Grundy Collection (page 6)

Off Plymouth, c1827. Artist: Samuel Prout
Off Plymouth, c1827. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

St. Michaels Mount, Cornwall, 1878. Artist: Samuel Phillips Jackson
St. Michaels Mount, Cornwall, 1878. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Milking in the Field, c1847. Artist: Samuel Palmer
Milking in the Field, c1847. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Landscape, 1855. Artist: Samuel David Colkett
Landscape, 1855. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Landscape, 1847. Artist: Samuel David Colkett
Landscape, 1847. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Sunset, 1826. Artist: Richard Parkes Bonington
Sunset, 1826. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Boulogne Sands, 1827. Artist: Richard Parkes Bonington
Boulogne Sands, 1827. Painting held at The National Trust, Anglesey Abbey, Cambridge. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C

Venice: Ducal Palace with a Religious Procession, c1828. Artist: Richard Parkes Bonington
Venice: Ducal Palace with a Religious Procession, c1828. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I

Windsor, 1785. Artist: Paul Sandby
Windsor, 1785. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Old Cottages on the Brent, looking towards Harrow, 1830. Artist: Patrick Nasmyth
Old Cottages on the Brent, looking towards Harrow, 1830. Painting held at The Ashmolean Museum of Art and Archaeology, Oxford

The Edge of the Wood, c1824. Artist: Patrick Nasmyth
The Edge of the Wood, c1824. Painting held at the Glasgow Museums Resource Centre, Glasgow. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

A Rough Road, 1826. Artist: Patrick Nasmyth
A Rough Road, 1826. Painting held at the Aberdeen Art Gallery & Museums, Aberdeen. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

The Valley of the Tweed, c1803. Artist: Patrick Nasmyth
The Valley of the Tweed, c1803. Painting held at the National Galleries of Scotland, Scottish National Gallery, Edinburgh

In the Bristol Channel, 1787. Artist: Nicholas Pocock
In the Bristol Channel, 1787. Painting held at the Government Art Collection, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

West Gate, Winchester, 1779. Artist: Michael Angelo Rooker
West Gate, Winchester, 1779. Manchester Art Gallery, Manchester. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C

Cottage Scenery with Cattle, at Ambleside, 1803. Artist: Julius Caesar Ibbetson
Cottage Scenery with Cattle, at Ambleside, 1803. Painting held at the Ferens Art Gallery, Kingston upon Hull. A Catalogue of the Pictures

An Unmarried Sailors Return, c1800. Artist: Julius Caesar Ibbetson
An Unmarried Sailors Return, c1800. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C

A Married Sailors Return, c1800. Artist: Julius Caesar Ibbetson
A Married Sailors Return, c1800. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C

Gipsy Beggars, c1795. Artist: Julius Caesar Ibbetson
Gipsy Beggars, c1795. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

A Cottage, c1852. Artist: Joseph William Allen
A Cottage, c1852. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Women Washing Clothes in a Welsh Stream, 1790. Artist: Julius Caesar Ibbetson
Women Washing Clothes in a Welsh Stream, 1790. Painting held at the Glasgow Museums Resource Centre, Glasgow. From A Catalogue of the Pictures

The Gamekeepers Cottage, Somerset, 1904. Artist: John William North
The Gamekeepers Cottage, Somerset, 1904. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Near Rickmansworth, c1896. Artist: John William Buxton Knight
Near Rickmansworth, c1896. Painting held at the Bury Art Museum, Bury. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C

Old Houses, with Figures, c1836. Artist: John Sell Cotman
Old Houses, with Figures, c1836. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Bangor Is-y-Coed, Denbighshire, c1795. Artist: John Warwick Smith
Bangor Is-y-Coed, Denbighshire, c1795. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Cader Idris, from Barmouth Sands, c1833. Artist: John Sell Cotman
Cader Idris, from Barmouth Sands, c1833. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

View from Yarmouth Bridge, Norfolk, Looking towards Breydon, Just after Sunset, c1823. Artist: John Sell Cotman
View from Yarmouth Bridge, Norfolk, Looking towards Breydon, Just after Sunset, c1823. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C

Fisherfolk at St. Ives, 1893. Artist: John Robertson Reid
Fisherfolk at St. Ives, 1893. Aberdeen Art Gallery & Museums, Aberdeen. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C

