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High Renaissance Collection (page 8)

The High Renaissance, a period of artistic brilliance in the 16th century, showcased the mastery and innovation of renowned artists

Background imageHigh Renaissance Collection: Allegorical Figure of Theology (pen and brown ink on white paper)

Allegorical Figure of Theology (pen and brown ink on white paper)
1216724 Allegorical Figure of Theology (pen and brown ink on white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 20.1x14.3 cm; Ashmolean Museum, University of Oxford

Background imageHigh Renaissance Collection: Amorini at Play (pen and brown ink on off-white paper)

Amorini at Play (pen and brown ink on off-white paper)
1216709 Amorini at Play (pen and brown ink on off-white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 27.3x19.4 cm; Ashmolean Museum, University of Oxford

Background imageHigh Renaissance Collection: Group of Warriors (Donatellos St George at Orsanmichele in the centre

Group of Warriors (Donatellos St George at Orsanmichele in the centre
1216705 Group of Warriors (Donatellos St George at Orsanmichele in the centre) (pen and brown ink on white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 27.1x21.6 cm; Ashmolean Museum

Background imageHigh Renaissance Collection: Landscape Sketch with a brief Study of the Virgin Marys head turned to left

Landscape Sketch with a brief Study of the Virgin Marys head turned to left
1216697 Landscape Sketch with a brief Study of the Virgin Marys head turned to left, 1500-1504 (pen and brown ink over metalpoint on white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520)

Background imageHigh Renaissance Collection: Detail from the Sistine Ceiling (black chalk with touches of white chalk on pale buff

Detail from the Sistine Ceiling (black chalk with touches of white chalk on pale buff
1216694 Detail from the Sistine Ceiling (black chalk with touches of white chalk on pale buff paper) by Buonarroti, Michelangelo (1475-1564) (after); 17.5x13.3 cm; Ashmolean Museum

Background imageHigh Renaissance Collection: Detail from the Sistine Ceiling (red chalk on pale buff paper)

Detail from the Sistine Ceiling (red chalk on pale buff paper)
1216693 Detail from the Sistine Ceiling (red chalk on pale buff paper) by Buonarroti, Michelangelo (1475-1564) (after); 26x18.8 cm; Ashmolean Museum, University of Oxford

Background imageHigh Renaissance Collection: Tomb of Julius II, 1515 (marble)

Tomb of Julius II, 1515 (marble)
991751 Tomb of Julius II, 1515 (marble) by Buonarroti, Michelangelo (1475-1564); San Pietro in Vincoli, Rome, Italy; Italian, out of copyright

Background imageHigh Renaissance Collection: Four Heads from the Raphael Cartoons at Hampton Court, c. 1729 (etching)

Four Heads from the Raphael Cartoons at Hampton Court, c. 1729 (etching)
1067380 Four Heads from the Raphael Cartoons at Hampton Court, c.1729 (etching) by Hogarth, William (1697-1764); 21.6x35.6 cm; Dallas Museum of Art, Texas, USA; gift of Mr. and Mrs. Alfred L

Background imageHigh Renaissance Collection: Sketch, possibly St. Jerome (pen & ink on paper)

Sketch, possibly St. Jerome (pen & ink on paper)
1152798 Sketch, possibly St. Jerome (pen & ink on paper) by Palma Il Giovane (Jacopo Negretti) (1548-1628); eThe Devonshire Collections

Background imageHigh Renaissance Collection: Mercury (bronze) (see also 2967764-5)

Mercury (bronze) (see also 2967764-5)
2967763 Mercury (bronze) (see also 2967764-5) by Barbedienne, Ferdinand (1810-92); height: 100 cm; Private Collection; (add.info)

Background imageHigh Renaissance Collection: The Risen Christ, three-quarter length nude drawn over studies of a leg and a foot (chalk

