Millais Collection (page 4)

The Hidden Treasure by J. E. Millais
The Hidden Treasure by J.E. Millais from the Parables of Our Lord (1864) showing a ploughman kneeling in the field examining something in his hand whilst his team of oxen

Owl in Clock Tower by J. E. Millais
" The Death of the Old Year" by J.E. Millais in Moxons Tennyson 1857 depicting an owl in a clock tower Date: 1925

Millaiss Entrance Hall
The entrance hall of MILLAIS home at Palace Gate, Kensington, London. Date: circa 1895

Millaiss Drawing Room
MILLAIS drawing-room at Palace Gate, Kensington, London. Date: CIRCA 1890

Millaiss Home
MILLAIS home at Palace Gate, Kensington, London. Date: CIRCA 1890

Millaiss home - Photo
MILLAIS home at Palace Gate, Kensington, London. Date: circa 1895

Lost Piece Silver Parables Our Lord Saviour Jesus Christ
Artokoloro

Drawings Prints, John Everett Millais, Esq. Drawing, Room, Portrait, Gallery, Eminent
Drawings and Prints, John Everett Millais, Esq. A.R.A. The Drawing Room Portrait Gallery of Eminent Personages, Photographer, Sitter, Engraver, After, John and Charles Watkins

Drawings Prints, Print, Foolish Virgins, Parables, Our, Lord, Saviour, Jesus, Christ
Drawings and Prints, Print, The Foolish Virgins (The Parables of Our Lord and Saviour Jesus Christ), Engraver, Artist, Engraved and printed by, After, Dalziel Brothers, Sir John Everett Millais

Pharisee Publican Parables Our Lord Saviour Jesus Christ
Artokoloro

Drawings Prints, Print, Bride Lammermoor, Publisher, Artist, Engraver, Knoedler Co
Drawings and Prints, Print, The Bride of Lammermoor, Publisher, Artist, Engraver, Publisher, After, Knoedler and Co. Sir John Everett Millais, Thomas Oldham Barlow, Thomas Agnew & Sons, Ltd

Drawings Prints, Print, Good Samaritan, Parables, Our, Lord, Saviour, Jesus, Christ
Drawings and Prints, Print, The Good Samaritan (The Parables of Our Lord and Saviour Jesus Christ), Engraver, Artist, Engraved and printed by, After, Dalziel Brothers, Sir John Everett Millais

Sower Parables Our Lord Saviour Jesus Christ
Artokoloro

SIR JOHN EVERETT MILLAIS (1829-1896). English painter: caricature, 1872, by Frederick Waddy

Source Size = 5025 x 3667
An Artists Studio, Mr. J.E. Millais, R.A. at Home

Source Size = 3757 x 4889
HIDE AND SEEK AT WESTMINSTER, LONDON, " THOUGHT-READING" BY MR. IRVING BISHOP; 1. Mr. Bishop, Himself, Begs Everybody to Detect Him in Fraud, if Posssible. 2

Source Size = 5716 x 3993
Christmas Story Telling, 1862

Exhibition of the Royal Academy, the Return of the Dove to the Ark Painted by J. E
Exhibition of the Royal Academy, the Return of the Dove to the Ark Painted by J.E. Millais, 1851 Engraving

The Ransom; John Everett Millais, English, 1829 - 1896; 1860 - 1862; Oil on canvas; Unframed: 129.5 x 114.3 cm (51 x 45 in.), Framed: 164.1 x 146.4 x 7.6 cm (64 5/8 x 57 5/8 x 3 in.)

Hayes Common Signed and dated, lower right: W
Hayes Common Signed and dated, lower right: " W. Millais 1853", William Henry Millais, 1828-1899, British

FREDERIC GEORGE STEPHENS (1828-1907). English art critic. Pencil on paper, 1853, by Sir John Everett Millais

ARTHUR SEYMOUR SULLIVAN (1842-1900). English composer, organist, and choirmaster. Oil on canvas, 1888, by Sir John Everett Millais

SIR JOHN EVERETT MILLAIS (1829-1896). English painter. Caricature, 1872, by Frederick Waddy

BENJAMIN DISRAELI (1804-1881). English politician and author. Oil on canvas (detail), 1881, by Sir John Everett Millais

