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High Renaissance Collection (page 6)

The High Renaissance, a period of artistic brilliance in the 16th century, showcased the mastery and innovation of renowned artists

Background imageHigh Renaissance Collection: The Conversion of Saint Paul (chalk, pen & ink and wash on paper) (recto of 475958)

The Conversion of Saint Paul (chalk, pen & ink and wash on paper) (recto of 475958)
475957 The Conversion of Saint Paul (chalk, pen & ink and wash on paper) (recto of 475958) by Bertoia, Jacopo Ianguidi (1544-c.1573); 19.8x27 cm; Private Collection; Photo eChristies Images; Italian

Background imageHigh Renaissance Collection: Portrait of Pope Clement VII, Seated three-quarter length, (oil on panel)

Portrait of Pope Clement VII, Seated three-quarter length, (oil on panel)
827682 Portrait of Pope Clement VII, Seated three-quarter length, (oil on panel) by Bugiardini, Giuliano (1475-1554); 91.2x74.2 cm; Private Collection; (add.info.: Portrait of Pope Clement VII)

Background imageHigh Renaissance Collection: A bacchanal of children, after Michelangelo (chalk on paper)

A bacchanal of children, after Michelangelo (chalk on paper)
2637294 A bacchanal of children, after Michelangelo (chalk on paper) by Clovio, Giorgio Giulio (1498-1578) (attr. to); 27.9x40 cm; Private Collection; Photo eChristies Images; Italian

Background imageHigh Renaissance Collection: Christs Charge to St. Peter, Mortlake workshop, 1635-39 (textile)

Christs Charge to St. Peter, Mortlake workshop, 1635-39 (textile)
6336186 Christs Charge to St. Peter, Mortlake workshop, 1635-39 (textile) by Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after); 328x498 cm; eThe Devonshire Collections

Background imageHigh Renaissance Collection: Baptism of Christ (recto), 15th century (pen & brown wash) [see 5938231]

Baptism of Christ (recto), 15th century (pen & brown wash) [see 5938231]
5938226 Baptism of Christ (recto), 15th century (pen & brown wash) [see 5938231] by Perugino, Pietro (c.1445-1523) (attr. to); 28x36.8 cm; Fitzwilliam Museum, University of Cambridge

Background imageHigh Renaissance Collection: Virgin and Child with Saints Joseph and John the Baptist (after Michelangelo

Virgin and Child with Saints Joseph and John the Baptist (after Michelangelo
5863719 Virgin and Child with Saints Joseph and John the Baptist (after Michelangelos Madonna del Silenzio), 1561 (engraving & etching) by Bonasone

Background imageHigh Renaissance Collection: Maiolica dish, Apollo slaying the Sons of Niobe- Shape approximately 64 with plain rim

Maiolica dish, Apollo slaying the Sons of Niobe- Shape approximately 64 with plain rim
5938094 Maiolica dish, Apollo slaying the Sons of Niobe- Shape approximately 64 with plain rim, base of dish, 1548 (earthenware, tin-glazed overall; the reverse pale beige)

Background imageHigh Renaissance Collection: The Twelve Apostles: St. Matthias, 1518-20 (chalk on paper)

The Twelve Apostles: St. Matthias, 1518-20 (chalk on paper)
3957852 The Twelve Apostles: St. Matthias, 1518-20 (chalk on paper) by Romano, Giulio (1492-1546); 22.7x12.1 cm; eThe Devonshire Collections

Background imageHigh Renaissance Collection: The Twelve Apostles: St. Paul, 1518-20 (chalk on paper)

The Twelve Apostles: St. Paul, 1518-20 (chalk on paper)
4073296 The Twelve Apostles: St. Paul, 1518-20 (chalk on paper) by Romano, Giulio (1492-1546); 21.2x12.8 cm; eThe Devonshire Collections

Background imageHigh Renaissance Collection: The Twelve Apostles: St. Philip, 1518-20 (chalk on paper)

The Twelve Apostles: St. Philip, 1518-20 (chalk on paper)
4073291 The Twelve Apostles: St. Philip, 1518-20 (chalk on paper) by Romano, Giulio (1492-1546); 20.8x13.3 cm; eThe Devonshire Collections

Background imageHigh Renaissance Collection: The Twelve Apostles: St. Andrew, 1518-20 (chalk on paper)

The Twelve Apostles: St. Andrew, 1518-20 (chalk on paper)
4073280 The Twelve Apostles: St. Andrew, 1518-20 (chalk on paper) by Romano, Giulio (1492-1546); 20.9x13 cm; eThe Devonshire Collections