The Risen Christ, three-quarter length nude drawn over studies of a leg and a foot (chalk
CH469003 The Risen Christ, three-quarter length nude drawn over studies of a leg and a foot (chalk, pen & ink on paper) (recto of 469002) by Buonarroti

Background imageHigh Renaissance Collection: Saint Cecilia and a seated female figure holding a book (chalk

Saint Cecilia and a seated female figure holding a book (chalk
475958 Saint Cecilia and a seated female figure holding a book (chalk, pen & ink and wash on paper) (verso of 475957) by Bertoia

Background imageHigh Renaissance Collection: The Deposition (bodycolour on vellum heightened with gold)

The Deposition (bodycolour on vellum heightened with gold)
615468 The Deposition (bodycolour on vellum heightened with gold) by Clovio, Giorgio-Giulio (1498-1578) (circle of); 27.2x20.5 cm; Private Collection; Photo eChristies Images; Italian

Background imageHigh Renaissance Collection: A battle of nude youths (pen & ink on paper) (recto of 82783)

A battle of nude youths (pen & ink on paper) (recto of 82783)
3551547 A battle of nude youths (pen & ink on paper) (recto of 82783) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 23.1x37.7 cm; Fitzwilliam Museum, University of Cambridge

Background imageHigh Renaissance Collection: Studies of the Christ Child, 1513-14 (chalk on paper)

Studies of the Christ Child, 1513-14 (chalk on paper)
3552353 Studies of the Christ Child, 1513-14 (chalk on paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 22x16.7 cm; Metropolitan Museum of Art, New York, USA; Purchase, Florence B

Background imageHigh Renaissance Collection: Madonna and Child with Saints Francis and Mary Magdalene

Madonna and Child with Saints Francis and Mary Magdalene
3564851 Madonna and Child with Saints Francis and Mary Magdalene by Ghirlandaio, Ridolfo (Bigordi), Il (1483-1561); Galleria dell Accademia, Florence, Tuscany, Italy; (add.info.: Artist: Ghirlandaio)

Background imageHigh Renaissance Collection: Portrait of a man, work by Girolamo da Carpi, conserved at the Galleria Estense in Modena

Portrait of a man, work by Girolamo da Carpi, conserved at the Galleria Estense in Modena
3567571 Portrait of a man, work by Girolamo da Carpi, conserved at the Galleria Estense in Modena by Carpi, Girolamo da (1501-56); Galleria e Museo Estense, Modena

Background imageHigh Renaissance Collection: The Annunciation

The Annunciation
3567512 The Annunciation by Garofalo, Benvenuto Tisi da (1481-1559); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: ARTIST: Garofalo, Benvenuto Tisi)

Background imageHigh Renaissance Collection: Portrait of Henri II of France

Portrait of Henri II of France
3567437 Portrait of Henri II of France by Clouet, Francois (c.1510-72); Palatine Gallery, Pitti Palace, Florence; (add.info.: ARTIST: Clouet, Francois; Clouet, Francois Date of Artwork: 1547 ca)

Background imageHigh Renaissance Collection: Ecce Homo

Ecce Homo
3567408 Ecce Homo by Bartolomeo, Fra (Baccio della Porta) (1472-1517); Palatine Gallery, Pitti Palace, Florence; (add.info.: ARTIST: Bartolomeo, Fra, Baccio della Porta)

Background imageHigh Renaissance Collection: Adoration of the shepherds

Adoration of the shepherds
3567395 Adoration of the shepherds by Titian (Tiziano Vecellio) (c.1488-1576); Palatine Gallery, Pitti Palace, Florence; (add.info.: ARTIST: Tiziano Vecellio (ca)

Background imageHigh Renaissance Collection: Madonna with Child, painting by Andrea del Sarto, conserved at the Palatine Gallery in Pitti

