High Renaissance Collection (page 2)

Christ Carried to the Tomb, 1607/1620. Creator: Jacopo Palma
Christ Carried to the Tomb, 1607/1620

Portrait of the artist, copy after self-portrait of Domenico Capriolo. Creator: Unknown
Portrait of the artist, copy after self-portrait of Domenico Capriolo

Holy Family with Angel, c.1525. Creator: Jacopo Palma
Holy Family with Angel, c.1525

Fame Blowing on a Trumpet, n.d. Creator: Jacopo Palma
Fame Blowing on a Trumpet, n.d

Study for Venice Receiving Homage and Gifts from Brescia, Udine, Padua, and... c.1593. Creator: Jacopo Palma
Study for Venice Receiving Homage and Gifts from Brescia, Udine, Padua, and Verona, with Doge Francesco Venier Presenting Them, c.1593

Head of a Man, 1600/11. Creator: Jacopo Palma
Head of a Man, 1600/11

Study for the Adoration of the Magi, 1612. Creator: Jacopo Palma
Study for the Adoration of the Magi, 1612

Sketches of Heads, Eyes, Ear, and Mouth, 1600/11. Creator: Jacopo Palma
Sketches of Heads, Eyes, Ear, and Mouth, 1600/11

Andriana Palma and Diogenes the Cynic, 1596. Creator: Jacopo Palma
Andriana Palma and Diogenes the Cynic, 1596

Studies for the Crowning with Thorns, 1592/1600. Creator: Jacopo Palma
Studies for the Crowning with Thorns, 1592/1600

Vision of St. Francis of Assisi (recto); Saint Jerome, Vision of Saint Francis, and... c.1618. Creator: Jacopo Palma
Vision of St. Francis of Assisi (recto); Saint Jerome, Vision of Saint Francis, and Two Small Sketches of St. Francis Holding the Christ Child (verso), c.1618

Saint Justina of Padua Enthroned, with Saints James the Less and John the Baptist, 1600/05. Creator: Jacopo Palma
Saint Justina of Padua Enthroned, with Saints James the Less and John the Baptist, 1600/05

Saint Lawrence, c.1611. Creator: Jacopo Palma
Saint Lawrence, c.1611

Sketches for a Lamentation and a Pietà, and of Various Figures, Heads... 1580 (r); 1576/80 (v). Creator: Jacopo Palma
Sketches for a Lamentation and a Pieta, and of Various Figures, Heads, and an Arm (recto); Sketches of the Dead Christ, and of Various Figures and Heads (verso), 1580 (recto); 1576/80 (verso)

Study for the Flagellation of Christ, c.1602. Creator: Jacopo Palma
Study for the Flagellation of Christ, c.1602

The Entombment of Christ, 1595/1600. Creator: Jacopo Palma
The Entombment of Christ, 1595/1600

Study for St. Mark (recto); Sketch of Half-length Male Figure, Looking Upwards to... 1602/05. Creator: Jacopo Palma
Study for St. Mark (recto); Sketch of Half-length Male Figure, Looking Upwards to Right (verso), 1602/05

Two Sketches of Male Nudes, One Kneeling, One Standing (recto); Three Sketches... 1600/09. Creator: Jacopo Palma
Two Sketches of Male Nudes, One Kneeling, One Standing (recto); Three Sketches: Seated Male Nude, Reclining Male Nude, Male Head in Profile (v erso), 1600/09

Tomb of Michael Angelo in Church of Santa Croce, Florence, Italy, c1909. Creator: Unknown
Tomb of Michael Angelo in Church of Santa Croce, Florence, Italy, c1909. Tomb of Michelangelo, Italian sculptor, painter, architect and poet of the High Renaissance with sculpture by Valerio Cioli

The Prophet Moses by Michelangelo, published in 1878
The Prophet Moses. The Horns of Moses is based on a translation error of the Vulgate. Wood engraving after the famous sculpture (c)

Portrait of Charles the Bold, 1500-1547. Creator: Sebastiano del Piombo
Portrait of Charles the Bold, 1500-1547. Charles V, Holy Roman Emperor named after Charles "the Bold" of Burgundy