Background imageHigh Renaissance Collection: Madonna and Child, after Michelangelo (pen & ink on paper)

Madonna and Child, after Michelangelo (pen & ink on paper)
5053941 Madonna and Child, after Michelangelo (pen & ink on paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 25x19.4 cm; eThe Devonshire Collections

Background imageHigh Renaissance Collection: Mercury, 1564 (bronze)

Mercury, 1564 (bronze)
5053383 Mercury, 1564 (bronze) by Giambologna (Giovanni da Bologna), (1529-1608); Museo Nazionale del Bargello, Florence, Tuscany, Italy; Alinari Archives, Florence

Background imageHigh Renaissance Collection: Mercury, 1564 (bronze)

Mercury, 1564 (bronze)
5053381 Mercury, 1564 (bronze) by Giambologna (Giovanni da Bologna), (1529-1608); Museo Nazionale del Bargello, Florence, Tuscany, Italy; Alinari Archives, Florence

Background imageHigh Renaissance Collection: Jupiter Striking Down the Vices (oil on canvas)

Jupiter Striking Down the Vices (oil on canvas)
PWI108515 Jupiter Striking Down the Vices (oil on canvas) by Veronese, (Paolo Caliari) (1528-88); 560x330 cm; Louvre, Paris, France; ePeter Willi; Italian, out of copyright

Background imageHigh Renaissance Collection: Supper at Emmaus (oil on canvas)

Supper at Emmaus (oil on canvas)
PWI108514 Supper at Emmaus (oil on canvas) by Veronese, (Paolo Caliari) (1528-88); 241x415 cm; Louvre, Paris, France; ePeter Willi; Italian, out of copyright

Background imageHigh Renaissance Collection: Madonna della Tenda, c. 1512 (oil on panel)

Madonna della Tenda, c. 1512 (oil on panel)
BFM388707 Madonna della Tenda, c.1512 (oil on panel) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 65.8x51.2 cm; Alte Pinakothek, Munich, Germany; Bildarchiv Foto Marburg

Background imageHigh Renaissance Collection: The Lord Creating the Sun and Moon, 1566-69 (pen & ink, chalk

The Lord Creating the Sun and Moon, 1566-69 (pen & ink, chalk
ALM403436 The Lord Creating the Sun and Moon, 1566-69 (pen & ink, chalk, wash and white heightening on paper) by Zuccaro, Federico (1542-1609); 32.1x26.2 cm; Allen Memorial Art Museum

Background imageHigh Renaissance Collection: The Temple of Apollo (pen & ink on paper)

The Temple of Apollo (pen & ink on paper)
CTS407592 The Temple of Apollo (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info)

Background imageHigh Renaissance Collection: Detail from the Last Judgement, Sistine Chapel (fresco)

Detail from the Last Judgement, Sistine Chapel (fresco)
ALI405727 Detail from the Last Judgement, Sistine Chapel (fresco) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries

Background imageHigh Renaissance Collection: The Transfiguration of Christ (oil on panel)

The Transfiguration of Christ (oil on panel)
FTB367748 The Transfiguration of Christ (oil on panel) by Titian (Tiziano Vecellio) (c.1488-1576); Chiesa de San Salvador, Venice

Background imageHigh Renaissance Collection: Dialectic (pen & brown ink with wash on carta azzurra)

Dialectic (pen & brown ink with wash on carta azzurra)
CTS366766 Dialectic (pen & brown ink with wash on carta azzurra) by Vaga, Perino del (Pietro Buonaccorsi) (1501-47); 15.3x11.8 cm; eThe Devonshire Collections

Background imageHigh Renaissance Collection: Sistine Chapel Ceiling: The Last Judgement, detail of St. Bartholomew holding his flayed skin

Sistine Chapel Ceiling: The Last Judgement, detail of St. Bartholomew holding his flayed skin, 1538-41 (fresco)
ALI182514 Sistine Chapel Ceiling: The Last Judgement, detail of St. Bartholomew holding his flayed skin, 1538-41 (fresco) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries

Background imageHigh Renaissance Collection: Madonna and Child, commissioned in 1505 by Jan van Moescroen

Madonna and Child, commissioned in 1505 by Jan van Moescroen
MAE173995 Madonna and Child, commissioned in 1505 by Jan van Moescroen, given to the church in 1514 or 1517 (marble) by Buonarroti, Michelangelo (1475-1564); Onze Lieve Vrouwekerk, Bruges

Background imageHigh Renaissance Collection: The Anointing of David, c. 1555 (oil on canvas)