Madonna with Child, painting by Andrea del Sarto, conserved at the Palatine Gallery in Pitti Palace, Florence
3567368 Madonna with Child, painting by Andrea del Sarto, conserved at the Palatine Gallery in Pitti Palace, Florence by Sarto, Andrea del (1486-1530); Palatine Gallery, Pitti Palace

Background imageHigh Renaissance Collection: Portrait of Caterina Sforza

Portrait of Caterina Sforza
3567350 Portrait of Caterina Sforza by Palmezzano, Marco (1458-1539); Palatine Gallery, Pitti Palace, Florence; (add.info.: ARTIST: Palmezzano, Marco Date of Artwork: 1479-1539 ca)

Background imageHigh Renaissance Collection: Young self-portrait of Andrea del Sarto

Young self-portrait of Andrea del Sarto
3567336 Young self-portrait of Andrea del Sarto by Sarto, Andrea del (1486-1530); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: ARTIST: Andrea del Sarto (1486-1530); d Agnolo, Andrea

Background imageHigh Renaissance Collection: Temptation of Guiseppe Ebreo, plate by Francesco Xanto Avelli conserved in the Museo Nazionale del

Temptation of Guiseppe Ebreo, plate by Francesco Xanto Avelli conserved in the Museo Nazionale del Bargello, Florence
3567301 Temptation of Guiseppe Ebreo, plate by Francesco Xanto Avelli conserved in the Museo Nazionale del Bargello, Florence by Xanto Avelli, Francesco (c.1487-c.1542); Museo Nazionale del Bargello

Background imageHigh Renaissance Collection: Madonna and Child: work by Agostino di Duccio conserved in the Museo Nazionale del Bargello

Madonna and Child: work by Agostino di Duccio conserved in the Museo Nazionale del Bargello, Florence
3567267 Madonna and Child: work by Agostino di Duccio conserved in the Museo Nazionale del Bargello, Florence by Duccio, Agostino di (1418-c.81); Museo Nazionale del Bargello, Florence, Tuscany

Background imageHigh Renaissance Collection: Madonna enthroned and saints

Madonna enthroned and saints
3567249 Madonna enthroned and saints by Dossi, D.(c.1479-1542) & Garofalo, B.(c.1481-1519); Pinacoteca Nazionale, Ferrara, Emilia-Romagna, Italy; (add.info.: ARTIST: Dossi, Dosso, Giovanni Luteri)

Background imageHigh Renaissance Collection: Project for a church built on a central axis and a boat with oars and sails

Project for a church built on a central axis and a boat with oars and sails, drawing by Leonardo da Vinci
3572630 Project for a church built on a central axis and a boat with oars and sails, drawing by Leonardo da Vinci, part of the Codex B (2173), c.39v, housed at the Institut de France, Paris by Vinci

Background imageHigh Renaissance Collection: The Christ Child, detail of the Nativity (fresco)

The Christ Child, detail of the Nativity (fresco)
3574001 The Christ Child, detail of the Nativity (fresco) by Pinturicchio, Bernardino di Betto (c.1452-1513); Baglioni Chapel, Santa Maria Maggiore, Spello, Italy; (add.info.: Artist: Pinturicchio)

Background imageHigh Renaissance Collection: Adoration of the Magi. Panel, part of the dismantled 'retablo'of the Church of Santa Maria degli

Adoration of the Magi. Panel, part of the dismantled "retablo"of the Church of Santa Maria degli Angeli in
3573991 Adoration of the Magi. Panel, part of the dismantled " retablo" of the Church of Santa Maria degli Angeli in Bortigali, Sardinia by Italian School

Background imageHigh Renaissance Collection: Saint Peter, c. 1500-24

Saint Peter, c. 1500-24
3573965 Saint Peter, c.1500-24 by Alibrando, Girolamo (1470-1524); Museo Nazionale, Messina, Italy; (add.info.: Artist: Alibrandi Girolamo (1470-1524); Alibrando Girolamo Date of Artwork

Background imageHigh Renaissance Collection: The creation of Eve (fresco)