The Lake and Town of Nemi, 1778. Artist: John Robert Cozens
The Lake and Town of Nemi, 1778. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Cliffs at Barlow, c1877. Artist: John Mogford
Cliffs at Barlow, c1877. Painting held at the Gallery Oldham, Oldham. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C

The Goatherd, 1895. Artist: John MacAllan Swan
The Goatherd, 1895. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

The Sandpits, 1856. Artist: John Linnell
The Sandpits, 1856. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F

The Mill in Combe Neath, c1776. Artist: John Laporte
The Mill in Combe Neath, c1776. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Landscape, c1798. Artist: John Crome
Landscape, c1798. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

View on the Ms, c1799. Artist: John Crome
View on the Ms, c1799. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Old Orford Church and Mill, Suffolk, c1782. Artist: John Crome
Old Orford Church and Mill, Suffolk, c1782. The Ashmolean Museum of Art and Archaeology, Oxford.Old Orford Church and Mill, Suffolk, c1782

The Edge of the Forest, with Farm Cart and Cattle, c1811. Artist: John Crome
The Edge of the Forest, with Farm Cart and Cattle, c1811. Painting held at the Cartwright Hall Art Gallery, Bradford. From A Catalogue of the Pictures

Naworth Castle, c1826. Artist: John Constable
Naworth Castle, c1826. Painting held at the National Gallery of Victoria, Melbourne. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C

View at Blofield, near Norwich, c1810. Artist: John Crome
View at Blofield, near Norwich, c1810. Painting held at the Birmingham Museums Trust, Birmingham. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford

Coast Scene with Church, c1824. Artist: John Constable
Coast Scene with Church, c1824. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

West End Fields, Hampstead, c1833. Artist: John Constable
West End Fields, Hampstead, c1833. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Salisbury Cathedral, c1823. Artist: John Constable
Salisbury Cathedral, c1823. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Windsor Forest, c1835. Artist: James Stark
Windsor Forest, c1835. Painting held at the Bradford Museums and Galleries, Bradford. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

The Willow Stream, c1839. Artist: James Stark
The Willow Stream, c1839. Painting held at The Ashmolean Museum of Art and Archaeology, Oxford. From A Catalogue of the Pictures

A Lane near Norwich, c1837. Artist: James Stark
A Lane near Norwich, c1837. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Glen Sannox, Arran, c1871. Artist: James Orrock
Glen Sannox, Arran, c1871. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

John Reeve as Harry Alias, in One, Two, Three, Four, Five, c1829. Artist: James Northcote
John Reeve as Harry Alias, in One, Two, Three, Four, Five, c1829. John Reeve (1799-1838) a English comic actor specialising in mimicry

Autumn, 1874. Artist: James Dromgole Linton
Autumn, 1874. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

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"Exploring the Artistic Tapestry of Grundy: A Journey Through Time" Step into the enchanting world of Grundy, a captivating place that spans centuries and landscapes. Brinkburn Priory in Northumberland, circa 1830, comes alive with JMW Turner's brushstrokes, transporting us to a bygone era where history whispers through its ancient walls. George Sidney Shepherd takes us to St. Albans in 1809, capturing the essence of this historic city with his masterful strokes. The scene unfolds before our eyes as we immerse ourselves in the architectural marvels and bustling streets of yesteryears. Joseph Highmore introduces us to Mary Rossam from c1734, an enigmatic figure whose story remains shrouded in mystery. Her portrait evokes curiosity and invites us to delve deeper into her intriguing tale. Patrick Nasmyth's "A Woodmans Cottage" transports us to a tranquil countryside retreat in 1820. We can almost hear the rustling leaves and feel the gentle breeze as we imagine ourselves strolling along its idyllic pathways. Henry Edridge captures Rue De La Grosse Horloge in Rouen during 1821—a snapshot frozen in time that showcases both architectural grandeur and everyday life intertwining harmoniously on these historic streets. Lady Hamilton graces our presence as the Goddess of Health through George Romney's masterpiece from around 1790. Her ethereal beauty radiates vitality and reminds us of the timeless pursuit for well-being throughout history. James Clarke Hook paints "A Devonshire Stream" in 1864—an exquisite portrayal that immerses us into nature's embrace. The babbling brook becomes our sanctuary as we find solace amidst its serene surroundings. Richard Hilder guides our gaze towards Otford and Sevenoaks—two picturesque locations captured during different periods but united by their scenic charm. These artworks transport us back to simpler times, where the beauty of nature was cherished and celebrated.