The Anointing of David, c. 1555 (oil on canvas)
PHD976 The Anointing of David, c.1555 (oil on canvas) by Veronese, (Paolo Caliari) (1528-88); 173x364 cm; Kunsthistorisches Museum, Vienna, Austria; Italian, out of copyright

Background imageHigh Renaissance Collection: Christ on the Cross with the Virgin, Saint John and Saint Dominic (oil on canvas)

Christ on the Cross with the Virgin, Saint John and Saint Dominic (oil on canvas)
ALI281522 Christ on the Cross with the Virgin, Saint John and Saint Dominic (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); San Domenico, Ancona, Italy; Alinari

Background imageHigh Renaissance Collection: The Tomb of Lorenzo de Medici (1449-92) detail of Dawn, 1520-24 (marble)

The Tomb of Lorenzo de Medici (1449-92) detail of Dawn, 1520-24 (marble)
ALG232642 The Tomb of Lorenzo de Medici (1449-92) detail of Dawn, 1520-24 (marble) by Buonarroti, Michelangelo (1475-1564); New Sacristy, San Lorenzo, Florence, Italy; Italian, out of copyright

Background imageHigh Renaissance Collection: The Ascension of Christ (oil on panel) (b / w photo)

The Ascension of Christ (oil on panel) (b / w photo)
ALI322199 The Ascension of Christ (oil on panel) (b/w photo) by Perugino, Pietro (c.1445-1523); Sansepolcro Cattedrale, Italy; Alinari

Background imageHigh Renaissance Collection: Christ, detail from The Last Judgement, 1538-41 (fresco) (b / w photo)

Christ, detail from The Last Judgement, 1538-41 (fresco) (b / w photo)
ALI176360 Christ, detail from The Last Judgement, 1538-41 (fresco) (b/w photo) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries, Vatican City; Alinari

Background imageHigh Renaissance Collection: Studies for the Pieta Rondanini, c. 1552 (chalk on paper)

Studies for the Pieta Rondanini, c. 1552 (chalk on paper)
AMO276544 Studies for the Pieta Rondanini, c.1552 (chalk on paper) by Buonarroti, Michelangelo (1475-1564); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Background imageHigh Renaissance Collection: Fight study for the Cascina Battle, 1504 (pen & ink on paper)

Fight study for the Cascina Battle, 1504 (pen & ink on paper)
AMO276504 Fight study for the Cascina Battle, 1504 (pen & ink on paper) by Buonarroti, Michelangelo (1475-1564); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

Background imageHigh Renaissance Collection: The Prophet Isaiah, Sistene Chapel Ceiling (fresco)

The Prophet Isaiah, Sistene Chapel Ceiling (fresco)
AII424839 The Prophet Isaiah, Sistene Chapel Ceiling (fresco) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries, Vatican City; Italian, out of copyright

Background imageHigh Renaissance Collection: Head of a Woman (pencil on paper)

Head of a Woman (pencil on paper)
FTB165454 Head of a Woman (pencil on paper) by Buonarroti, Michelangelo (1475-1564); Gallerie dell Accademia, Venice, Italy; Italian, out of copyright

Background imageHigh Renaissance Collection: Lamentation, c. 1530 (red chalk)

Lamentation, c. 1530 (red chalk)
3696966 Lamentation, c.1530 (red chalk) by Buonarroti, Michelangelo (1475-1564); 32x24.9 cm; Graphische Sammlung Albertina, Vienna, Austria; (add.info.: Entombment of Christ Red chalk)

Background imageHigh Renaissance Collection: Epicurus, 1754

Epicurus, 1754
3481083 Epicurus, 1754 by Raphael (Raffaello Sanzio of Urbino) (1483-1520); (add.info.: Epicurus (detail from) The School of Athens (Scuola di Atene) 1511

Background imageHigh Renaissance Collection: Detail depicting the Last Judgement and Saints, in the apse (fresco)

Detail depicting the Last Judgement and Saints, in the apse (fresco)
3573936 Detail depicting the Last Judgement and Saints, in the apse (fresco) by Italian School, (16th century); Church of Santa Lucia, Sezze, Latina

Background imageHigh Renaissance Collection: The Adoration of the Magi

The Adoration of the Magi
3573845 The Adoration of the Magi by Campi, Bernardino (1522-c.1590); Basilica of Santa Maria della Croce, Crema, Lombardy, Italy; (add.info.: Artist: Campi)

Background imageHigh Renaissance Collection: Head of a woman

Head of a woman
3573790 Head of a woman by Amalteo, Pomponio (1505-88); Museo Civico, Belluno, Italy; (add.info.: Artist: Amalteo Pomponio (1505-1588) Date of Artwork: 1520-1588 ca