The creation of Eve (fresco)
3573937 The creation of Eve (fresco) by Italian School, (16th century); Church of Santa Lucia, Sezze, Latina, Italy; (add.info.: Fresco in the presbytery of the Church of Santa Lucia)

Background imageHigh Renaissance Collection: Polyptych with the Nativity with side panels featuring Saints Peter, Paul

Polyptych with the Nativity with side panels featuring Saints Peter, Paul
3573847 Polyptych with the Nativity with side panels featuring Saints Peter, Paul, Clement and Magdelene (detail of Mary Magdelene) by Campi, Galeazzo (1475/77-1536) & Aleni

Background imageHigh Renaissance Collection: Female portrait; drawing by Leonardo da Vinci. The Louvre, Paris

Female portrait; drawing by Leonardo da Vinci. The Louvre, Paris
3566084 Female portrait; drawing by Leonardo da Vinci. The Louvre, Paris by Vinci, Leonardo da (1452-1519); Louvre, Paris

Background imageHigh Renaissance Collection: The Virgin, the Baby Jesus, St. Sebastian and St. Rocco; drawing by Raphael. The Louvre, Paris

The Virgin, the Baby Jesus, St. Sebastian and St. Rocco; drawing by Raphael. The Louvre, Paris
3566064 The Virgin, the Baby Jesus, St. Sebastian and St. Rocco; drawing by Raphael. The Louvre, Paris by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Louvre, Paris

Background imageHigh Renaissance Collection: The Annunciation; drawing by Raphael. The Louvre, Paris

The Annunciation; drawing by Raphael. The Louvre, Paris
3566062 The Annunciation; drawing by Raphael. The Louvre, Paris by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Louvre, Paris

Background imageHigh Renaissance Collection: Study for the fresco of the Paolina Chapel; drawing by Michelangelo. The Louvre, Paris

Study for the fresco of the Paolina Chapel; drawing by Michelangelo. The Louvre, Paris
3566056 Study for the fresco of the Paolina Chapel; drawing by Michelangelo. The Louvre, Paris by Buonarroti, Michelangelo (1475-1564); Louvre, Paris

Background imageHigh Renaissance Collection: Study of some nude figures; drawing by Michelangelo. The Louvre, Paris

Study of some nude figures; drawing by Michelangelo. The Louvre, Paris
3566054 Study of some nude figures; drawing by Michelangelo. The Louvre, Paris by Buonarroti, Michelangelo (1475-1564); Louvre, Paris

Background imageHigh Renaissance Collection: Crucifixion; drawing by Michelangelo. The Louvre, Paris

Crucifixion; drawing by Michelangelo. The Louvre, Paris
3566052 Crucifixion; drawing by Michelangelo. The Louvre, Paris by Buonarroti, Michelangelo (1475-1564); Louvre, Paris, France; (add.info.: Note)

Background imageHigh Renaissance Collection: Study of nudes; drawing by Michelangelo. The Louvre, Paris

Study of nudes; drawing by Michelangelo. The Louvre, Paris
3566050 Study of nudes; drawing by Michelangelo. The Louvre, Paris by Buonarroti, Michelangelo (1475-1564); Louvre, Paris

Background imageHigh Renaissance Collection: Study for a male nude, Michelangelo Buonarroti (1475-1564), drawing, Paris, Louvre Museum

Study for a male nude, Michelangelo Buonarroti (1475-1564), drawing, Paris, Louvre Museum
3566049 Study for a male nude, Michelangelo Buonarroti (1475-1564), drawing, Paris, Louvre Museum by Buonarroti, Michelangelo (1475-1564); Louvre, Paris

Background imageHigh Renaissance Collection: Nude study; drawing by Michelangelo. Musee du Louvre, Paris

Nude study; drawing by Michelangelo. Musee du Louvre, Paris
3566044 Nude study; drawing by Michelangelo. Musee du Louvre, Paris by Buonarroti, Michelangelo (1475-1564); Louvre, Paris

