1870. Millais (1829-1896) was a founder member of the Pre-Raphaelite Brotherhood in 1848. After 1870 he painted mainly portraits and landscapes

Cherry Ripe by John Millais
Cherry Ripe by John Milliais, as it appeared in The Graphic Christmas issue of 1880. The original painting depicted Miss Edith Ramage, a relation of William Luson Thomas, founder of The Graphic

Sir John Everett Millais, 1st Baronet, 1829-1896. English painter and illustrator. He was a founder of the Pre-Raphaelite Brotherhood

Millais Der geachtete Royalist Attributed P. G
Millais. Der geachtete Royalist; Attributed to P.G. (German, active 1860s - 1870s), or G.P; 1865 - 1875; Albumen silver print

The Order Of Release, After The Painting By John Everett Millais. Depicting The Wife Of A Rebel Scottish Soldier, Who Has Been Imprisoned After The Jacobite Rising Of 1745

"The Minuet. "After The Painting By Sir John Everett Millais. From The Strand Magazine, Published 1896
" The Minuet." After The Painting By Sir John Everett Millais. From The Strand Magazine, Published 1896

Facsimile Of An Anonymous Engraving Satirising The Pre-Raphaelite Painting Sir Isumbras At The Ford By Sir John Everett Millais Printed London 1857 From A Catalogue Of A Collection Of Engravings

The Awakening Conscience (1853), Holman Hunt 1827-1910
Holman Hunt 1827-1910 The Awakening Conscience (1853) Oil on canvas. The Awakening Conscience was conceived as the material counterpart to Hunts The Light of the World (1851-3)

At the Play, Henry Irving at The Lyceum, London
Illustration, At the Play. On the stage of the Lyceum Theatre, London, is Henry Irving, probably in the role of Hamlet. Audience members include the Prince and Princess of Wales, Benjamin Disraeli

Cartoon, Bubbles, WW1
Cartoon, Bubbles, showing Kaiser Wilhelm in a parody of Millais painting for Pears Soap. 1914-1918

At the Play, Henry Irving at The Lyceum, London (key)
Illustration, At the Play (key). On the stage of the Lyceum Theatre, London, is Henry Irving, probably in the role of Hamlet

Millais / Mayall Photo
SIR JOHN EVERETT MILLAIS Pre-Raphaelite artist relaxing by the fireside Date: 1829 - 1896

Sir John Everett Millais
SIR JOHN EVERETT MILLAIS Pre-Raphaelite artist Date: 1829-1896

Wife & Hubby / Millais
Devoted wife consoles her husband Date: 19th century

We Gladstone / Millais
WILLIAM EWART GLADSTONE British Liberal MP and Prime Minister Date: 1809 - 1898

Girl sleeping on bed in crinoline dress by Millais
Illustration from Framley Parsonage depicting a girl asleep on a bed in a crinoline dress by J.E. Millais Date: 1925

The Hidden Treasure by J. E. Millais
The Hidden Treasure by J.E. Millais from the Parables of Our Lord (1864) showing a ploughman kneeling in the field examining something in his hand whilst his team of oxen

Owl in Clock Tower by J. E. Millais
" The Death of the Old Year" by J.E. Millais in Moxons Tennyson 1857 depicting an owl in a clock tower Date: 1925

Millaiss Entrance Hall
The entrance hall of MILLAIS home at Palace Gate, Kensington, London. Date: circa 1895

Millaiss Drawing Room
MILLAIS drawing-room at Palace Gate, Kensington, London. Date: CIRCA 1890

Millaiss Home
MILLAIS home at Palace Gate, Kensington, London. Date: CIRCA 1890

Millaiss home - Photo
MILLAIS home at Palace Gate, Kensington, London. Date: circa 1895

Lost Piece Silver Parables Our Lord Saviour Jesus Christ
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Millais, a renowned artist of the 19th century, captured the essence of various subjects through his exceptional paintings. One such masterpiece is "Moses, " where Millais skillfully portrayed the biblical figure with striking realism and intensity. In another notable work, "The Princes in the Tower, " he depicted the tragic fate of young royals amidst political turmoil. In "My First Sermon" and "My Second Sermon, " Millais explored religious themes, showcasing his ability to convey deep emotions through art. These thought-provoking pieces invite viewers to reflect on their own spiritual journeys. Not limited to religious subjects, it also painted influential figures like John Henry Newman and John Ruskin. His portrait of Newman captures both his intellectual prowess and spiritual devotion, while Ruskin's depiction reveals a profound sense of introspection. Amongst his diverse portfolio lies "Sir Isumbras at the Ford, " a captivating scene from medieval literature that showcases Millais' talent for storytelling through imagery. Similarly, in "Autumn Leaves, " he beautifully portrays the melancholic beauty of nature's transition. "The Order of Release" depicts historical events with great attention to detail and emotion. This painting transports us back to a significant moment in history when compassion triumphed over conflict. Lastly, Millais brought Anthony Trollope's novel "Framley Parsonage" to life with an evocative scene that captures its essence perfectly. Through this artwork, we witness his ability to translate literary narratives into visual masterpieces. Throughout his career, Millais demonstrated unparalleled artistic skill and versatility by delving into various genres and capturing moments frozen in time with remarkable precision. His works continue to inspire awe and admiration even today as they serve as windows into different eras and stories untold.