Parnassus, from the Stanza della Segnatura, 1510-11 (fresco)
3362170 Parnassus, from the Stanza della Segnatura, 1510-11 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries

Altarpiece of the Guild of Minters, 1602 (oil on panel)
471130 Altarpiece of the Guild of Minters, 1602 (oil on panel) by Vos, Maarten de (1532-1603); 253x388 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Adam and Eve, 1593-95 (oil on wood)
3714794 Adam and Eve, 1593-95 (oil on wood) by Spranger, Bartholomaeus (1546-1611); Latvian Museum of Foreign Art, Riga, Latvia

Pieta, c. 1530-36 (red chalk)
3696965 Pieta, c.1530-36 (red chalk) by Buonarroti, Michelangelo (1475-1564); Graphische Sammlung Albertina, Vienna, Austria; (add.info.: Red chalk over black chalk and preliminary stylus drawing)

Alessandro Farnese and his brother Ottavio present a gift to Pope Julius III, 1500
IND388211 Alessandro Farnese and his brother Ottavio present a gift to Pope Julius III, 1500, from the Sala dei Fasti Farnese (Hall of the Splendours of the Farnese) 1557-66 (fresco) by Zuccaro

The Deposition (detail), 1507 (oil on panel)
3512978 The Deposition (detail), 1507 (oil on panel) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 184x176 cm; Galleria Borghese, Rome, Lazio, Italy; (add.info.: Also known as The Entombment)

Crest of the Farnese family (fresco)
IND388212 Crest of the Farnese family (fresco) by Italian School, (16th century); Villa Farnese, Caprarola, Voterbo, Lazio, Italy; Index Fototeca

Rest during the flight into Egypt
3567413 Rest during the flight into Egypt by Pitati, Bonifazio de (Bonifacio Veronese) (c.1487-1553); Palatine Gallery, Pitti Palace

Portrait of a woman, painting by Bonifacio de Pitati
3567384 Portrait of a woman, painting by Bonifacio de Pitati by Pitati, Bonifazio de (Bonifacio Veronese) (c.1487-1553); Palatine Gallery, Pitti Palace

Augustus and the Tiburtine Sybil
3567382 Augustus and the Tiburtine Sybil by Pitati, Bonifazio de (Bonifacio Veronese) (c.1487-1553); Palatine Gallery, Pitti Palace, Florence; (add.info.: ARTIST: Bonifacio Veronese)

Battle of Anghiari, after Leonardo da Vinci (pen & ink with wash on paper)
ALI447215 Battle of Anghiari, after Leonardo da Vinci (pen & ink with wash on paper) by Rubens, Peter Paul (1577-1640); Louvre, Paris

Studies for a Deposition (pen and brown ink on buff paper)
1216711 Studies for a Deposition (pen and brown ink on buff paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 21.8x30.7 cm; Ashmolean Museum, University of Oxford

The Death of Adonis (pen and brown ink on off-white paper)
1216717 The Death of Adonis (pen and brown ink on off-white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 26.5x33 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Study of Figures for a Narrative Scene (black chalk on paper) (recto) (for verso see 191764)
BAL191767 Study of Figures for a Narrative Scene (black chalk on paper) (recto) (for verso see 191764) by Buonarroti, Michelangelo (1475-1564); British Museum, London

The Lamentation (pen and brown ink on white paper)
1216710 The Lamentation (pen and brown ink on white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 17.9x20.6 cm; Ashmolean Museum, University of Oxford

Study of Figures for a Narrative Scene (black chalk on paper) (verso) (for recto see 191777) (see also 191767)
BAL191778 Study of Figures for a Narrative Scene (black chalk on paper) (verso) (for recto see 191777) (see also 191767) by Buonarroti, Michelangelo (1475-1564); British Museum, London

The Deposition (detail), 1507 (oil on panel)
5901252 The Deposition (detail), 1507 (oil on panel) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Galleria Borghese, Rome, Lazio