CHRIST IN PARENTS HOUSE. Jesus in Josephs carpenters shop. Oil on canvas, 1850, by Sir John Everett Millais

WWI - Propaganda postcard - Kaisers dream bubbles burst
WWI - Propaganda postcard - The German Kaisers dream bubbles are popping before his eyes. By this point however (late 1914)

John Everett Millais (1829-1896) English artist and founder member of Pre-Raphaelite Brotherhood. Illustration for the poem The Bishop and the Knight published in The Cornhill Magazine, London, 1862

Will watching and listening at his friends deathbed. Illustration by John Everett Millais (1829-1896) English artist and founder member of Pre-Raphaelite Brotherhood

Sir John Everett Millais, 1st Baronet, PRA (8 June 1829 - 13 August 1896) Mariana in the Moated Grange 1850 - 1851

John Everett Millais (1829-1896) British Pre-Raphaelite painter, c1880. A founder-member of the Pre-Raphaelite Brotherhood in 1848. After 1870 he painted mainly portraits and landscapes

The Rev. and Mrs Crawley and their young family which, as an impoverished parson, he had difficulty in supporting. Illustration by John Everett Millais (1829-1896)

The Blind Girl. 1856: Two beggar girls, the elder one blind and with concertina she uses for begging in her lap, rest by wayside stream after rain Double rain bow in background

Thomas Carlyle 1877 by John Everett Millais (1829-1896) English painter. Thomas Carlyle (1795-1881) Scottish satirical writer, essayist, and historian

John Everett Millais - Isabella 1849

John everett millais mariana in the moated grange

Exhibition of the Royal Academy, the Return of the Dove to the Ark Painted by J. E
Exhibition of the Royal Academy, the Return of the Dove to the Ark Painted by J.E. Millais, 1851 Engraving

Sir John Everett Millais PRA - English artist
Sir John Everett Millais PRA (1829-1896) - English painter and illustrator. Date: 1880

Millaiss Studio
MILLAIS studio at Palace Gate, Kensington, London

Millais / Holman Hunt
SIR JOHN EVERETT MILLAIS Pre-Raphaelite artist at the age of 24, as depicted by his friend and fellow-artist

Millais / With Book
SIR JOHN EVERETT MILLAIS Pre-Raphaelite artist in thoughtful mood

Millais / Colour Portrait
SIR JOHN EVERETT MILLAIS Pre-Raphaelite artist in middle age

Millais / Vanity Fair
SIR JOHN EVERETT MILLAIS Pre-Raphaelite artsit

John Everett Millais
Sir JOHN EVERETT MILLAIS Pre-Raphaelite artist

John Ruskin / Millais
JOHN RUSKIN English art critic and writer stands on rocks beside a river

Disraeli / Millais
Benjamin Disraeli, earl of Beaconsfield statesman, writer

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Millais, a renowned artist of the 19th century, captured the essence of various subjects through his exceptional paintings. One such masterpiece is "Moses, " where Millais skillfully portrayed the biblical figure with striking realism and intensity. In another notable work, "The Princes in the Tower, " he depicted the tragic fate of young royals amidst political turmoil. In "My First Sermon" and "My Second Sermon, " Millais explored religious themes, showcasing his ability to convey deep emotions through art. These thought-provoking pieces invite viewers to reflect on their own spiritual journeys. Not limited to religious subjects, it also painted influential figures like John Henry Newman and John Ruskin. His portrait of Newman captures both his intellectual prowess and spiritual devotion, while Ruskin's depiction reveals a profound sense of introspection. Amongst his diverse portfolio lies "Sir Isumbras at the Ford, " a captivating scene from medieval literature that showcases Millais' talent for storytelling through imagery. Similarly, in "Autumn Leaves, " he beautifully portrays the melancholic beauty of nature's transition. "The Order of Release" depicts historical events with great attention to detail and emotion. This painting transports us back to a significant moment in history when compassion triumphed over conflict. Lastly, Millais brought Anthony Trollope's novel "Framley Parsonage" to life with an evocative scene that captures its essence perfectly. Through this artwork, we witness his ability to translate literary narratives into visual masterpieces. Throughout his career, Millais demonstrated unparalleled artistic skill and versatility by delving into various genres and capturing moments frozen in time with remarkable precision. His works continue to inspire awe and admiration even today as they serve as windows into different eras and stories untold.