Background imageHigh Renaissance Collection: Womans head

Womans head
3566032 Womans head by Sarto, Andrea del (1486-1530); Louvre, Paris, France; (add.info.: Note: Fac-Simile preserved in the Biblioteca della Stamperia d Arte Fratelli Alinari ARTIST)

Background imageHigh Renaissance Collection: Homer; drawing by Raphael. Gallerie dell Accademia, Venice

Homer; drawing by Raphael. Gallerie dell Accademia, Venice
3566026 Homer; drawing by Raphael. Gallerie dell Accademia, Venice by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Gallerie dell Accademia, Venice

Background imageHigh Renaissance Collection: Study of four male figures and a baby; drawing by Raphael. Gallerie dell Accademia, Venice

Study of four male figures and a baby; drawing by Raphael. Gallerie dell Accademia, Venice
3566016 Study of four male figures and a baby; drawing by Raphael. Gallerie dell Accademia, Venice by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Gallerie dell Accademia, Venice

Background imageHigh Renaissance Collection: Men horseback; drawing by Raphael. Gallerie dell Accademia, Venice

Men horseback; drawing by Raphael. Gallerie dell Accademia, Venice
3566015 Men horseback; drawing by Raphael. Gallerie dell Accademia, Venice by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Gallerie dell Accademia, Venice

Background imageHigh Renaissance Collection: Study for a bagpipes player; drawing by Raphael. Gallerie dell Accademia, Venice

Study for a bagpipes player; drawing by Raphael. Gallerie dell Accademia, Venice
3566014 Study for a bagpipes player; drawing by Raphael. Gallerie dell Accademia, Venice by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Gallerie dell Accademia, Venice

Background imageHigh Renaissance Collection: Male nudes with a horse; drawing by Raphael. Gallerie dell Accademia, Venice

Male nudes with a horse; drawing by Raphael. Gallerie dell Accademia, Venice
3566000 Male nudes with a horse; drawing by Raphael. Gallerie dell Accademia, Venice by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Gallerie dell Accademia, Venice



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The High Renaissance, a period of artistic brilliance in the 16th century, showcased the mastery and innovation of renowned artists. From Leonardo da Vinci's captivating "Mona Lisa" to Michelangelo's awe-inspiring frescoes on the Sistine Ceiling, this era left an indelible mark on art history. In his "Study of the Virgin for La Belle Jardinière, " Raphael skillfully captures the tender bond between mother and child. The delicate brushstrokes bring forth a sense of serenity and grace that epitomize this period. Speaking of Leonardo da Vinci, his enigmatic masterpiece "Mona Lisa" continues to captivate audiences with her enigmatic smile. Painted with oil on canvas, this portrait showcases Leonardo's unparalleled ability to infuse life into his subjects. Moving beyond paintings, we delve into cartography as we explore the breathtaking Gallery of Maps in Vatican City. Published in 1878, these intricately detailed maps offer a glimpse into geographical knowledge during that time. Delving deeper into sketches and studies, we encounter a pen & ink sketch titled "Sketch of a Nude Man. " This piece reveals an artist's exploration of human anatomy and serves as a testament to their dedication towards perfecting their craft. Shifting our focus from drawings to sculptures, Michelangelo's "Madonna and Child" carved from marble exudes divine beauty. The intricate details showcase Michelangelo's ability to breathe life into stone while conveying profound emotions through his work. Another remarkable red chalk study is found in "Figure Study. " With each stroke capturing movement and form effortlessly, it exemplifies how artists sought perfection through meticulous observation. Hands play an essential role in artistry; thus, one cannot overlook the iconic detail from The Creation of Adam - Hands of God and Adam. This powerful image symbolizes humanity's connection with divinity while showcasing Michelangelo's genius on the Sistine Ceiling.