Background imageHigh Renaissance Collection: Madonna and Child enthroned with angels and saints

Madonna and Child enthroned with angels and saints
3573788 Madonna and Child enthroned with angels and saints by Lotto, Lorenzo (c.1480-1556); San Benardino in Pignolo, Bergamo, Italy; (add.info.: Artist: Lotto)

Background imageHigh Renaissance Collection: Allegory of Mathematics, c. 1496-1555

Allegory of Mathematics, c. 1496-1555
3574130 Allegory of Mathematics, c.1496-1555 by Giolfino, Niccolo the Younger (1476-1555); Museo del Castelvecchio, Verona, Italy; (add.info.: Artist: Giolfino, Nicolo Date of Artwork: 1496-1555 ca)

Background imageHigh Renaissance Collection: Discussion in the Temple (fresco)

Discussion in the Temple (fresco)
3574004 Discussion in the Temple (fresco) by Pinturicchio, Bernardino di Betto (c.1452-1513); Baglioni Chapel, Santa Maria Maggiore, Spello, Italy; (add.info.: Artist: Pinturicchio)

Background imageHigh Renaissance Collection: Saint Paul, c. 1500-24

Saint Paul, c. 1500-24
3573964 Saint Paul, c.1500-24 by Alibrando, Girolamo (1470-1524); Museo Nazionale, Messina, Italy; (add.info.: Artist: Alibrandi Girolamo (1470-1524); Alibrando Girolamo Date of Artwork

Background imageHigh Renaissance Collection: Cherries and peas: drawing by Leonardo da Vinci, part of the Codex B (2173), c

Cherries and peas: drawing by Leonardo da Vinci, part of the Codex B (2173), c
3572628 Cherries and peas: drawing by Leonardo da Vinci, part of the Codex B (2173), c.2r, housed in the Institut de France, in Paris by Vinci

Background imageHigh Renaissance Collection: Study for a caryatid of the Camera di Eliodoro in the Vatican; drawing by Raphael. The Louvre, Paris

Study for a caryatid of the Camera di Eliodoro in the Vatican; drawing by Raphael. The Louvre, Paris
3575560 Study for a caryatid of the Camera di Eliodoro in the Vatican; drawing by Raphael. The Louvre, Paris by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Louvre, Paris

Background imageHigh Renaissance Collection: Study of cherubs; drawing by Raphael. The Louvre, Paris

Study of cherubs; drawing by Raphael. The Louvre, Paris
3575554 Study of cherubs; drawing by Raphael. The Louvre, Paris by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Louvre, Paris

Background imageHigh Renaissance Collection: Head of a man (litho)

Head of a man (litho)
3566081 Head of a man (litho) by Master of the Pala Sforzesca, (fl.1480-1520); 23.1x16.4 cm; Biblioteca della Stamperia d Arte Fratelli Alinari



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The High Renaissance, a period of artistic brilliance in the 16th century, showcased the mastery and innovation of renowned artists. From Leonardo da Vinci's captivating "Mona Lisa" to Michelangelo's awe-inspiring frescoes on the Sistine Ceiling, this era left an indelible mark on art history. In his "Study of the Virgin for La Belle Jardinière, " Raphael skillfully captures the tender bond between mother and child. The delicate brushstrokes bring forth a sense of serenity and grace that epitomize this period. Speaking of Leonardo da Vinci, his enigmatic masterpiece "Mona Lisa" continues to captivate audiences with her enigmatic smile. Painted with oil on canvas, this portrait showcases Leonardo's unparalleled ability to infuse life into his subjects. Moving beyond paintings, we delve into cartography as we explore the breathtaking Gallery of Maps in Vatican City. Published in 1878, these intricately detailed maps offer a glimpse into geographical knowledge during that time. Delving deeper into sketches and studies, we encounter a pen & ink sketch titled "Sketch of a Nude Man. " This piece reveals an artist's exploration of human anatomy and serves as a testament to their dedication towards perfecting their craft. Shifting our focus from drawings to sculptures, Michelangelo's "Madonna and Child" carved from marble exudes divine beauty. The intricate details showcase Michelangelo's ability to breathe life into stone while conveying profound emotions through his work. Another remarkable red chalk study is found in "Figure Study. " With each stroke capturing movement and form effortlessly, it exemplifies how artists sought perfection through meticulous observation. Hands play an essential role in artistry; thus, one cannot overlook the iconic detail from The Creation of Adam - Hands of God and Adam. This powerful image symbolizes humanity's connection with divinity while showcasing Michelangelo's genius on the Sistine Ceiling.