Jacob dreams
[url=http://www.istockphoto.com/file_search.php?action=file&lightboxID=11047139][img]http://img-fotki.yandex.ru/get/5809/5232617.2/0_702d2_40b270_orig[/img][/url] Engraving by Gustave Dore

Achan is stoned to death
[url=http://www.istockphoto.com/file_search.php?action=file&lightboxID=11047139][img]http://img-fotki.yandex.ru/get/5809/5232617.2/0_702d2_40b270_orig[/img][/url] Engraving by Gustave Dore

Black and white depiction of the Annunciation
[url=http://www.istockphoto.com/file_search.php?action=file&lightboxID=11047139][img]http://img-fotki.yandex.ru/get/5809/5232617.2/0_702d2_40b270_orig[/img][/url] Engraving by Gustave Dore

Deborah sings the blessings on Jael
[url=http://www.istockphoto.com/file_search.php?action=file&lightboxID=11047139][img]http://img-fotki.yandex.ru/get/5809/5232617.2/0_702d2_40b270_orig[/img][/url] Engraving by Gustave Dore

The Crucified Christ with the Virgin Mary, Saints and Angels (The Mond Crucifixion), c. 1502-03 (oil on poplar)
5895042 The Crucified Christ with the Virgin Mary, Saints and Angels (The Mond Crucifixion), c.1502-03 (oil on poplar) by Raphael (Raffaello Sanzio of Urbino) (1483-1520)

View of the Room of Constantine, Vatican City (photo)
991694 View of the Room of Constantine, Vatican City (photo) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); (add.info.: Romano, Penni)

View of the Room of Constantine, Vatican City (photo)
991691 View of the Room of Constantine, Vatican City (photo) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); (add.info.: Romano, Penni, Raffaelino del Colle 1517-24/16C )

Saint George and the Dragon, c. 1500 (oil on panel)
3545958 Saint George and the Dragon, c.1500 (oil on panel) by Signorelli, Luca (c.1450-1523) (workshop of); 55x77.5 cm; Rijksmuseum, Amsterdam, The Netherlands

Hans Lufft (1495-1584), Luthers Bible printer, wood engraving, published 1879
Hans Lufft (1495 - 1584). Bible printer of Martin Luther. Woodcut engraving after an original (1584), published in1879

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The High Renaissance, a period of artistic brilliance in the 16th century, showcased the mastery and innovation of renowned artists. From Leonardo da Vinci's captivating "Mona Lisa" to Michelangelo's awe-inspiring frescoes on the Sistine Ceiling, this era left an indelible mark on art history. In his "Study of the Virgin for La Belle Jardinière, " Raphael skillfully captures the tender bond between mother and child. The delicate brushstrokes bring forth a sense of serenity and grace that epitomize this period. Speaking of Leonardo da Vinci, his enigmatic masterpiece "Mona Lisa" continues to captivate audiences with her enigmatic smile. Painted with oil on canvas, this portrait showcases Leonardo's unparalleled ability to infuse life into his subjects. Moving beyond paintings, we delve into cartography as we explore the breathtaking Gallery of Maps in Vatican City. Published in 1878, these intricately detailed maps offer a glimpse into geographical knowledge during that time. Delving deeper into sketches and studies, we encounter a pen & ink sketch titled "Sketch of a Nude Man. " This piece reveals an artist's exploration of human anatomy and serves as a testament to their dedication towards perfecting their craft. Shifting our focus from drawings to sculptures, Michelangelo's "Madonna and Child" carved from marble exudes divine beauty. The intricate details showcase Michelangelo's ability to breathe life into stone while conveying profound emotions through his work. Another remarkable red chalk study is found in "Figure Study. " With each stroke capturing movement and form effortlessly, it exemplifies how artists sought perfection through meticulous observation. Hands play an essential role in artistry; thus, one cannot overlook the iconic detail from The Creation of Adam - Hands of God and Adam. This powerful image symbolizes humanity's connection with divinity while showcasing Michelangelo's genius on the Sistine Ceiling.